年ふとも音にはたてじ音羽川した行く水のしたのおもひを
| toshi fu tomo oto ni wa tateji otowagawa shita yuku mizu no shita no omoi o | The years may pass, yet I’ll make not a sound, as The Otowa River’s Waters flow beneath, so Secret will be my passion’s fire… |
467


An old man feeling the sadness of the twilight of the year[i]
しらがといひおいぬるけにやことしあれば年のはやくもおもほゆるかな
| shiraga to ii oinuru ke ni ya koto shi areba toshi no hayaku mo omohoyuru kana | Is it my hair so white That means I have grown old? But now in everything That the years go by so fast, I feel! |
394


Round Fifteen
Left
わかのうらとおもふばかりをたのみにてやどもさだめぬあまのこぞうき
| waka no ura to omou bakari o tanomi nite yado mo sadamenu ama no ko zo uki | At Waka Bay, for my youth Simply do I long; Relying on A homeless Son of fisherfolk is sad, indeed. |
Kyō
129
Right (Win)
すみよしのまつことなくていたづらにとしはつもりのうらみをぞする
| sumiyoshi no matsu koto nakute itazura ni toshi wa tsumori no urami o zo suru | At Sumiyoshi Pine I do not, but How quickly The years have laid Their despite upon me! |
Suehiro
130
The Left, while it does sound truly pitiful, truly could have had something in mind as an outcome of youth at Waka Bay. As for the Right, simply that ‘The years have laid / Their despite’ without pining, I know only too well, so I can say that the Right wins.




Round Ten
Left (Win)
かぞふればやとせへにけりあはれわがしづみしことはきのふとおもふに
| kasoureba yatose henikeri aware wa ga shizumishi koto wa kinō to omou ni | When I count them up, Many years have passed, but Sadness Overcomes me for the events Of yesterday, I feel… |
Lord Sanesada
119
Right
いたづらにふりぬるみをもすみよしのまつはさりともあはれしるらむ
| itazura ni furinuru mi o mo sumiyoshi no matsu wa sari tomo aware shiruramu | How quickly Age has come upon my flesh, too— Sumiyoshi’s Pines must that Sadness know too well… |
Lord Toshinari
120
The poem of the Left: these are not matters which could be understood by just anyone, yet even a superficial glance at it reveals that its conception and configuration display and exceptional sadness. How true it is that off all the myriad things in our lives it is the events of yesterday and today that we recall, and this is how we pass through the years and months, so how difficult, indeed, it is to supress the configuration of ‘When I count them up, / Many years have passed’! As for the Right’s poem, well, the conception of the initial section is pedestrian at best, although the latter section does seem to have some conception to it in places and shows some signs of thought. It is the poor composition of the judge, who is into his dotage. Once more, therefore, I have not rendered judgement, however, I feel that the deity would determine in favour of the Left.




Round Eight
Left
よのなかをうみわたりつつとしへぬることはつもりのかみやたすけむ
| yo no naka o umiwataritsutsu toshi henuru koto wa tsumori no kami ya tasukemu | In this mundane world, An endless sea of suffering, Have my years gone by; Might Tsumori’s Deity save me, I wonder? |
Dharma Master Shun’e
115
Right (Win)
いへのかぜわがみのうへにすずしかれかみのしるしをあふぐとならば
| ie no kaze wa ga mi no ue ni suzushikare kami no shirushi o augu to naraba | My house’s breeze of fortune To my sorry self I would bring cool, if For a sign from the God I were to seek… |
Lord Sanekuni
116
The Left’s conception is charming, beginning with ‘An endless sea of suffering’ and following this with ‘Might Tsumori’s / Deity save me, I wonder?’, but ‘endless sea of suffering’ does not sound like acceptable diction. The Right’s conception of ‘For a sign from the God / I were to seek’ sounds charming, so I make it the winner.



