For a folding screen at the residence of Major Captain of the Right Sadakuni.
住の江の松を秋かぜ吹くからにこゑうちそふる興つしらなみ
| suminoe no matu wo akikaze Fuku kara ni kowe utisoFuru oki tu siranami | When through Suminoe’s Pines the autumn wind Does blow, Draped are they by the roar of Whitecaps in the offing. |
Mitsune
Composed by command on the topic of a distant view across the sea when His Majesty [Emperor Sutoku] was newly retired as emperor.
わたのはらこぎいでてみれば久方の雲井にまがふおきつしらなみ
| wata no Fara kogi’idedete mireba Fisakata no kumowi ni magaFu oki tu siranami | When across the wide seascape On rowing out I turn my gaze The eternal Clouds are tangled with The whitecaps in the offing.[i] |
The Former Chancellor and Palace Minister
[i] An allusive variation on Omuro gojisshu 601.
Composed on the instructions of His Majesty, on the way back from Sumiyoshi, when he had accompanied him there in the Third Month, Enkyū 5 [April 1073].
おきつかぜふきにけらしな住吉の松のしづえをあらふしらなみ
| okitsukaze fukinikerashi na sumiyoshi no matsu no shizue o arau shiranami | The wind in the offing Is gusting, it seems, for At Sumiyoshi The pines’ low branches Are washed by whitecaps. |
Minister of Justice Tsunenobu
The late Master of the Right Capital Office was Lord Muneyuki. While he was fretting over when he might achieve advancement, His Majesty, the Cloistered Teishi Emperor was presented with a stone with seaweed clinging to it from the province of Ki, and various people presented poems on the topic. The Master of the Right Capital Office composed
沖つ風ふけゐの浦にたつなみのなこりにさへや我はしつまん
| oki tsu kaze fukei no ura ni tatsu nami no nagori ni sae ya ware wa shitsuman | From the offing the wind blows Upon the beach at Fukei; Will the breaking waves, The wild waves, linger on and Sink me beneath them? |
Lilac Daphne
Left (Tie)
かたをかにひのはなばなにみえつるはこのもかのもにたれかつけつる
| kataoka ni hi no hanabana ni mietsuru wa konomo kanomo ni tare katsuketsuru | Upon the hillside The fires as flowers Do appear— Here and there, Who has kindled them? |
Tsurayuki
17
Right
わたつみのおきなかにひのはなれいでてもゆとみゆるはあまつほしかも
| watatsumi no oki naka ni hi no hanare’idete moyu to miyuru wa ama tsu hoshi kamo | Across the broad sea sweep Upon the offing, fires In the distance Burn it seems— Stars within the heavens, perhaps… |
Tomonori
18
Left
おもひ侘びけぶりは空に立ちぬれどわりなくもなき恋のしるしか
| omoiwabi keburi wa sora ni tachinuredo warinaku mo naki koi no shirushi ka | Suffering from passion’s fire, Smoke into the skies Has risen, yet Of a not unreasonable Love is this a sign? |
168
Right
人をおもふ心のおきは身をぞやく煙たつとは見えぬものから
| hito o omou kokoro no oki wa mi o zo yaku keburi tatsu to wa mienu mono kara | Loving her The coals within my heart Do burn my flesh, though Of smoke arising Is there no sign at all… |
169
Round Eight
Left
秋風の吹来る声はやまながらなみ立ちかへるおとぞきこゆる
| akikaze no fukikuru koe wa yama nagara nami tachikaeru oto zo kikoyuru | The autumn breeze’s Cry comes gusting; And in the mountains, The sound of waves washing back and forth Comes to my ears. |
15
Right
すみの江の松を秋風吹くからにこゑうちそふる沖つ白なみ
| suminoe no matsu o akikaze fuku kara ni koe uchisouru oki tsu shiranami | At Suminoe The pines by the autumn breeze Are blown, so The sound lies atop The whitecaps in the offing. |
16
Composed on plovers.
沖つ潮指出の磯の浜千鳥風寒からし夜半に友呼ぶ
| oki tsu shio sashide no iso no hama chidori kaze samukarashi yowa ni tomo yobu | From the offing the tides Strike the shore at Sashide; On the beach plovers, Chilled by the wind Call for their mates at midnight. |
Supernumerary Middle Counsellor [Fujiwara no] Nagakata (1139-1191)
藤原長方
