Tag Archives: flesh

Yōzei’in miko futari uta’awase 04

Left

ねざめつつみをうぐひすのねをぞなくはなさかりにしきみをこふれば

nezametsutsu
mi o uguisu no
ne o zo naku
hana sakarinishi
kimi o koureba
Every time I wake,
My flesh, as a warbler,
Lets out sobbing cries,
For, fair as a blossom in bloom,
It is you I long for, my lady…

7

Right

ことにいでてなにかいふべきねざめつつこふるしたひもそらにとくらむ

koto ni idete
nani ka iubeku
nezametsutsu
kouru shitahimo
sora ni tokuramu
To put it into words,
What is there I can say?
Every time I wake,
Your underbelt, which I want so,
Seems to be loosening in the skies alone.

8

Tsurayuki uta’awase 07

Left

織女の年に一たび逢ふものをなどわが恋のはるけかるらむ

tanabata no
toshi ni hito tabi
au mono o
nado wa ga koi no
harukekaruramu
The Weaver Maid
But once a year
A meeting may have, but
Why is it my love
Does seem to grow ever distant?

13

Right

つゆに露われもろともにおきゐつつ恋する身さへ消えぬべきかな

tsuyu ni tsuyu
ware morotomo ni
oki’itsutsu
koisuru mi sae
kienubeki kana
Dewfall upon dewdrops,
Both do I
Let ever fall—
Love fills my flesh so
It could fade away!

14

Tsurayuki uta’awase 01

Tsurayuki’s Poetry Match,[i] 28th day of the Second Month, Tengyō 2[ii]

The beginning of spring.

Left

白雪のみにふりながら梅の花をりつるほどに春は来にけり

shirayuki no
mi ni furinagara
mume no hana
oritsuru hodo ni
haru wa kinikeri
Snow, so white,
Falling upon my flesh,
While the plum blossom,
Branches are breaking
Spring has come!

1

Right

鶯の巣立ちし日よりはるばるとおもひは音にぞまづなかれける

uguisu no
sudachishi hi yori
harubaru to
omoi wa ne ni zo
mazu nakareru
Since the day the bush warbler
Departed his nest,
Endlessly
Have I thought his song
For the present has not been here.

2


[i] Tsurayuki uta’awase 貫之歌合

[ii] 21 March 939

Entō ōn’uta’awase 26

Round Twenty-Six

Left

秋萩の露もよすがのさがり葉も風吹きたつる色ぞ身にしむ

akihagi no
tsuyu mo yosuga no
sagariba mo
kaze fukitatsuru
iro zo mi ni shimu
On the autumn bush clover
Dewdrops rest upon
The dangling leaves,
Whipped up by the wind,
Their hues sharply sink into my flesh.

The Former Minister of the Centre
51

Right (Win)

さだめなき風を待つ間もうつろひぬもとあらの萩にむすぶ白露

sadamenaki
kaze o matsu ma mo
utsuroinu
motoara no hagi ni
musubu shiratsuyu
While the unsettled
Breeze they do await,
Faded from
The sparse bush clover have
The clinging dewdrops.[1]

Kozaishō
52

The Left poem’s ‘rest upon the dangling leaves, whipped up by the wind’ seems a novel style, and yet, even though everything about dangling leaves is contained in the Ancient and Modern, it does not sound particularly evocative. The Right lacks even a small fault and appears gorgeous, so it should win.


[1] An allusive variation on: Topic unknown. 宮木野のもとあらの小萩つゆをおもみ風をまつごと君をこそまつ miyagino no / motoara no kohagi / tsuyu o omomi / kaze o matsu goto / kimi o koso matsu ‘On Miyagi Plain / The sparse bush clover / Weighed down with dewdrops / Awaits the wind, just as / I do wait for you…’ Anonymous (KKS XIV: 694)

Naidaijin-ke uta’awase 27

Round Three

Left (Both Judges – Win)

いはぬまの下はふ蘆のねを重みひまなき恋を君知るらめや

iwanuma no
shitahau ashi no
ne o shigemi
himanaki koi o
kimi shirurame ya
Silently beneath the marsh rocks
Creep the reeds’
Roots in such profusion,
Not a space free from love, but
Does my lady know, I wonder?

A Court Lady
53

Right

身をつみて思ひや知るとこころみにながためつらき人もあらなん

mi o tsumite
omoi ya shiru to
kokoromi ni
na ga tame tsuraki
hito mo aranan
Pinching flesh,
Would you know passion’s fire?
To test it, I wish
For you there was a cruel
One, too…

Lord Masakane
54

Toshiyori states: the first poem is extremely charming. It seems to have no faults to mention. In the second poem, ‘For you there was a cruel one’ would be something quite impolite if said by a woman. Court ladies may lose their composure, yet they still appear to speak with dignity. In the absence of a prior poem as precedent, the first poem should win, I think.

Mototoshi states: this poem seems to have no faults to mention, and of the two, ‘beneath creep the reeds’ seems a bit more gently refined at present.