Tag Archives: yorozuyo

Bōjō udaijin-dono uta’awase 01

Poetry Match held by the Bōjō Minister of the Right

On the 11th day of the Eighth Month, Tenryaku 10,[i] when Her Northern Highness[ii] was at the Bōjō Mansion[iii] and the moon was particularly charming, the ladies and gentlemen composed on the topics of plants in the garden in her presence. The gentlemen were on the Left and the ladies were on the Right.

Moon

Left (Tie)

よろづよのまつにかかれるあきの月ひさしきかげをみよとなるべし

yorozuyo no
matsu ni kakareru
aki no tsuki
hisashiki kage o
miyo to narubeshi
Throughout ten thousand ages
Clinging to the pines has been
The autumn moon—
Its eternal face
Surely we should behold!

The Honourable Gentleman-in Waiting
1[iv]

Right

よろづよのかげをみよとやおほぞらのてりまさるらむ秋のよの月

yorozuyo no
kage o miyo to ya
ōzora no
terimasaruramu
aki no yo no tsuki
O’er ten thousand ages
Should we behold, I wonder,
In the heavens
Shining brightest of all,
The moon on an autumn night?

Lady Taiyu
2


[i] This date corresponds to 17 September 956.

[ii] Probably Imperial Princess Yasuko (Kōshi) 康子内親王 (919-957), Fujiwara no Morosuke’s final wife.

[iii] The Bōjō Mansion (Bōjōden 坊城殿) was a residence belonging to Fujiwara no Morosuke where he resided in his later years. Records of its exact location have not survived, but it was most likely to the west of Bōjō-kōji 坊城小路 (modern Bōjō-dōri 坊城通), south of Shijō 四条 in Kyoto.

[iv] This poem is included in Shin senzaishū (XX: 2324) attributed to Fujiwara no Takamitsu, with the headnote ‘Topic unknown’; it is also included in Takamitsu’s personal collection, Takamitsu-shū (8) with the headnote ‘From a poetry match’.

Kinkai wakashū 677

A poem for the year in which the Great Thanksgiving Service was held.[i]

くろきもて君がつくれる宿なれば万代ふともふりずも有りなん

kuroki mote
kimi ga tsukureru
yado nareba
yorozuyo futomo
furizu mo arinan
With barken logs
For my Lord constructed is
This hall, so
Even when ten-thousand ages pass,
Ageless shall it be![ii]

677


[i] The ‘Great Thanksgiving Service’ (dajiōe 大嘗会) was a special version of the ‘First Fruits Service’ (niiamesai 新嘗祭) held in the first year after the accession of the new emperor to the throne (see McAuley (2020, 1111) for more details). The ceremony Sanetomo is referring to here was conducted in 1212, following the accession of Emperor Juntoku 順徳 (1197-1242; r. 1210-1221) (Juntoku formally took the throne on the 25th day of the Eleventh Month, Jōgen 承元 4 [12.12.1210], and was enthroned on the 28th day of the Twelfth Month of the same year [14.1.1211]. His Great Thanksgiving Service was held on the 13th day of the Eleventh Month, Kenryaku 建暦 2 [7.12.1212])

[ii] See: A poem by Her Majesty, the Senior Retired Empress. 波太須珠寸 尾花逆葺 黒木用 造有室者 迄万代 hadasusuki / obana sakafuki / kuroki mochi / tsukureru muro wa / yorozuyo made ni ‘Still a’bud / The silver grass, reverse-thatched, / Upon the barken logs: / Thus constructed is this hall, / To stand until ten thousand ages pass!’ Empress Genshō (Man’yōshū VIII: 1637)

Kinkai wakashū 676

宮ばしらふとしきたてて万代に今ぞさかえんかまくらの里

miyabashira
futoshiki tatete
yorozuyo ni
ima zo sakaen
kamakura no sato
The shrine pillars[i]
Stand firm, that
For ten thousand ages
Shall it flourish as now,
The estate of Kamakura!

676


[i] The shrine Sanetomo is referring to here is the Tsurugaoka Hachiman Shrine in Kamakura (see poem 623). This burned down in 1191, but was then reconstructed by Minamoto no Yoritomo (Higuchi 2016, 208).

Kinkai wakashū 673

万代に見るともあかじ長月の有明の月のあらむかぎりは

yorozuyo ni
miru to mo akaji
nagatsuki no
ariake no tsuki no
aramu kagiri wa
Even for ten thousand ages
Should I gaze, I’d ne’er get my fill
Of the Longest Month’s
Dawntime moon, as long as
‘Twas there![i]

673


[i] See: 万代 見友将飽八 三芳野乃 多芸都河内之 大宮所 yorozuyo ni / mitomo akame ya / miyoshino no / tagitsu kōchi no / ōmiyadokoro ‘Though for a myriad reigns / I gaze, I’ll ne’er be full / Of Yoshino’s / Seething river shore, / The mighty palace site.’ Kasa no Kanamura (Man’yōshū VI: 921); and: Topic unknown. 長月の在明の月の有りつつも君しきまさば我こひめやも nagatsuki no / ariake no tsuki no / aritsutsu mo / kimi shi kimasaba / ware koime ya mo ‘The Longest Month’s / Dawntime moon— / Ever a time for parting, but / Had you come to visit, then / How I would yearn for you then!’ Hitomaro (Shūishū XIII: 795)

MYS VIII: 1637

A poem by Her Majesty, the Senior Retired Empress.

