Tag Archives: natsu

Summer I: 3

Left (Tie).

色かへぬよはひは知らず夏木立みどりは松にかはらざりけり

iro kaenu
yowai wa shirazu
natsu kodachi
midori wa matsu ni
kawazarikeri
Are their hues unchanging
Through the ages – that I do no know;
Summer clustered trees’
Green on the pines
Will alter not!

Lord Suetsune.

185

Right (Tie).

あらはれん秋をも知らぬかえでかなときはの色をしばし盗みて

arawaren
aki o mo shiranu
kaede kana
tokiwa no iro o
shibashi nusumite
They’ll be found out!
All unknowing of the autumn are
The maple trees;
The eternal pine trees’ hue
Steal, if only briefly…

Nobusada.

186

The Right simply say, ‘The Left’s poem contains major faults,’ while the Left reply, ‘The Right’s poem’s “maple trees” (kaede kana) and “Steal, if only briefly” (shibashi nusumite) are vulgar in the extreme!’ (By this they mean that nusumu (‘steal’) is inappropriate for poetry, as is the impression given that the maples have volition.)

Shunzei comments, ‘That the Left’s poem contains faults has already been mentioned by the Right. The Right’s poem though has the form of an eccentric poem, and one must wonder about granting sensitivity to maple trees, so the round must tie.’

Summer I: 2

Left (Win).

花はみな散りはてにけり夏木立みどりも春の色ならぬかは

hana wa mina
chirihatenikeri
natsu kodachi
midori mo haru no
iro naranu ka wa
The blossoms have all
Finished falling, but
The summer clustered trees’
Green – of spring
Is it not, too, a shade?

Lord Ari’ie.

183

Right.

夏衣うすもへぎなるわかゝえで秋染めかへむ色ぞゆかしき

natsu koromo
usu moeginaru
waka kaede
akizome kaemu
iro zo yukashiki
The summer garb of
Pale grass-green
Young maple trees
To autumn shades will change;
How I long to see those hues!

Lord Tsune’ie.

184

The Right state, ‘In the previous round there was an assessment that our poem was inappropriate: if so, this poem of the Left’s seems to contain a concealed longing for Spring.’ The Left reply, ‘The previous poem concluded with “sacred groves” (kamunabi no mori). This poem has “Is it not, too, a shade?” (iro naranu ka wa), and so a spirit of appreciation of summer. It is the same as Right’s poem in the previous round.’

Shunzei’s judgement is, ‘Although I have little liking for “summer clustered trees” (natsu kodachi), “green – of spring” (midori mo haru no) seems particularly fine. The Right’s poem does not appear to be appreciating new trees and, saying “To autumn shades will change; How I long to see those hues!” (akizome kaemu iro zo yukashiki) is contrary to the central meaning of the topic. Furthermore, “how I long” (yukashiki) is an unsuitable expression. The Left must win.’

Summer I: 1

Left (Tie).

龍田山わかみどりなる夏木立もみぢの秋もさもあらばあれ

tatsutayama
waka midorinaru
natsu kodachi
momiji no aki mo
sa mo araba are
On Tatsuta Mountain
The fresh, green
Summer clustered trees
Autumn’s scarlet leaves
Do match.

Kenshō.

181

Right (Tie).

面影は時雨し秋の紅葉にてうすもへぎなる神南備の森

omokage wa
shigureshi aki no
momiji nite
usumoeginaru
kamunabi no mori
Bringing to mind
Shower-dampened, autumn
Scarlet leaves:
The pale, grass-green
Sacred groves…

Lord Takanobu.

182

The Right say, ‘The Left’s poem seems to be have the same conception as the composition by Emperor Sūtoku, “Autumn’s clear moon/Do match” (tsuki sumu aki mo sa mo araba are).’ In reply, the Left say, ‘It is entirely to be expected that there should be such a resemblance,’ and then remark about the Right’s poem, ‘It sounds as if scarlet leaves are its main point, and the topic has been rendered secondary. Furthermore, “pale, grass-green” (usumoeginaru) does not seem to clearly relate to anything.’

Shunzei simply says, ‘“Tatsuta Mountain”(tatsutayama), “sacred groves” (kamunabi no mori), “fresh, green” (wakamidori) and “pale, grass-green” are all appropriate to the form, and there does not appear to be a clear winner, or loser.’