Tag Archives: message

Dairi uta’awase – Tentoku yo nen 03

Round Three

Left (Win)

わがやどの梅がえになくうぐひすは風のたよりにかをやとめこし

wa ga yado no
ume ga e ni
naku uguisu wa
kaze no tayori ni
ka o ya tomekoshi
Upon my dwelling’s
Branch of plum a’singing,
Has the warbler
By a message on the breeze
Carrying fragrance perhaps been summoned? [i]

Asatada
5[ii]

Right

さほひめのいとそめかくるあをやぎをふきなみだりそ春の山風

saohime no
ito somekakuru
aoyagi o
fuki na midari so
haru no yamakaze
Princess Sao
Has dyed the dangling threads of
Green willow—
O, don’t blow them into tangles,
Spring breeze from the mountains!

Kanemori
6

Warblers should have appeared here, but this is a poem about willows, so it loses.

しろたへの雪ふりやまぬ梅がえにいまぞうぐひす花となくなる

shirotae no
yuki furiyamanu
ume ga e ni
ima zo uguisu
hana to nakunaru
White as mulberry cloth
The snow falls unceasing—
Upon the branch of plum,
Now, indeed, the warbler,
Sings of the blossom!

Kanemori
7

Despite the mistaken composition, His Majesty required the original poem and it was located and recited.

Lord Hiromasa, the Reciter for the Right, mistakenly recited the willow poem. The Left raised an objection, saying, ‘He should have recited the warbler poem but, instead, erroneously recited the willow poem. Should he really be allowed to recite the correct poem now?’ The substance of the Left’s objection was conveyed to His Majesty, who instructed, ‘Provide a report based on prior precedent.’

This minor official advised His Majesty, ‘The Left’s objection is not unreasonable. However, matters such as this are best determined according to the circumstance of the occasion. As this was simply human error, why discriminate against the poem?’

Thus, His Majesty ordered that the poem be recited.

When he did so, Lord Hiromasa turned pale and was unable to recite the poem straight away. Although he finally managed to do so, his voice trembled and the Left laughed at him. Furthermore, the poem’s diction contained the nonsensical expression ‘sings of the blossom’, and thus this was still a loss.


[i] An allusive variation on: A poem from the Empress’ poetry competition held in the Kanpyō period. 花の香を風のたよりにたぐへてぞ鶯さそふしるべにはやる hana no ka o / kaze no tayori ni / taguete zo / uguisu sasou / shirube ni wa yaru ‘The blossoms’ scent / Messaged on the breeze / Brings / An invitation to the warbler / To try and bring him forth!’ Ki no Tomonori (Kokinshū I: 13)

[ii] This poem was included in Gyokuyōshū (I: 42), attributed to Asatada, with the headnote ‘On warblers, from the Palace Poetry Match in Tentoku 4’.

Dairi uta’awase – Tentoku yo-nen 14

Round Fourteen

Left (Tie)

さよふけてねざめざりせばほととぎす人づてにこそきくべかりけれ

sayo fukete
nezamezariseba
hototogisu
hitozute ni koso
kikubekarikere
When brief night broke, and
I failed to awaken to
The cuckoo,
Via a message, indeed,
Was I able to hear it!

Tadami
27

Right

人ならばまててふべきをほととぎすふたこゑとだにきかですぎぬる

hito naraba
mate chōbeki o
hototogisu
futa koe to dani
kikade suginuru
Were you a man,
‘Wait!’ is what I’d tell you,
O, cuckoo!
For without even a second call
For me to hear have you passed by.

Motozane
28

The Left’s poem, where the poet seems to awaken without a thought of hearing the cuckoo, is certainly somewhat odd. Nevertheless, the poem overall is charming. As for the Right’s poem, well, what is the poet trying to say by asking the cuckoo to wait when he will hear its first call, if it were a man? Is the conception, perhaps, for the cuckoo to wait a while? There’s not enough diction for the conception here, I feel. Both of these are about the same standard, so I make this a tie.