Tag Archives: koyoi

Sumiyoshi-sha uta’awase kaō ni-nen 07

Round Seven

Left (Tie)

すみよしとあとたれそめしそのかみに月やかはらぬこよひなるらむ

sumiyoshi to
atotaresomeshi
sono kami ni
tsuki ya kawaranu
koyoi naruramu
At Sumiyoshi
Did He first manifest
Surely when above,
The moon differed not
From this night…

Kojijū, in service to the Empress Dowager[1]
13

Right

あきらけきかみのこころやたぐふらむほかよりもけにすめる月かな

akirakeki
kami no kokoro ya
taguuramu
hoka yori mo ke ni
sumeru tsuki kana
So bright is
The Deity’s heart that, surely
Close by clings
More than anywhere, indeed,
The moon, so clear!

Lord Fujiwara no Sanemori
Supernumerary Middle Captain in the Inner Palace Guards, Right Division
Exalted Senior Fourth Rank, Lower Grade[2]
14

The Left’s ‘Did He first manifest / Surely when above’ appears pleasant, but the diction of the latter part of the poem does not sound as if it does justice to the topic. The Right’s conception and diction sound as if they match the topic of the moon over the shrine, but I would have preferred a bit more technique than is in the line ‘More than anywhere, indeed’. Thus, as both contain faults the round ties once more.


[1] Taikōtaigōgū Kojijū太皇太后宮小侍従

[2] Shōyon’ige-gyō ukonoe gonchūjō Fujiwara ason Sanemori 正四位下行右近衛権中将藤原朝臣実守

Sumiyoshi-sha uta’awase kaō ni-nen 05

Round Five

Left (Win)

ゆふかくるここちこそすれすみよしのまつのこずゑをてらす月かげ

yū kakuru
kokochi koso sure
sumiyoshi no
matsu no kozue o
terasu tsukikage
All hung with sacred streamers
I feel they are—
At Sumiyoshi
The treetops of the pines
Shining in the moonlight.

Lord Fujiwara no Shigenori
Captain of the Outer Palace Guards, Left Division
Exalted Senior Third Rank[1]
9

Right

すみよしのまつのこずゑをみわたせばこよひぞかくる月のしらゆふ

sumiyoshi no
matsu no kozue o
miwataseba
koyoi zo kakuru
tsuki no shirayū
When, at Sumiyoshi
Over the treetops of the pines
I pass my gaze,
Hung are they, this midnight
With the moon’s white sacred streamers…

Lord Fujiwara no Morikata
Junior Fourth Rank, Lower Grade
Without Office[2]
10

Left and Right have produced poems on the moon, both with the conception of it resembling white sacred streamers hung on the treetops of the pines, while the differences between them are charming, it does not sound as if the poem of the Right has any reason for singling out ‘this midnight’, while nothing appears lacking in the beauty of the Left’s work and thus, once more, it wins.


[1] Shōsan’i-gyō sahyōe no kami Fujiwara ason Shigenori  正三位行左兵衛督藤原朝臣成範

[2] San’i jūshi’ige Fujiwara ason Morikata 散位従四位下藤原朝臣盛方

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 27

Round Three

Left (Tie)

おきあかしくまなき月をながむれば野原の草の露もかくれず

oki’akashi
kumanaki tsuki o
nagamureba
nohara no kusa no
tsuyu mo kakurezu
Lying awake ‘til dawn, and
Upon the cloudless moon
A’gazing—
Upon the grasses o’er the plain
Not a single dewdrop is concealed.

Mikawa
53

Right

月をみて心をこよひつくすかなくまなき空は又もこそあれ

tsuki o mite
kokoro o koyoi
tsukusu kana
kumanaki sora wa
mata mo koso are
Seeing the moon,
Tonight, my heart
Exhausts!
The cloudless skies
Once more are such!

