いにしへの朽木の桜春ごとにあはれむかしとおもふかひなし
| inishie no kuchigi no sakura haru goto ni aware mukashi to omou kai nashi | An ancient, Rotting cherry tree, With every spring Sorrows for those bygone days, but Thinking that has no point at all. |
710

Round Three
Left
万代の秋のかたみになす物はきみがよはひをのぶるしらぎく
| yorozuyo no aki no katami ni nasu mono wa kimi ga yowai o noburu shiragiku | Of ten thousand ages’ Autumns a keepsake I will make: My Lord’s age Extended by a white chrysanthemum! |
Lord Akinaka
29
Right
今朝みればさながら霜をいただきて翁さびゆくしら菊の花
| kesa mireba sanagara shimo o itadakite okina sabiyuku shiragiku no hana | When this morn I look That’s how it is: with frost Bestowed A lonesome ancient seems This white chrysanthemum bloom! |
Lord Mototoshi
30
Toshiyori states: this first poem is strongly characterized by felicitation, and that’s about all the fault I can mention. As for the second poem, ‘a lonesome ancient seems’ is certainly an expression I don’t know. Still, if I think of examples from prior poems, ‘lone ancient’ could be interpreted as deriving from ‘dotaged ancient’, but then the conception seems different here, so this is most likely wrong. I can only give a decision once I am certain.
Mototoshi states: ‘Of ten thousand ages’ / Autumns a keepsake / Will make’ resembles Kanemori’s famous work,[1] which has often been alluded to in composition, I think. This poem is charming. ‘Will make’ is an extremely abbreviated expression, and so the final ‘age / Extended by a white chrysanthemum’ appears to have little connection to it. There is Tomonori’ s ‘Dew-dappled / Let us pluck and wear’[2], and also responses sent on the 9th day of the Ninth Month to the residences of Tadamine and Tsurayuki like ‘Bearing droplets / Age is extended by / Chrysanthemums’, aren’t there. Given that’s the case there would be many such keepsakes of extended age. As for the Right’s ‘That’s how it is: with frost / Bestowed / A lonesome ancient seems, well, it seems that just how I composed a poem about lingering chrysanthemums—have I done something wrong?


Composed during the reign of former Emperor Ichijō, when His Majesty was presented with a gift of some eightfold cherry blossom from Nara and, being in attendance, he ordered her to composed a poem on this gift of blossom.
いにしへのならの宮このやへざくらけふここのへににほひぬるかな
| inishie no nara no miyako no yaezakura kyō kokonoe ni nioinuru kana | The ancient Capital of Nara had Eightfold cherry blossom, that Today within the ninefold palace Does shine! |
Ise no Taiyū

Left (Win).
あか月にあらぬ別も今はとて我が世ふくれば添ふ思ひかな
| akatsuki ni aranu wakare mo ima wa tote wa ga yo fukureba sou omoi kana |
At dawn This parting is not; Now it is When my life reaches twilight – I think… |
Lord Sada’ie.
851
Right.
翁さび身は惜しからぬ戀衣今はと濡れん人なとがめそ
| okina sabi mi wa oshikaranu koigoromo ima wa to nuren hito na togame so |
Feeling like an ancient, But I regret it not! My loving clothes: Now’s the time to dampen them But blame me not! |
Jakuren.
852
The Right state: the Left’s poem has no faults to mention. The Left state: we wonder about the appropriateness of ‘now’s the time to dampen them’ (ima wa to nuren).
In judgement: ‘Feeling like an ancient’ (okina sabi) ‘now’s the time to dampen them’ (ima wa to nuren) does not sound like it fits formally with ‘but I regret it not!’ (mi wa oshikaranu). The Left, in addition to sounding like it has no faults, has ‘this parting is not; now it is’ (aranu wakare mo ima wa tote), which certainly sounds right. It is superior.