Eien narabō uta’awase 19

Round Five

Left

あきのよのふけゆくかぜにくもはれてはなだのそらにすめるつきかげ

aki no yo no
fukeyuku kaze ni
kumo harete
hanada no sora ni
sumeru tsukikage
As the autumn night
Wears on, the wind
Clears away the cloud, and
From the pale indigo sky
Comes clear moonlight.

Controller’s Graduate
37

Right

ふるさとのときぞともなきさびしさもなぐさむばかりすめる月かな

furusato no
toki zo tomonaki
sabishisa mo
nagusamu bakari
sumeru tsuki kana
In the ancient capital
Timeless is
The lonely sadness
Consoled only
By the clear, bright moon!

Kerin’in Graduate
38

The Left’s poem is a transparent copy of an older work. That poem is:

天の原四方のむら雲吹きはらひみどりの空にすめる月影

ama no hara
yomo no muragumo
fukiharai
midori no sora ni
sumeru tsukikage
Across the plain of Heaven
All the crowding clouds
Are blown away, and
From the sky so green
Comes clear moonlight.[i]

I don’t feel this is in any way different. As for the Right’s poem, while it is not the case that it is entirely without conception, it lacks any exemplary elements, so I don’t see how I can possibly recommend either of these.

The Left’s poem isn’t bad, but it should be revised to use ‘sky so green’, because using ‘pale indigo sky’ is vague. To decide in favour of it I would need there to be a prior poem as precedent. The Right’s poem is not particularly exemplary, but it does sound as if there are times like that. In the absence of a precedent for the Left, the poem of the Right wins.


[i] The source of this poem is unknown.

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