On frogs.
上つ瀬にかはづ妻呼ぶ夕されば衣手寒み妻まかむとか
kami tu se ni
kapadu tuma yobu
yupusareba
koromode samumi
tuma makamu to ka
In the rapids upstream
A frog cries for a mate,
When the evening comes,
How chill the sleeves –
Maybe he would be with her swiftly!
Anonymous
鹿の音の音羽の山に音せぬは妻に今宵や逢坂の関
shika no ne no
otowa no yama ni
otosenu wa
tsuma ni koyoi ya
ausaka no seki
The stag cries
In the Otowa mountains
Without a sound;
Is his mate tonight at
The barrier of Meeting Hill?
Jakuren
Frogs (蛙)
谷川のあさき瀬ごとにみがくれてつまよぶかはづ声きこゆなり
tanikawa no
asaki se goto ni
migakurete
tsuma yobu kawazu
koe kikoyunari
In the valleys’ streams’
Every shallow rapid
Concealing themselves, and
Calling for a mate, the frogs’
Cries I hear!
Tadafusa
港風寒く吹くらし奈呉の江に妻呼び交し鶴多に鳴く
minato kaze
samuku pukurasi
nago no e ni
tuma yobikapasi
tadusapa ni naku
The wind from off the harbor
Blows chill, and
Across the inlet of Nago
Calling to their mates
Are many noisy cranes…
Ōtomo no Yakamochi
大伴家持
Left (Tie).
袖の上にかかる涙の白玉を包まねばこそよそに散るらめ
sode no ue ni
kakaru namida no
shiratama o
tsutsumaneba koso
yoso ni chirurame
To my sleeves
Cling tears
As pearls:
I could not cover them, so
They have scattered far as wide, it seems…
Lord Ari’ie .
725
Right.
よしさらば逢はで重ぬる濡れ衣の恨みに朽る妻もあらなん
yoshi saraba
awade kasanuru
nureginu no
urami ni kutsuru
tsuma mo aranan
I care not if it’s so!
Without meeting, laid atop each other
Our dampened clothes
From despair will decay
At the hem – that is my desire!
Nobusada .
726
The Right state: in the Left’s poem, it sounds as if the tears are being scattered by some other person. The Left state: we cannot understand the Right’s poem at all.
Shunzei’s judgement: the entirety of the final section of the Left’s poem is inappropriate [kashinserarezaru]. While the configuration of the Right is elegant, it does, indeed, seem somewhat difficult to grasp. Compared, the round is a tie.
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'Simply moving and elegant'