あかつきの夢のまくらに雪つもりわがねざめとふ峰の松風
| akatsuki no yume no makura ni yuki tsumori wa ga nezame tou mine no matsukaze | At dawn, Dreaming on my pillow, Covered with drifting snow, I awaken to a visit from The pinewinds from the peaks. |
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Tag Archives: dawn
Yōzei’in miko futari uta’awase 20
Left
こひわぶるひとにあふよのしののめにはわかるといかでみぬよしもがな
| koi waburu hito ni au yo no shinonome ni wa wakaru to ikade minu yoshi mogana | Suffering with love’s fire, After a night with her At the edge of dawn Parting—somehow ‘Twould have been better to have seen her not! |
38
Right
なげきつつおもひにあかぬあかつきはこころもゆかぬわかれをぞする
| nagekitsutsu omoi ni akanu akatsuki wa kokoro mo yukanu wakare o zo suru | Ever grieving, and With my passion’s fire unslaked, At dawn, My heart unsatisfied With our parting! |
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Yōzei’in miko futari uta’awase 19
Left
なみだがはせけどとまらずあかつきのわかれはをしのうきねをぞする
| namidagawa sekedo tomarazu akatsuki no wakare wa oshi no ukine o zo suru | The river of my tears I dam, yet they cease not: Dawn’s Parting I regret, as a mandarin Drifting in fitful sleep. |
36
Right
おきてゆくかたもしられずまどふかななみだもそでもめにさはりつつ
| okiteyuku kata mo shirarezu madou kana namida mo sode mo me ni sawaritsutsu | Rising and departing, Knowing not where to go, I am lost! My tears and my sleeves, too, Ever sting my eyes… |
37
Yōzei’in miko futari uta’awase 18
Left
したひもをゆふつけどりのこゑたちてけさのわかれになきぞわびぬる
| shitahimo o yūtsukedori no koe tachite kesa no wakare ni naki zo wabinuru | Underbelt Tying with the cockerel’s Crow, arising, At this morning’s parting I weep, all forlorn! |
34
Right
かぎりとはおもはぬものをあかつきのわかれのとこはおきうかりけり
| kagiri to wa omowanu mono o akatsuki no wakare no toko wa oki’ukarikeri | My limits I have not reached, I think, but At dawn Parting from your bed, Rising is so wretched. |
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Yōzei’in miko futari uta’awase 17
Left
あけぬとていまはとおくるとこなかにまたあふべくもおもほえぬかな
| akenu tote ima wa to okuru toko naka ni mata aubeku mo omohoenu kana | ‘Tis dawn, Now, I think, arising— Within your bed We should meet again, Don’t you think! |
32
Right
しののめにあけゆくみちもまどはなんあかでわかるるひとのためには
| shinonome ni akeyuku michi mo madowanan akade wakaruru hito no tame ni wa | At the edge of dawn, Brightening, upon the path I will wander, lost, Unsatisfied for I am parted From her… |
33
Yōzei’in miko futari uta’awase 16
Left
をしとおもふいのちにかへてあかつきのわかれのみちはいかでやめてむ
| oshi to omou inochi ni kaete akatsuki no wakare no michi wa ikade yametemu | Filled with regret, This life I would exchange: On dawn’s Parting path How can I stop my steps? |
30
Right
あけぬとてあかずしきみをわかるればこころはゆかぬものにざりける
| akenu tote akazu shi kimi o wakarureba kokoro wa yukanu mono ni zarikeru | When at dawn, Unsatisfied, from you, my love, I part, My heart goes nowhere At all! |
31
Yōzei’in miko futari uta’awase 14
Left
はるのよのあかぬわかれのあかつきはちへのにしきをたつにざりける
| haru no yo no akanu wakare no akatsuki wa chie no nishiki o tatsu ni zarikeru | After a spring night, Unsatisfied, parting at The dawn, Sewn a thousandfold, the brocade Through which I go! |
26
Right
あけぬてふこゑもなみだももろともにうちいづるからにそでぞぬれける
| akenu chō koe mo namida mo morotomo ni uchi’izuru kara ni sode zo nurekeru | ‘Tis dawn, say Birdsongs and tears Both, Bursting out, so My sleeves are soaked! |
27
Nishinomiya uta’awase 06
Round Six
Left
雲かかる高志のやまの明暮に妻まどはせるを鹿鳴くなり
| kumo kakaru takashi no yama no akegure ni tsuma madowaseru oshika naku nari | All hung about with cloud On Takashi Mountain In the gloaming Having lost his mate A stag bells out. |
Nakamasa
11
Right
山がつの先あかつきをしりがほに裾野に出でて鹿ぞ鳴くなる
| yamagatsu no mazu akatsuki o shirigao ni susono ni idete shika zo naku naru | A mountain man First of all, that ‘tis dawn Knows plain upon his face, As he sets out upon the slopes As a stag bells out! |
Head
12
The Left poem’s conclusion, ‘Having lost his mate / A stag bells out’ seems no different from that of a poem by Gō no Jijū in poetry match held by the First Princess.[1] As for the poem of the Right’s ‘A mountain man / Awaits the dawn / Knowing plain upon his face’—what on earth might a mountain man look like while waiting for dawn? There is the tale of Hangu Pass in Cathay, where the barrier guard was waiting for dawn and opened the gate after hearing a cock’s crow, but the expression ‘a mountain man awaits the dawn’ has never appeared before in a poem—either one of Cathay or in the words of Yamato, so I feel that both Left and Right lack any superlative qualities.
