Category Archives: 0951-1000

Sen’yōden no nyōgo nadeshiko awase 04

This is a poem which was written on a poetry slip and attached to the diorama when it was presented to the young prince,[i] on the day following the match.

なでしこのはなさきそむる夏の野にけふひぐらしのこゑかきこゆる

nadeshiko no
hana sakisomuru
natsu no no ni
kyō higurashi no
koe ka kikoyuru
The pinks
In bloom have begun to be
On the summer plains
From today the sunset crickets’
Cries do I hear?

7[ii]

In reply from His Highness, the prince.[iii]

ひぐらしのなくもことわりなでしこのかひあるなつの野べとみゆれば

higurashi no
naku mo kotowari
nadeshiko no
kai aru natsu no
nobe to miyureba
That the sunset crickets
Should cry makes sense, for
The pinks bring
A point to the summer
Meadows, or so it seems to me…

8

A further reply from within the Hall of Cool Purity.

みやぎのにけふさきそむるなでしこはならはぬいろに人やみるらむ

miyagino ni
kyō sakisomuru
nadeshiko wa
narawanu iro ni
hito ya miruramu
On Miyagi Plain
Today has begun to bloom
A pink—
Its extraordinary hue
I wonder, will folk see?

9[iv]


[i] A reference to Imperial Prince Norihira  憲平, the future Emperor Reizei 冷泉 (950-1011; r. 967-969).

[ii] Anonymous (Fubokushō IX: 3461); (Nakatsukasa-shū 120)

[iii] Given that Norihira would have been only six years old when this match was held, it is most likely that this reply was penned in his stead by his mother, Fujiwara no Yasuko (Anshi) 藤原安子 (927-964).

[iv] This poem is included in Fubokushō (IX: 3469) attributed to the ‘Seiryōden Junior Consort’ (Seiryōden nyōgo 清涼殿女御), with the headnote ‘Poetry Match held by Junior Consort Yoshiko (Hōshi) in the Fifth Month, Tenryaku 10’. It is now generally believed that the Fubokushō attribution is erroneous, and this was, instead, composed by Emperor Murakami.

Sen’yōden no nyōgo nadeshiko awase 03

Left

たづのすむはまべににほふとこなつはいとどのどけきかげぞみえける

tazu no sumu
hamabe ni niou
tokonatsu wa
itodo nodokeki
kage zo miekeru
Cranes dwell
On the beach where ever glow
The pinks—
How tranquil it is
To see their shapes!

5[i]

Right (Win)

やまがつのかきほながらにうつしうゑていつとなくみむとこなつのはな

yamagatsu no
kakio nagara ni
utsushi uete
itsu to naku mimu
tokonatsu no hana
Even by a woodcutter’s
Brushwood fence
Should they be transplanted
Always would I gaze upon
Bedded pinks in bloom…

6


[i] This poem is included in Fubokushō (IX: 3460), attributed to Nakatsukasa, with the headnote ‘Poetry Match held by Junior Consort Yoshiko (Hōshi) in the Fifth Month, Tenryaku 10’.  In some texts of the match, there is a minor variation in the wording of the final line, having iro (‘hues’), instead of kage (‘shapes’) as here.

Sen’yōden no nyōgo nadeshiko awase 02

Left

あしひきのやまとなでしこいろふかきけふやこふてふひとをまたまし

ashihiki no
yamato nadeshiko
iro fukaki
kyō ya kou chō
hito o matamashi
Leg-wearying the
Mountains of Yamato, the pinks’
Hues so deep, that
I wonder for today and one to love them
Have they awaited?

Nakatsukasa
3[i]

Right (Tie)

みなそこにかげさへにほふなでしこはなみのはなをやいろにそむらむ

minasoko ni
kage sae niou
nadeshiko ha
nami no hana o ya
iro ni somuramu
The very riverbed
With their shapes does glow—
Do the pinks
Even the spray from off the waves
Dye with their hues, I wonder?

4[ii]


[i] A similar poem to this is included in Nakatsukasa’s personal collection, Nakatsukasa-shū (118): かきほなるやまとなでしこいろふかきけふやこふこふ人をまたまし kakio naru / yamato nadeshiko / iro fukaki / kyō ya kou / hito o matamashi ‘By the lattice fence / The Yamato pinks’ / Hues are so deep, that / I wonder for today and one to love them / Have they awaited?’

[ii] Some texts of this match have an alternate wording for this poem: みなそこにかげさへみゆるなでしこのなみのはなをやいろにそむらむ minasoko ni / kage sae miyuru / nadeshiko no / nami no hana o ya / iro ni somuramu ‘Upon the very riverbed / Their shapes do appear— / Do the pinks / Even the spray from off the waves / Dye with their hues, I wonder?’

Sen’yōden no nyōgo nadeshiko awase 01

Poems from a pinks match held by the ladies and gentlemen in service to the Lady of the Bedchamber who was the daughter of the Captain of the Outer Palace Guards, Left Division, on the 29th day of the Fifth Month, Tenryaku 10.[i] Lady Nakatsukasa was on the Left; Kanemori was on the Right.

Left

なでしこのはなのかげみるかはなみはいづれのかたにこころよすらん

nadeshiko no
hana no kage miru
kawanami wa
izure no kata ni
kokoro yosuran
A pink’s
Blooming shape a’seeing,
The waves upon the river
Whither will
Take her heart, I wonder?

Nakatsukasa
1[ii]

Right

ももしきにしめゆひそむるなでしこのはなとしみればこさぞまされる

momoshiki ni
shimeyuisomuru
nadeshiko no
hana to shi mireba
kosa zo masareru
When, within the hundredfold palace
So carefully being raised
A pink
In bloom I see,
It’s depth of hue is fine, indeed!