Lord Kinshige
54

The Left’s ‘lying awake ‘til dawn, gazing’ suggests that the poet is at their own residence, but then it finally turns out that they are on the plain – what to make of this? It’s also the case that the moon doesn’t necessarily always appear over the plains. This poem should really have included a clearer reason for the poet’s journey. As for the Right, while it isn’t bad, the final line certainly regrettable, so this round is a tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 26

Round Two

Left (Win)

松浦ぶねあかしのしほに漕ぎとめよこよひの月はここにてをみむ

matsurabune
akashi no shio ni
kogitomeyo
koyoi no tsuki wa
koko nite o mimu
O, boat from Matsura,
Upon the tides of Akashi,
Halt your rowing!
For tonight, the moon
I would gaze upon from there…

Lord Tsunemori
51

Right

月影のさえゆくままにおく霜をおもひもあへず鐘やなるらん

tsukikage no
saeyuku mama ni
oku shimo o
omoi mo aezu
kane ya naruran
While the moonlight
Is so chill,
Is it of the falling frost
Quite heedless that
The bells are tolling?

Tōren
52

I wonder if the Right’s conception is that of the bells of Fengling? It appears to be said of them that they ‘rang of their own accord when frost fell’, or something like that. Hence, in the Cathay-style poem with the topic ‘the autumn moon seeming to be frost at night’ there is also the line ‘wouldn’t you have it make the Fengling bells ring out together?’ Here, our moonlight is being thought to be frost, and the bells are tolling in response to it. But, as bells are inanimate objects, it does not seem feasible to think that they would toll upon seeing frost. Thus, saying that they would view the moonlight as frost and heedlessly toll, is odd, I have to say. As for the Left, while there is no clear reason for the initial line, the remainder seems reasonable, and so I feel this should win.

Dairi kiku awase 03

わぎもこがひもゆふぐれのきくなればあかずぞはなのいろはみえける

wagimoko ga
hi mo yūgure no
kiku nareba
akazu zo hana no
iro wa miekeru
My darling girl
Both day and eve is
As a chrysanthemum, so
Never sated am I with this flower’s
Hues I see.

Korenori
5

きくのはなふゆののかぜにちりもせでけふまでとてやしもはおくらん

kiku no hana
fuyu no kaze ni
chiri mo sede
kyō made tote ya
shimo wa okuran
Chrysanthemum blooms
In the winter wind
Scatter not;
Is it that up to today is when
Frost is said to fall?

Korenori
6

かげさへやこよひはにほふきくのはなあまてるつきにかのそはるらん

kage sae ya
koyoi wa niou
kiku no hana
ama teru tsuki ni
ka no sowaruran
Even their shape
Fills tonight with a scented glow; Chrysanthemum blooms
To the heaven-shining moon
Seem to add their fragrance.

Korenori
7

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 16

Round Sixteen

The Moon

Left (Tie)

今よりはふけ行くまでに月はみしその事となく涙おちけり

ima yori wa
fukeyuku made ni
tsuki wa mishi
sono koto to naku
namida ochikeri
From now
Until it set,
Did I gaze upon the moon
Had it not been there, then
Would have my tears fell.

Lord Kiyosuke
31

Right

待つ人のこぬもおもへばつらからずねなばこよひの月をみましや

matsu hito no
konu mo omoeba
tsurakarazu
nenaba koyoi no
tsuki o mimashi ya
The man I await
Has failed to come, I think, but
I’ll not be downcast, for
Had I to bed tonight
Would I have gazed upon the moon?

Kūnin
32

Both have deep feeling—it really is impossible to distinguish them.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 11

Round Eleven

Tanabata

Left (Win)

七夕はたえぬ契りをうれしともこよひばかりやおもひしるらん

tanabata wa
taenu chigiri o
ureshi tomo
koyoi bakari ya
omoishiruran
The Weaver Maid’s
Unending vow is
A source of joy, yet
Is it only on this night
That she truly feels it?

Shun’e
21

Right

天の河わたるこよひや七夕は中中袖をぬらさざるらん

ama no kawa
wataru koyoi ya
tanabata wa
nakanaka sode o
nurasazaruran
The River of Heaven
Does she cross tonight, so
The Weaver Maid
Truly, her sleeves
Dampens not, I think!

Yorisuke
22

KYS II: 91

Composed on the conception of love at the end of the Third Month.

春はをし人はこよひとたのむればおもひわづらふ今日のくれかな

Faru Fa wosi
Fito Fa koyoi to
tanomureba
omoFiwazuraFu
keFu no kure kana
Regretting the departure of spring, and
Tonight, my man
Expecting,
Wracked with painful thoughts
Does today reach its dusk!

The Minister of the Centre

A kuzushiji version of the poem's text.
Created with Soan.