Category Archives: 1101-1150

Horikawa-in Enjo Awase 13

おもひやれとはで程ふる五月雨に独やどもる袖の雫を

omoiyare
towade hodo furu
samidare ni
hitori yado moru
sode no shizuku o
Lost in thoughts of you,
Time without a visit passes by
As a summer shower
In my lonely home leaks
Droplets on my sleeves…

Lady Higo
25

In reply

世とともにさてのみこそはすぐししか思ひしりぬや袖の雫を

yo to tomo ni
sate nomi koso wa
sugushishika
omoishirinu ya
sode no shizuku o
Together with the world
All stayed the same
As it passed by;
Could I be ignorant of
The droplets on your sleeves?

The Middle Counsellor
26

Horikawa-in Enjo Awase 12

つらしともいざやいかがはいはし水あふせまだきにたゆる心は

tsurashi to mo
iza ya ikaga wa
iwashimizu
ause madaki ni
tayuru kokoro wa
How cruel!
Why as
Spring waters rushing from the rocks did
Our meeting swiftly
Did you wish to end?

Kazusa, in service to the Empress
23

In reply

世世ふともたえじとぞ思ふ神がきの岩ねをくぐる水の心は

yo yo futomo
taeji to zo omou
kamigaki no
iwane o kuguru
mizu no kokoro wa
Age upon age may pass, yet
Never shall we end, I feel, as from
The sacred precinct’s
Rocky roots flow
Waters—that is my heart!

24

Horikawa-in Enjo Awase 11

Later, on the second day of the Fifth Month, it appears that everyone, quite losing their composure, decorated their replies extravagantly and even painted pictures beneath them; later, on the seventh day of the same month, because His Majesty sent instructions to the ladies who had been present to compose love poems and attend him, on that day they attended him to present their poems.

ほととぎす待つにつけてもささがにのいづれの世にかしる時ぞ思ふ

hototogisu
matsu ni tsukete mo
sasagani no
izure no yo ni ka
shiru toki zo omou
A cuckoo
I do await, and yet
The tiny crab—
On which night is it?—
Will know the time, I hope!

Echizen
21

しるし有りてこぬよもあれや時鳥中中かけしくものふるまひ

shirushi arite
konu yo mo are ya
hototogisu
nakanaka kakeshi
kumo no furumai
Should there be a sign,
Would there really be a night he failed to come,
That cuckoo?
Truly to be trusted was
The spider’s spinning…

The Major Counsellor
22

A picture of a spider spinning a web.
Image by Ada K from Pixabay

Horikawa-in Enjo Awase 10

忍ぶれど物思ふ人はうき雲の空に恋する名をのみぞたつ

shinoburedo
mono’omou hito wa
ukigumo no
sora ni koisuru
na o nomi zo tatsu
I kept it secret, yet
She, who is the focus of my thoughts, is
As a drifting cloud
Within the sky, and of my love
Rumours, alone, do rise toward her.

Middle Captain Morotoki, Fourth Rank
19

恋すともいかでか空に名はたたじ忍ぶる程は袖につつまで

koisu to mo
ikade ka sora ni
na wa tataji
shinoburu hodo wa
sode ni tsutsumade
You love, so
How is it that the skies
Could remain untouched by rumours?
Your secret
You’ve not kept wrapped within your sleeves…

Lady Aki, in service to the Empress Dowager
20

Horikawa-in Enjo Awase 9

人しれぬ思ひありそのはま風に浪のよるこそいはまほしけれ

hito shirenu
omoi ariso no
hamakaze ni
nami no yoru koso
iwamahoshikere
Unknown to all
My passion burns—toward a rocky
Beach the breeze
Brings waves–that
I would tell you!

Middle Captain Toshitada
17

In reply.

おとにきくたかしの浜のあだ波はかけじや袖のぬれもこそすれ

oto ni kiku
takashi no hama no
adanami wa
kakeji ya sode no
nure mo koso sure
By repute
Upon Takashi Beach
Break faithless waves, so
Had I not better keep away? Lest my sleeves
Should end up soaked!

