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Entō ōn’uta’awase 32

Round Thirty-Two

Left (Tie)

上葉ふく朝の原の秋風におのれうつろふ萩の下露

uwaba fuku
ashita no hara no
akikaze ni
onore utsurou
hagi no shitazuyu
Blowing upon the upper leaves
Over Ashita Plain,
The autumn breeze touches,
Fading all of itself
The dripping dew upon the bush clover.

Tomoshige
63

Right

今よりはたが涙とか成りぬらん下葉色づく秋萩の露

ima yori wa
ta ga namida to ka
narinuran
shitaba irozuku
akihagi no tsuyu
From now on
Whose tears might
They become?
Colouring the underleaves
Are dewdrops upon the autumn bush clover…[1]

Dharma Master Zenshin
64

Left and Right are in the same style. The Right’s poem wonders ‘whose are these tears’ and has a person’s tears as the dew upon the grass, which is something one often hears. Using dew on the grass as a person’s tears is a bit vague, yet it’s not going so far as to be a definite fault. These should tie.


[1] An allusive variation on: Topic unknown. あきはぎのしたば色づく今よりやひとりある人のいねがてにする akihagi no / shitaba irozuku / ima yori ya / hitori aru hito no / inegatenisuru ‘The autumn bush clover’s / Underleaves are colouring / From this point on, / For one all alone / Will sleep be harder to find?’ Anonymous (KKS IV: 220)

Naidaijin-ke uta’awase 20

Round Eight

Left (T – Win; M – Tie)

冬枯にうつろひ残る白菊はうは葉に置ける霜かとぞみる

fuyugare ni
utsuroi nokoru
shiragiku wa
uwaba ni okeru
shimo ka to zo miru
Sere in winter,
Faded and lingering
A white chrysanthemum as,
Fallen upon its upper leaves,
Frost does appear, perhaps?

Lord Morikata
39

Right

露じもの暁置きのあさごとに移ひまさるしらぎくの花

tsuyujimo no
akatsuki oki no
asa goto ni
utsuroi masaru
shiragiku no hana
Frosty dewdrops
With the dawn fall—arising
Every morning
Fading fairer become
The white chrysanthemum blooms.

Lord Michitsune
40

Toshiyori states: I have the feeling that I have never heard the expression ‘sere in winter’, and I certainly have no recollection of it being in the Collection of a Myriad Leaves. The poem of the Right is smooth and extremely charming; I’m very familiar with the expression ‘dew fallen in the morning when I arise’, and here there seems to be some reason for it, doesn’t there! Still, the first poem is better.

Mototoshi states: the expression ‘faded and lingering’ is difficult to distinguish. In addition, saying ‘Fallen upon [the flower’s] upper leaves, / Frost’ is a severe misjudgment. The poem of the Right has the tautology ‘with the dawn fall’ and then ‘every morning’. Clearly neither of these appears to win or lose, so I make this a tie.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 28

Round Twenty-Eight

Left

わぎもこをかたまつよひの秋風はをぎのうはばをよきてふかなん

wagimoko o
kata matsu yoi no
akikaze wa
ogi no uwaba o
yokite fukanan
For my darling girl
I wait filled with longing, tonight
I would the autumn wind
The cogon grass fronds
Pass by in its blowing!

Shun’e
55

Right (Win)

朝夕におつる涙や恋草のしげみにすがる露と成るらん

asayū ni
otsuru namida ya
koigusa no
shigemi ni sugaru
tsuyu to naruran
Morn and eve
My falling tears to
Love’s grasses
Lush do cling and
Turn to dewdrops.

Atsuyori
56

The Right poem’s use of diction and expression has nothing wrong with it and is entirely appropriate.