Category Archives: Yōzei’in ichi no miko himegimi uta’awase

Yōzei’in ichi no miko himegimi uta’awase 05

Original

さほやまのははそのもみぢちりぬべみよるさへみよとてらすつきかげ

saoyama no
hahaso no momiji
chirinubemi
yoru sae miyo to
terasu tsukikage
Upon Sao Mountain
The oaks’ autumn leaves
Must have scattered, for
Even at night behold!
The shining moonlight…

12

Left (Win)

ひさかたのつきなかりせばさほやまのもみぢはよるのにしきならまし

hisakata no
tsuki nakariseba
saoyama no
momiji wa yoru no
nishiki naramashi
Were the eternal
Moon to cease to be, then
Sao Mountain’s
Autumn leaves for night’s
Brocade would I wish!

13

Right

つきかげのさやけくみゆるさほやまのもみぢをかぜにまかせずもがな

tsukikage no
sayakeku miyuru
saoyama no
momiji o kaze ni
makasezu mogana
In the moonlight,
So clear, I see
Sao Mountain’s
Autumn leaves—to the wind
I would entrust them not!

14

Yōzei’in ichi no miko himegimi uta’awase 04

Original

あきやまはからくれなゐになりにけりいくしほしぐれふりてそめけむ

akiyama wa
karakurenai ni
narinikeri
iku shio shigure
furite somekemu
The autumn mountains
To Cathay scarlet
Have turned;
How many dippings with drizzle
Have fallen to dye them so?

9

Left

しぐれつつくれなゐふかくやまのはもあきはてゆけばかひなかりけり

shiguretsutsu
kurenai fukaku
yama no ha mo
aki hateyukeba
kainakarikeri
With every shower
The scarlet deepens
Of the leaves upon the mountain—
With autumn reaching its ending
How pointless that is…

10

Right

いくしほもしぐれはふらじさほひめのふかくそめたるいろとこそみれ

iku shio mo
shigure wa furaji
saohime no
fukaku sometaru
iro to koso mire
No matter how many dippings
With drizzle fall,
Princess Sao’s
Deeply dyed
Hues we see!

11

Yōzei’in ichi no miko himegimi uta’awase 03

Original

やまざとはふゆぞさびしさまさりけるひとめもくさもかれぬとおもへば

yamazato wa
fuyu zo sabishisa
masarikeru
hitome mo kusa mo
karenu to omoeba
In a mountain retreat
Winter’s loneliness
Overwhelms
As both folks’ gaze and the grasses, too
Have withered away, I feel…

Minamoto no Toshiyuki
6

Left (Tie)

おほかたのあきはあはれのふかければやまざとならでなほぞかなしき

ōkata no
aki wa aware no
fukakereba
yamazato narade
nao zo kanashiki
In general, when
Autumn’s sorrow
Is at its deepest
‘Tis not only a mountain retreat
That is still sunk in sadness!

7

Right

やまざとはいつともわかじいとどしくあきはしかこそかなしかるらめ

yamazato wa
itsu to mo wakaji
itodoshiku
aki wa shika koso
kanashikarurame
A mountain retreat
Fails to stand out—
Most of all
In autumn does the stag
Seem so sad!

8

Yōzei’in ichi no miko himegimi uta’awase 02

Original

さよふかくこひするしかのこゑきけばわれさへあやなそでのひづかな

sayo fukaku
koisuru shika no
koe kikeba
ware sae ayana
sode no hizu kana
Deep within a night so brief,
A’loving, the stag’s
Cry I hear
Even my sleeves, strangely,
Never dry at all!

4

きくひとのそでさへひづるしかのねにあきのしぐれのふりでてぞなく

kiku hito no
sode sae hizuru
shika no ne ni
aki no shigure no
furidete zo naku
Folk hearing,
With even their sleeves never drying,
At a stag’s bell—
An autumn shower
Falling with a cry!

5

Only one poem was requested in response this round.

Yōzei’in ichi no miko himegimi uta’awase 01

Former Emperor Yōzei, on the 15th day of the Ninth Month, when it fell upon the day of Elder Brother-Metal Monkey, held a poetry match of the Left and Right with his eldest son’s  daughters, the First Princess and the Second Princess, as the leaders of the two teams, composing poems in response to prior poems on the conception of the end of autumn.

Original

つきかげのやましたまでにさやけきはよるももみぢのいろをみよとや

tsukikage no
yamashita made ni
sayakeki wa
yoru mo momiji no
iro o miyo to ya
The moonlight
To the mountains’ foot
Is clear, so
At night, too, the scarlet leaves’
Hues behold—I wonder if they say!

1

Left

もみぢせぬあきのやまべのあらばこそつきのひかりをたづねてもみめ

momiji senu
aki no yamabe no
araba koso
tsuki no hikari o
tazunete mo miyu
Should scarlet leaves be not
Upon the autumn mountainside
Then, surely, still
The moon’s light
Would I visit to see.

2

Right

つきかげにちりぬべければ〔           〕

tsukikage ni
chirinubekereba
When within the moonlight
Can have scattered

3

Yōzei’in ichi no miko himegimi uta’awase

This is rather lengthily titled petry match, Yōzei’in ichi no miko himegimi uta’awase, which translates as the ‘Poetry Match held by Former Emperor Yōzei between the Daughters of the First Prince’. The prince in question was Prince Motoyoshi (890-943) who was one of the organisers of the love poetry match we have just completed. The match was held on the 15th day of the Ninth Month, Tenryaku 2 [19 October 948] five years after Motoyoshi’s death when Yōzei was 82. This is the last poetry match we have a record of Yōzei’s involvement in, as he was to die the following year. Sadly, the names of Motoyoshi’s daughters have not been recorded, so we know them only as ‘Oldest Daughter’ (Ōigimi)[i] and ‘Second Daughter’ (Nakagimi), nor do we know anything else about them as individuals.

Like most of Yōzei’s poetic events, this seems to have been a small-scale private affair with its focus on poetry as the entertainment more than anything else which, perhaps, accounts for the informal tone of some of the works presented. It seems probable that the event was conceived as following the model of the earlier ‘Poetry Match held by the Kyōgoku Lady of the Bedchamber’ (Kyōgoku no miyasudokoro uta’awase) in 921, as it follows that match’s pattern of having poems composed as responses to earlier works.


[i] There is a possibility that the older daughter was named Princess Akiko (Akiko-joō 明子女王), but that has not been definitely confirmed.