Kanemori
2[iii]


[i] 9 July 956

[ii] Nakatsukasa-shū 119)

[iii] Some texts of this match have an alternate wording for this poem: ももしきにしめゆひしよりなでしこのはなとしみればこく見ゆるかな momoshiki ni / shimeyuishi yori / nadeshiko no / hana to shi mireba / koku miyuru kana ‘When, within the hundredfold palace / So carefully raised / A pink / In bloom I see, / How deep its hue appears!’

Reikeiden no nyōgo uta’awase 13

Left (Win)

はるのよのちよをひとよになしてしかあくやあかずやねでこころみむ

haru no yo no
chiyo o hitoyo ni
nashiteshika
aku ya akazu ya
nede kokoromimu
Spring nights
By the thousand, into a single night
Have been made—
Am I satisfied or not,
Sleepless, how will I know?

25

Right

あひみてもなほなぐさまぬこひなればわがみなれどももてぞわづらふ

ai mite mo
nao nagusamanu
koi nakereba
wagami naredomo
mote zo wazurau
Seeing and meeting you
Has not eased
My yearning, but without it
My sorry self would yet
Suffer from your treatment!

26

Reikeiden no nyōgo uta’awase 12

Love on Meeting

Left

ゆめのごとなどかよるのみきみをみんくるるまつまもさだめなきよを

yume no goto
nadoka yoru nomi
kimi o min
kururu matsu ma mo
sadame naki yo o
In every dream
Why at night, alone
Might I see you?
Time spent pining for the dark
Is so uncertain…

23[i]

Right (Win)

あひみてもなほなぐさまぬこころかないくちよねてかこひはさむらむ

ai mite mo
nao nagusamanu
kokoro kana
iku chiyo nete ka
koi wa samuramu
Seeing and meeting you
Has not eased
My heart!
How many thousand nights of sleep
Might restore my love to what it was?

24


[i] An almost identical poem is included in Saigū nyōgo kishi joō uta’awase (23). The same poem is also included in Shūishū (XII: 734), attributed to Tadami, with the headnote ‘From a poetry match held in the reign of the Tenryaku emperor’, and also in Shūishō (VII: 264) as an anonymous poem with the headnote ‘Poetry Match held in the reign of the Tenryaku emperor’.

Reikeiden no nyōgo uta’awase 11

Love without meeting

Left (Win in a certain book)

かひもなきこひをのみしてよのなかにあはぬためしをわれやのこさむ

kai mo naki
koi o nomi shite
yo no naka ni
awanu tameshi o
ware ya nokosamu
Pointlessly
Yearning is all I do—
In this mundane world, that
We never meet: will that habit
Be all that is left to me?

Tadami

21[i]

Right (Win)

人をよにこひにこがるるわがみよりいくらのなみだここらいづらん

hito o yo ni
koi ni kogaruru
wagami yori
ikura no namida
kokora izuran
For her within the night
My yearning smoulders on, yet
From my sorry self
How many tears
Might burst out in floods?

22


[i] An almost identical poem is included in Saigū nyōgo kishi joō uta’awase (21).

Reikeiden no nyōgo uta’awase 10

Wisteria Blossom

Left (Win)

おそくさくふぢのはなゆゑいつしかとわれさへまつにかかりぬるかな

osoku saku
fuji no hana yue
itsushika to
ware sae matsu ni
kakarinuru kana
Late to bloom are
The wisteria flowers, so
Eagerly
Have I awaited for them to
Have dangled down!

19[i]

Right

ちることもうつるもしらじのどかなるまつにかかれるむらさきのふぢ

chiru koto mo
utsuru mo shiraji
nodoka naru
matsu ni kakareru
murasaki no fuji
That t’will scatter and
Fade, both, unknowing,
Gently
From the pines hanging is
The violet wisteria…

20


[i] Also included in Saigū nyōgo kishi joō uta’awase (19).

Reikeiden no nyōgo uta’awase 09

Kerria

Left

のどかなるはるもやあるとたづねつつこえてをりみんやへのやまぶき

nodoka naru
haru mo ya aru to
tazunetsutsu
koete ori min
yae no yamabuki
‘Is it due to gentle
Spring I wonder?’
Always I do ask
Overcome, by picking to gaze upon
Eightfold kerria blooms…

17[i]

Right (Win)

やへさけるかひこそなけれやまぶきのちらばひとへもあらじとおもふに

yae sakeru
kai koso nakere
yamabuki no
chiraba hitoe mo
araji to omou ni
To have bloomed eightfold
Has little point for
The kerria, for
If they scatter then, not even briefly
Will they be here, I feel…

18[ii]


[i] This poem is included in Fubokushō (VI: 2017), attributed to Kanemori, with the headnote ‘Kerria, Poetry Match held by the Reikeiden Junior Consort, Second Month, Tenryaku 11’.

[ii] This poem is included in Shikashū (I: 46) as an anonymous poem with the headnote ‘Composed for the Poetry Match held at the Residence of the Reikeiden Junior Consort’.

Reikeiden no nyōgo uta’awase 08

Willow

Left (Win in a certain text)

あをやぎのえだにかかれるいとなくははるのくるをもしらずやあらまし

aoyagi no
eda ni kakareru
ito naku wa
haru no kuru o mo
shirazu ya aramashi
If, from the green willow
Branches hanging
Were there no threads, then
Of spring’s coming
Would there be any knowing?

15

Right (Win)

あさごとにまづもみるかなあをやぎのいとはよるよるいろやまさると

asa goto ni
mazu mo miru kana
aoyagi no
ito wa yoruyoru
iro ya masaru to
Every single morning
First will I behold them!
For the green willow
Threads after each night
Might be the best hue of all?

16