Tag Archives: koe

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 15

Round Three

Left (Win)

たれよりも秋のあはれやまさるらん声にたてては鹿ぞ鳴くなる

tare yori mo
aki no aware ya
masaruran
koe ni tatete wa
shika zo nakunaru
Who might it be that
The sadness of autumn
Strikes more keenly?
Lifting up his voice,
It is the stag crying out!

Lord Yorisuke
29

Right

春夏はなにに心をなぐさめて秋のみ鹿の妻をこふらん

haru natsu wa
nani ni kokoro o
nagusamete
aki nomi shika no
tsuma o kouran
Spring and summer, too,
How do they the heart
Console?
‘Tis in autumn, alone, the stag
Seems to yearn for his mate.

Kenshō
30

The Left charmingly sounds as if the scene it describes is entirely natural. The Right isn’t bad, but, I seem to recall that there was a poem in—I think it was the Poetry Match at Lord Aritsuna’s Residence—that has the phrase ‘In autumn, above all, / The stag seems to yearn for his mate’, so it would have better to refrain from the final two lines. The Left should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 14

Round Two

Left (Win)

ふく風も身にしむ秋の夕ぐれに哀をそふる鹿のこゑかな

fuku kaze mo
mi ni shimu aki no
yūgure ni
aware o souru
shika no koe kana
The gusting wind
Pierces my flesh on an autumn
Evening, as
Sadness laces
The stag’s cry!

Lord Michyoshi
27

Right

妻こふるさ夜ふけがたの鹿のねに声うちそへて秋風ぞ吹く

tsuma kouru
sayo fukegata no
shika no ne ni
koe uchisoete
akikaze zo fuku
Yearning for his mate as
Brief night wears on,
A stag’s cry
Is voiced, lacing
The gusting autumn wind.

Tamechika
28

Both Left and Right have the same overall content, but the Left’s ‘yearning for his mate as / Brief night wears on’ reverses the appropriate order of the diction: it would be preferable to say ‘Brief night wears on as / Yearning for his mate’. The Left has no such issues and so it should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 13

Round One

Deer

Left (Tie)

さをしかも秋をかなしとおもへばやときしも声をたてて鳴くらん

saoshika mo
aki o kanashi to
omoeba ya
toki shimo koe o
tatete nakuran
Does the stag, too,
Autumn’s sadness
Feel?
That at this time, of all, his cry
Should ring out so…

Lord Shige’ie
25

Right

嶺になく鹿の音ちかくきこゆなり紅葉吹きおろす夜はのあらしに

mine ni naku
shika no ne chikaku
kikoyu nari
momiji fuki’orosu
yowa no arashi ni
Crying upon the peak
The stag’s bell close by
Sounds, carried
With blown down scarlet leaves
On the midnight storm…

Lord Tsunemori
26

The Left truly sounds as if it grasps the conception with its use of ‘of all, his cry’. The Right, too, is poetic with ‘blown down scarlet leaves’. There may be some who say that one should not compose using a subsidiary topic, yet in the poetry match held in Tentoku[i] and the poetry match held by Emperor Kazan[ii], this was judged not to be a fault.


[i] This was the Dairi uta’awase Tentoku yo-nen 内裏歌合 天徳四年 (‘Palace Poetry Match Tentoku 4’) held by Emperor Murakami on the 30th day of the Third Month, Tentoku 4 [28.4.960].

[ii] This was the Dairi uta’awase Kanna gan-nen 内裏歌合 寛和元年 (‘Palace Poetry Match Kanna 1’) held by Emperor Kazan the 10th day of the Eighth Month, Kanna 1 [28.8.985].

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 07

Round Seven

Left (Win)

萩がはな分けゆく程は古郷へかへらぬ人もにしきをぞきる

hagi ga hana
wakeyuku hodo wa
furusato e
kaeranu hito mo
nishiki o zo kiru
When through the bush-clover blooms
He forges his way,
To his ancient home
Never to return—that man, too,
Wears a fine brocade!

Minamoto no Arifusa, Minor Captain in the Inner Palace Guards, Right Division

13

Right

声たてて鳴くむしよりも女郎花いはぬ色こそ身にはしみけれ

koe tatete
naku mushi yori mo
ominaeshi
iwanu iro koso
mi ni wa shimikere
They lift their songs in
Plaintive cries, but far more than the insects
‘Tis the maidenflower’s
Wordless hue that truly
Pierce my soul!

Junior Assistant Minister of Central Affairs Sadanaga
14

The Left is well-composed, but what is the Right’s ‘wordless hue’? Are we supposed to imagine that the expression means ‘silent yellow’? This is difficult to grasp, isn’t it. Whatever way you look at it, the Left seems to win.

Entō ōn’uta’awase 17

Round Seventeen

Cuckoos

Left (Tie)

さのみやは心あるべき時鳥ね覚の空に一声もがな

sanomi ya wa
kokoro arubeki
hototogisu
nezame no sora ni
hitogoe mogana
Not much of
The heart can you know,
O, cuckoo, but
On waking from the sky
I would hear a single call.

A Court Lady
33

Right

やはた山むかひの里の郭公しのびしかたの声もかはらず

yawatayama
mukai no sato no
hototogisu
shinobishi kata no
koe mo kawarazu
By Yawata Mountain,
At the estate of Mukai,
A cuckoo,
Fondly remembers someone
With a changeless song!

Lord Ietaka
34

The Left’s poem would seem to fail to reflect the essential meaning of the topic of cuckoos by having it not yet being heard, and thus its overall technique seems dreadful. The Right’s poem also lacks any superlative elements, they must tie.