18[1]


[1] This poem is attributed to Kii, from the residence of Imperial Princess Sukeko 祐子内親王家紀伊 in Hyakunin isshu (72).

Horikawa-in enjo awase 8

数ならで世に住江のみをつくしいつを待つともなき身なりけり

kazu narade
yo ni sumie no
mi o tsukushi
itsu o matsu tomo
nakimi narikeri
Countless are
The generations spent at Sumie, with
The channel buoys: exhausted
What should I await but
To be dead.

Master of the Left Capital Office Toshiyori
15

In reply

ながれてもあふせは絶えじ住江の身をつくしてもくちはててなん

nagaretemo
ause wa taeji
sumie no
mi o tsukushitemo
kuchihatetenan
Flowing on, yet
The rapids’ meetings will not cease;
At Sumie with
The channel buoys, you may be exhausted, but
Would you rot away…

Kazusa, in service to the Empress
16

A picture of channel markers in the sea.
Channel buoys. Image by Claudia Thorn from Pixabay

Horikawa-in enjo awase 7

なごのうみの浦べにおふる浜つづらたえまくるしき物をこそ思へ

nago no umi no
urabe ni ouru
hamatsuzura
taema kurushiki
mono o koso omoe
At Nago, by the sea
Upon the beach grows
Chasteberry:
At the breaks between, sad
Indeed, are my thoughts.

Minister of Justice [Minamoto no] Toshisane
13

浜つづらたへまたへまを歎かせてくるしと思ふわがこころぞは

hamatsuzura
taema taema o
nagekasete
kurushi to omou
wa ga kokoro zo wa
Chasteberry:
The many breaks between
Do cause me grief, and
Pain is the feeling that
Fills my heart!

Kai, from the Shijō Palace
14

Horikawa-in enjo awase 6

A further poem, from the same gentleman.

つらさには思ひ絶えなんとおもへどもかなはぬ物はなみだなりけり

tsurasa ni wa
omoi’oenan to
omoedomo
kanawanu mono wa
namida narikeri
Your cruelty
You might wish to cease,
I thought, yet
Entirely matchless are
My tears.

The Consultant
11

In reply.

うけひかぬあまの小船のつなで縄たゆとて何か苦しかるらん

ukehikanu
ama no obune no
tsunade nawa
tayu tote nanika
kurushikaruran
You’ll not draw in
A fisher-girl’s skiff with
A rope that’s
Snapped, I think, and what
Might be painful about that?

Higo, from the Palace
12

Horikawa-in enjo awase 5

おもひ侘び恋路にまよふしるべには涙ばかりぞさきに立ちける

omoiwabi
koiji ni mayou
shirube ni wa
namida bakari zo
saki ni tachikeru
Suffering with passion, and
Lost upon the paths of love
My guide is
Simply my tears that
Set out before me.

Consultant and Middle Captain Tadanori
9

The reply, written in a style to blend in with the picture on the paper, of a many-petalled safflower, and attached to a stem of bellflower, made from metal.

恋路をばふみだに見じと思ふみに何かはかかる涙なるらん

koiji oba
fumi dani miji to
omou mi ni
nani ka wa kakaru
namida naruran
Upon the path of love
I’ve not seen you take even one step
I feel, so
Why might you show such
Tears, I wonder?

Kii, in service to the former Kamo Virgin
10

A picture of a safflower.
Safflower. Image by PublicDomainPictures from Pixabay

Horikawa-in enjo awase 4

ながれ出づるしづくに袖は朽ちはてておそふる方もなきぞかなしき

nagare’izuru
shizuku ni sode wa
kuchihatete
osouru kata mo
naki zo kanashiki
Flowing out
These droplets my sleeves
Have completely rotted, and
That I have no way to halt them
Makes me sad, indeed.

The Major Controller of the Left
7

おく網のうけもひかれぬものゆゑに何かはあまの袖のくつらん

oku tsuna no
uke mo hikarenu
mono yue ni
nani ka wa ama no
sode no kutsuran
Cast out, your line’s
Floats, she’ll not draw in,
So
Why would a fisher-girl
Have rotten sleeves, I wonder?

Yurika, from the Hall of the Junior Consort
8