Round Three
Left (Win)
わがやどの梅がえになくうぐひすは風のたよりにかをやとめこし
| wa ga yado no ume ga e ni naku uguisu wa kaze no tayori ni ka o ya tomekoshi | Upon my dwelling’s Branch of plum a’singing, Has the warbler By a message on the breeze Carrying fragrance perhaps been summoned? [i] |
Asatada
5[ii]
Right
さほひめのいとそめかくるあをやぎをふきなみだりそ春の山風
| saohime no ito somekakuru aoyagi o fuki na midari so haru no yamakaze | Princess Sao Has dyed the dangling threads of Green willow— O, don’t blow them into tangles, Spring breeze from the mountains! |
Kanemori
6
Warblers should have appeared here, but this is a poem about willows, so it loses.
しろたへの雪ふりやまぬ梅がえにいまぞうぐひす花となくなる
| shirotae no yuki furiyamanu ume ga e ni ima zo uguisu hana to nakunaru | White as mulberry cloth The snow falls unceasing— Upon the branch of plum, Now, indeed, the warbler, Sings of the blossom! |
Kanemori
7
Despite the mistaken composition, His Majesty required the original poem and it was located and recited.
Lord Hiromasa, the Reciter for the Right, mistakenly recited the willow poem. The Left raised an objection, saying, ‘He should have recited the warbler poem but, instead, erroneously recited the willow poem. Should he really be allowed to recite the correct poem now?’ The substance of the Left’s objection was conveyed to His Majesty, who instructed, ‘Provide a report based on prior precedent.’
This minor official advised His Majesty, ‘The Left’s objection is not unreasonable. However, matters such as this are best determined according to the circumstance of the occasion. As this was simply human error, why discriminate against the poem?’
Thus, His Majesty ordered that the poem be recited.
When he did so, Lord Hiromasa turned pale and was unable to recite the poem straight away. Although he finally managed to do so, his voice trembled and the Left laughed at him. Furthermore, the poem’s diction contained the nonsensical expression ‘sings of the blossom’, and thus this was still a loss.
[i] An allusive variation on: A poem from the Empress’ poetry competition held in the Kanpyō period. 花の香を風のたよりにたぐへてぞ鶯さそふしるべにはやる hana no ka o / kaze no tayori ni / taguete zo / uguisu sasou / shirube ni wa yaru ‘The blossoms’ scent / Messaged on the breeze / Brings / An invitation to the warbler / To try and bring him forth!’ Ki no Tomonori (Kokinshū I: 13)
[ii] This poem was included in Gyokuyōshū (I: 42), attributed to Asatada, with the headnote ‘On warblers, from the Palace Poetry Match in Tentoku 4’.
都べに夢にもゆかむ便あらばうつの山風ふきもつたへよ
| miyakobe ni yume ni mo yukamu tayori araba utsu no yamakaze fuki mo tsuteyo | If towards the capital, Even to her dreams would you go, and Be my messenger, O, Utsu Mountain breeze, Blow, and tell her…[i] |
599
[i] See: While at Utsu Mountain in Suruga, he thought of someone he had been meeting and sent this to the capital. するがなるうつの山邊のうつゝにも夢にも人にあはぬなりけり suruga naru / utsu no yamabe no / utsutsu ni mo / yume ni mo hito ni / awanu narikeri ‘In Suruga / At the Utsu mountains / In truth and / In my dreams she / Is nowhere to be seen…’ Ariwara no Narihira (Shinkokinshū X: 904)
I sent this to a lady after composing it.
春くれど人もすさめぬ山桜風のたよりにわれのみぞとふ
| haru kuredo hito mo susamenu yamazakura kaze no tayori ni ware nomi zo tou | The spring has come, yet There is no one to sing the praises of The mountain cherry blossom; A breeze-borne note Comes calling on my solitude. |
When he was passing the barrier at Shirakawa on the way to Michinoku.
たよりあらばいかでみやこへつげやらむけふしらかはの関はこえぬと
| tayori araba ikade miyako Fe tuge yaramu keFu sirakaFa no seki Fa koenu to | Had I but a messenger Somehow, to the capital I would send word— That today the Shirakawa Barrier I have passed through… |
Taira no Kanemori
On the conception of love, in a hundred poem sequence.
あふ事のむなしき空のうき雲は身をしる雨の便りなりけり
| au koto no munashiki sora no ukigumo wa mi o shiru ame no tayori narikeri | Meeting you is A vain hope—empty as the skies, where Drifting clouds are The rainfall of my misery’s Harbingers. |
Prince Kore’akira
惟明親王
An allusive variation on KKS XIV: 705.
Left (Tie).
戀しとは便りにつけていひやりつ年は返りぬ人は歸らず
| koishi to wa tayori ni tsukete iiyaritsu toshi wa kaerinu hito wa kaerazu |
I love you, I put in a letter, and Sent it off; The years have gone by, but He has not returned. |
A Servant Girl
875
Right.
遥かなり幾草枕結びてかその下紐の解けんとすらん
| harukanari iku kusamakura musubite ka sono shitahimo no token to sururan |
A great distance – How many times pillowed on the grass? Tied tight My under-belt – I wonder when I will undo it? |
Nobusada
876
The Right state: the Left’s poem seems comic. The Left state: the initial line of the Right’s poems does not seem to have much to say.
In judgement: I wonder if it really is comic? It’s just a poem in one particular style. The conception of the poem ‘I do not await / The new year, yet it is here; / The Winter plants’ is especially charming. As for the Right, the Gentlemen have stated that the first line ‘has nothing much to say’, but I feel it is appropriately placed. Furthermore, I wonder what to think about the final ‘my under-belt’ (sono shitahimo), but, then again, the configuration of ‘How many times pillowed on the grass’ (iku kusa makura) is evocative. The poems are comparable, and again, they tie. Alas, my judgement here suggests I know nothing of poetry. It is most difficult when one realises how times have changed. How sad it is…
