Left and Right together state: we find no faults to mention.
In judgement: the conception of being lost in thought of another’s sleeves ‘in bed on a sleepless night frost forms on my chilly blankets’ (nenu yo no toko no shimo no samushiro) is certainly elegant. The scene in the Right’s poem, with the blanket divided in half, with one covered with dust, and the other where the speaker lies lovesick, is distasteful and I do not find it appealing, so thus, the Left wins.
The Right state: we wonder about the appropriateness of the autumn wind blowing into a bedroom. The Left state: the Right’s poem has no faults to mention.
In judgment: while it does not sound as if there is a clear winner or loser between the ‘dust I’ve left untouched’ (harawanu chiri) used by both parties, why on earth should the autumn wind not blow into the Left’s bedroom? Really, there is no fault at all in saying that the wind will blow into a dilapidated bedroom! The Right has ‘dust I’ve left untouched’ flowing away with the speaker’s tears, and lacks any faults from beginning to end, but the configuration of the Left’s concluding ‘dust I’ve left untouched is brushed by the cloying wind of autumn’ is superior. The initial section of this poem is a little lacking, however, so both poems are equivalent and should tie.
The Right state: ‘did sleep’ (neshi) is particularly unimpressive. The Left state: ‘more than sleeves’ (sode o kagiru) is, perhaps, over-definite.
In judgement: in the Left’s poem, despite ‘did sleep upon these blankets’ (neshi samushiro) referring to something which definitely exists, it still sounds as if there is not much poetic expression in the poem. ‘Is a memento’ (katami ga tera) fails to resemble ‘for blossom viewing’ (hanami ga tera). As for the Right’s poem, I certainly would not say that ‘tears on more than sleeves have that effect’ (namida wa sode o kagiru nomi ka wa) is over-definite. It is somewhat difficult to make out on hearing, but the configuration is poetic, indeed, so the Right should win, it seems.
Both Left and Right together state: we find no faults to mention.
In judgement: both of the ‘blankets’ (samushiro) of the Left and Right here seem elegant. The configuration of the Left’s ‘my cruelty was it that kept him from my bed these many nights; my blanket’ (ukimi yue yogaruru toko no samushiro) and the conception of the Right’s ‘sick am I of love – in an empty bed’s’ (koiwabinu munashiki toko no) are such that I find both difficult to put down. I must make the round a tie.