波太須珠寸 尾花逆葺 黒木用 造有室者 迄万代

はだすすき尾花逆葺き黒木もち造れる室は万代までに

hadasusuki
wobana sakapuki
kuroki moti
tukureru muro pa
yoroduyo made ni
Still a’bud
The silver grass, reverse-thatched,
Upon the barken logs:
Thus constructed is this hall,
To stand until ten thousand ages pass!

Empress Genshō

Kinkai wakashū 656

たづのゐるながらのはまの浜風に万代かけて波ぞよすなる

tazu no iru
nagara no hama no
hamakaze ni
yorozuyo kakete
nami zo yosu naru
Cranes rest
Upon the long beach at Nagara, where
With the beach-breeze
O’er ten thousand ages
The waves roll in![i]

656


[i] See: Topic unknown. おきつかぜ夜半にふくらし難波がたあか月かけて浪ぞよすなる oki tsu kaze / yowa ni fukurashi / naniwagata / akatsuki kakete / nami zo yosu naru ‘The wind from out the offing / Has blown throughout the night, it seems: / At Naniwa Inlet / With the break of dawn / The waves roll in!’ Supernumerary Middle Counsellor Sadayori (Shinkokinshū XVII: 1597); and: Composed on the bridge at Nagara. 春の日のながらのはまに舟とめていづれか橋と問へどこたへぬ haru no hi no / nagara no hama ni / fune tomete / izure ka hashi to / toedo kotaenu ‘In the springtime sun / At the beach of Nagara / I halted my boat; / ‘Where is the bridge?’ I / Asked, yet answer came there none.’ Dharma Master Egyō (Shinkokinshū XVII: 1595)

Tōgū gakushi noritada uta’awase 02

Mugwort in the Grounds[i]

Left

よろづよもときはならなんけふのためいはひておほすそののよもぎは

yorozuyo mo
tokiwa naranan
kyō no tame
iwaite ōsu
sono no yomogi wa
For ten thousand ages more
Evergreen, I would you be!
For today’s
Celebration, lushly growing
Mugwort in the grounds…

3

Right

そののうちにおふるよもぎのえだしげみすゑさかゆべくみゆるきみかな

sono no uchi ni
ouru yomogi no
eda shigemi
sue sakayubeku
miyuru kimi kana
Within the grounds
A’growing, the mugwort’s
Branches are lush
To the very end they flourish,
As do you appear to, my Lord!

4

In ancient times, folk arose on this day with the dawn together with the birds and, taking those branches of mugwort from within their grounds that resembled people, dried them in the shade and made medicinal draughts—I wonder, were both Left and Right unaware of this? There is not even a dewdrop’s worth of diction in accordance with the topic, so I must make this round a tie.

かたかたにとるかたもなきよもぎぐさひとかずならぬここちこそすれ

katakata ni
toru kata mo naki
yomogigusa
hito kazu naranu
kokochi koso sure
Both sides say
Nothing noteworthy about
Mugwort plants,so
Neither is worth much,
I feel!

Judge 2


[i] Sono no naka no yomogi 園中蓬

Eien narabō uta’awase 35

Round Seven

Left

かすがやまちえにさかゆるさかきばはよろづよまでのきみがためか

kasugayama
chie ni sakayuru
sakakiba wa
yorozuyo made no
kimi ga tame ka
Upon Kasuga Mountain
A thousand branches grow,
Leafy, on the sacred tree—
Until ten thousand ages pass
Will they ward my Lord!

Lady Kazusa
69

Right

君がよはいふかぎりなしみよしののこがねがみねにみよをまつまで

kimi ga yo wa
iu kagiri nashi
miyoshino no
kogane ga mine ni
miyo o matsu made
My Lord’s reign—
Words cannot describe:
‘til fair Yoshino’s
Golden peak’s
Age one must await!

Lady Shikibu
70

The poem of the Left seems poetic to an extraordinarily outlandish degree! The poem of the Right’s ‘‘til fair Yoshino’s / Golden peak’s / Age one must await!’ has a sufficient conception of felicitation. Thus, these tie.

That the Left is addressed to Mount Kasuga is highly admirable. Is the Right’s ‘golden peak’ a reference to Mount Mitake? It’s very difficult to say anything profound here. Arbitrarily, I would make this a tie—the quality of the poems makes that seem right.