Love VII: 19

Left.
逢ふ事は苗代水を引き止めて通しはてぬや小山田の關

au koto wa
nawashiro mizu o
hikitomete
tōshihatenu ya
oyamada no seki
Can a meeting, like
The waters round the rice seedlings
Be stopped
In their endless flow
Past the Oyamada Barrier?

Kenshō
997

Right (Win).
衣手は清見が關にあらねども絶ゆるよもなき涙也けり

koromode wa
kiyomi ga seki ni
aranedomo
tayuru yo mo naki
namida narikeri
My sleeves as
The Barrier at Kiyomi
Are not, yet
Without cease
Are my tears…

Lord Tsune’ie.
998

The Right state: we are unfamiliar with the expression ‘Oyamada Barrier’ (oyamada no seki). The Left state: it sounds as if it is tears that are ceaseless at the Barrier at Kiyomi.

In judgement: the Left’s poem is stylistically tasteful, but with only ‘can a meeting, like the waters round the rice seedlings’ (au koto wa nawashiro mizu) the conception of love is weak is it not? The Right’s poem metaphorically has tears ceaseless at the Barrier at Kiyomi, and with the ta present, I accept the Left’s point to a certain extent, but this type of thing is not unusual in metaphorical poems.  In addition, there is little reason to imagine the waters round the rice-seedlings being blocked. As it has a stronger focus on Love, the Right wins.

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