Tag Archives: branch

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 01

Warblers

Round One

Left (Tie)

鶯のなく木の本にふる雪はは風に花のちるかとぞみる

uguisu no
naku ki no moto ni
furu yuki wa
hakaze ni hana no
chiru ka to zo miru
The warbler
Sings from in a tree, its roots
Covered by falling snow;
Breeze stirred by its wingbeats, blossom
Does seem to scatter.

Lord Kiyosuke
1

Right

うぐひすのなきて木づたふ梅がえにこぼるる露や涙なるらん

uguisu no
nakite kozutau
ume ga e ni
koboruru tsuyu ya
namida naruran
The warbler
Crying flits from
Branch to plum branch;
Has the dripping dew
His tears, perhaps, become?

Shun’e
2

Both Left and Right proceed smoothly, but what are we to make of the line ‘Crying flits’ in the Right’s poem? As this is also an expression which implies that dew is falling, these should tie.

Entō ōn’uta’awase 11

Round Eleven

Left

しら雲の朝たつ山のからにしき枝に一むら春風ぞ吹く

shirakumo no
asa tatsu yama no
karanishiki
eda ni hito mura
harukaze zo fuku
Clouds of white
Arising with the morning on the mountain:
Cathay brocade
In a single bunch upon the branch
Blown by the breeze of spring! [1]

Supernumerary Major Counsellor Moto’ie
21

Right (Win)

かづらきや嶺の桜のさきしより心の空にかかるしら雲

kazuragi ya
mine no sakura no
sakishi yori
kokoro no sora ni
kakaru shirakumo
Upon Kazuragi
Peak, the cherries
Have bloomed and ever since
The heavens of my heart are
Draped with clouds of white.

Lord Nobunari
22

The Left’s poem has ‘Arising with the morning on the mountain: Cathay brocade in a single bunch upon the branch’ and, while it mentions spring breezes in its final section and does not fail to reflect the surface appearance of its source poem, conveys a feeling of scarlet leaves without mentioning blossom or cherry, which I have to say is something of a fault. The Right’s poem does not seem poor and lacks any faults worth mentioning, so it should win.


[1] An allusive variation on SIS IV: 220.

Teishi-in ominaeshi uta’awase 06

Left

かくをしむあきにしあはばをみなへしうつろふことはわすれやはせぬ

kaku oshimu
aki ni shi awaba
ominaeshi
utsurou koto wa
wasure ya wa senu
If feeling such regret
I should encounter autumn, then
O, maidenflower,
To fade
You should not forget, should you?

11

Right

ながきよにたれたのめけむをみなへしひとまつむしのえだごとになく

nagaki yo ni
tare tanomekemu
ominaeshi
hito matsumushi no
edagoto ni naku
On a long, long night
Who is it has made you believe,
O, maidenflower?
Pining for him while crickets
Cry from your every branch…

12[1]


[1] Shinsen man’yōshū 536; Fubokushō 4231

Kanpyō no ōntoki kisai no miya uta’awase 64

Left

神無月しぐれふるらしさほ山の正木のかづら色まさりゆく

kaminazuki
shigure fururashi
saoyama no
masaki no kazura
iro masarikeri
In the Godless Month
Showers fall, it seems, for
On Sao Mountain
The evergreen arrowroot’s
Hues are fine, indeed.

125[1]

Right

冬くれば梅に雪こそ降りかかれいづれのえをか花とはをらむ

fuyu kureba
mume ni yuki koso
furikakare
izure no e o ka
hana to wa oramu
When the winter comes
Upon the plum tree, truly, does snow
Fall and cling;
From which branch, I wonder
Should I pick the blossom?

126


[1] Shinkokinshū VI: 574

GSS I: 12

A poem from the Poetry Contest held by the Empress Dowager during the reign of the Kanpyō emperor.

吹風や春立ち来ぬと告げつらん枝にこもれる花咲きにけり

Fuku kaze ya
Faru tatikinu to
tuketuran
eda ni komoreru
Fana sakinikeri
Is it the blowing breeze that
Spring’s arrival does
Announce?
For once tightly closed upon the branch
Blossom has bloomed.

Anonymous