Composed on scarlet leaves.
嵐ふくかみがき山のふもとにはもみぢやぬさとちりまがふらん
| arashi fuku kamigakiyama no fumoto ni wa momij ya nusa to chirimaguran | Storm winds blow Upon Mount Kamigaki’s Foothills: Their garland of scarlet leaves Seem to scatter all together. |
Sōen
Tag Archives: nusa
Yōzei-in uta’awase (Engi jūsan-nen kugatsu kokonoka) 21
Left
いまはとてすぎゆく秋のかたみにはかぜのおくれにもみぢをやみん
| ima wa tote sugiyuku aki no katami ni wa kaze no okure ni momiji o ya min | Might now be when Departing autumn’s Keepsake is Presented on the breeze: A glimpse of scarlet leaves? |
41
Right
あきながらとしはくれなん紅葉ばをぬさとちらせる山のみねより
| aki nagara toshi wa kurenan momijiba o nusa to chiraseru yama no mine yori | It’s autumn, so The year has reached its dusk; Scarlet leaves for A garland are made to scatter From the mountain peaks… |
42
Yōzei-in uta’awase (Engi jūsan-nen kugatsu kokonoka) 05
Left (Tie)
しぐれつつ草ばもなべてもみづともときはの山にあきはとまれり
| shiguretsutsu kusaba mo nabete momizu to mo tokiwa no yama ni aki wa tomareri | Ever falls the drizzling rain, and Both leaves and grasses, all, Take on autumn hues, yet Within the evergreen mountains Autumn has halted. |
9
Right
をしめども秋はとまらぬ竜田山もみぢを幣とそらにたむけん
| oshimedomo aki wa tomaranu tatsutayama momiji o nusa to sora ni tamuken | How I regret it, yet Autumn does not linger upon Tatsuta Mountain: Its autumn leaves as a garland To the skies it seems to offer. |
10
Teishi-in ominaeshi uta’awase 17
たつたやまあきをみなへしすぐさねばおくるぬさこそもみぢなりけれ
| tatsutayama aki o mina heshi sugusaneba okuru nusa koso momiji narikere | On Tatsuta Mountain Autumn for all has Not yet passed by, so Proffered are garlands of Scarlet leaves. |
Motoyori
33
あきぎりをみなへしなびくふくかぜをこのひともとにはなはちるらし
| akigiri o mina heshi nabiku fuku kaze o kono hitomoto ni hana wa chirurashi | The autumn mists Have borne down on all With the gusting wind A single stalk of Blooms seems to scatter… |
Yoshikaze
34
Kanpyō no ōntoki kisai no miya uta’awase 54
Left
雁がねにおどろく秋のよを寒み虫のおりだす衣をぞきる
| kari ga ne ni odoroku aki no yo o samumi mushi no oridasu koromo o zo kiru | The goose cries are Startling on an autumn Night so chill The insects’ woven Robes I will put on! |
106[1]
Right
あき風はたがたむけとか紅葉ばをぬさにきりつつ吹きちらすらん
| akikaze wa ta ga tamuke to ka momijiba o nusa ni kiritsutsu fukichirasuran | The autumn wind: To whom does it make its offering Of scarlet leaves? Ever cutting them to streamers, and Seeming to scatter them with its gusts… |
107
[1] Fubokushō XII: 4881
Eikyū hyakushu 543
Love X: 7
Left
頼むなるあさけ神しも幣はせん君が心やわれになびくと
| tanomu naru asake kami shimo nusa wa sen kimi ga kokoro ya ware ni nabiku to | Worship she does The goddess Asake, so should even I make her an offering? Then might my lady’s heart Trail in my direction… |
Kenshō
1153
Right (Win)
鏡山君に心やうつるらむいそぎ立たれぬ旅衣かな
| kagamiyama kimi ni kokoro ya utsururamu isogi tatarenu tabigoromo kana | Upon Mirror Mount Has my heart Found lodging? For In haste to rise and don My travelling garb, I am not! |
Lord Tsune’ie
1154
Left and Right state: there are no faults to mention in either poem.
In judgement: both Left and Right here refer to a ‘person’ (kimi), with the Left’s ‘making her an offering’ (nusa wa sen) that she might ‘trail in my direction’ (ware ni nabiku ya), while the Right’s has left his heart on Mirror Mount and ‘is not in haste to rise and don his travelling garb’ (isogi tatarenu tabigoromo): each of these poems is evocative, and makes effective use of wordplay, with the Left’s ‘make her an offering’ certainly resembling something I have come across previously, but the initial ‘goddess Asake’ is poor. The Right’s ‘Mirror Mount’ (kagami yama) is something I am familiar with, and this has a gentle tone. Thus, the Right wins.