[1] Stags. をぐら山たちどもみえぬゆふぎりにつままどはせるしかぞなくなる ogurayama / tachidomo mienu / yūgiri ni / tsuma madowaseru / shika zo nakunaru ‘On gloomy Ogura Mountain / Stands unseen / Among the evening mists / Having lost his mate / A belling stag.’ (Yūshi naishinnō-ke uta’awase eishō go-nen 27). This event was held at the residence of Imperial Princess Sukeko (Yūshi) on the 5th day of the Sixth Month, Eishō 5 [26.10.1050]. The poem won its round, and was later included in Goshūishū (IV: 292).
Yōzei’in miko futari uta’awase 11
Partings at Dawn
Left
ひとしれぬわがみとおもへばあかつきのとりとともにやなきてかへらん
| hito shirenu wa ga mi to omoeba akatsuki no tori to tomo ni ya nakite kaeran | No one knew Of my sorry state, I thought, so With the dawn Birds’ chorus should I, Sobbing, make my way home? |
20
Right
ひとしれずあかでわかるるあかつきにうちなきそふるをしのこゑかな
| hito shirezu akade wakaruru akatsuki ni uchinaki souru oshi no koe kana | No one knows How unsatisfied I am to part With the dawn Sobs overlaying The cries of the mandarin ducks! |
21
Eien narabō uta’awase 20
Round Six
Left
あきの夜のありあけのつきはくまもなしあさくらやまもなのみこそあらめ
| aki no yo no ariake no tsuki wa kuma mo nashi asakurayama mo na nomi koso arame | At an autumn night’s Dawn, the moon Has not a cloud before it; The Mount of Morning Dark May be so in name alone! |
Cell of Fragrant Cloud
39
Right (Win)
秋の月あかしのうらはなびきもにすむわれからのかずも見つべし
| aki no tsuki akashi no ura wa nabikimo ni sumu warekara no kazu mo mitsubeshi | The autumn moon is Bright above Akashi Bay; Among the trailing seaweed Dwell tiny shrimp, Their number now clear to my eyes. |
Cell of Compassionate Light
40
The poem of the Left is an entirely tedious composition. It simply states that a cloudless autumn moon does not fit with the place name, Mount Asakura. The moon at ‘dawn’ is the same as the moon at ‘dawntime’, while Mount Asakura is used when dawn has completely finished. As for the poem of the Right, while the moon is described as bright, it doesn’t seem right to then make it a poem about trailing seaweed—this does not seem charming at all. This round, too, there’s not much more I can say than that.
As I have already mentioned, ‘moon at dawn’ in the poem of the Left is an expression which it is impossible to say is praiseworthy. Even more so, really, the concluding ‘may be so in name alone’ just says ‘is so in name alone’, doesn’t it? It’s contrary to reason to say that it’s fluent and thus, and I say this reluctantly, it’s difficult to understand. As for the Right’s poem, I don’t understand this either: it ought to be ‘their numbers, too, I have been able to see’—saying ‘their number now clear to my eyes’ implies that you haven’t previously been able to see them up to that point, and it’s vague about when you have. Even so, it’s getting light, so the light of the moon at dawn seems superior.
