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まこもかる淀のさは水ふかけれどそこまで月の影はすみけり
makomo karu yodo no sawamizu fukakeredo soko made tsuki no kage wa sumikeri Reaping wild rice In the Yodo’s marsh-waters, So deep, yet Right down to the bed, the moon’s Light is clear.
Former Major Counsellor Masafusa
真こもおふる淀のさは水み草ゐて影しみえねばとふ人もなし
makomo ouru yodo no sawamizu mikusa ite kage shi mieneba tou hito mo nashi Wild rice grows In the murky marsh waters, Filled with waterweed, No hint visible, so No one comes to call at all…
548
Composed on the conception of hawking.
かりくらしかたののましば折敷きてよどのかはせの月をみるかな
karikurashi katano no mashiba orishikite yodo no kawase no tsuki o miru kana While hunting night has fallen, so In Katano brushwood I’ll break and spread around, then In the Yodo’s rapids I’ll gaze upon the moon!
Kinhira, Middle Captain of the Inner Palace Guards, Left Division
Created with Soan .
真野之浦乃 与騰乃継橋 情由毛 思哉妹之 伊目尓之所見
真野の浦の淀の継橋心も思へや妹が夢にし見ゆる
mano no ura no yodo no tugipasi kokoro yu mo omope ya imo ga yume ni si miyuru Across the bay of Mano Over the pools lies a many-pillared bridge— Does she so cover my heart? That love for my darling Brings her to my dreams…
A poem by Prince Yuhara, when he was in Yoshino.
吉野なる菜摘の川の川淀に鴨ぞ鳴くなる山蔭にして
yosino naru natumi no kapa no kapa yodo ni kamo zo nakunaru yama kage ni site In Yoshino From the River Natsumi’s Deep, still pools The ducks cry In the mountains’ shade.
Prince Yuhara
薦枕高瀬の淀に刈る薦の刈るとも我は知らで頼まむ
komo makura
takase no yodo ni
karu komo no
karu tomo ware Fa
sirade tanomamu
Pillowed on a mat of rush
Where the Yodo meets Takase,
Reaped rushes
Wither, yet I,
All unknowing, will place my trust in them!
真菰草高瀬の淀に茂れども末葉も見えぬ五月雨のころ
makomogusa
takase no yodo ni
shigeredomo
sueba mo mienu
samidare no koro
The rushes
Where the Yodo meets Takase
Are lush, indeed, yet
The fronds are hidden
In this time of showers…
Taikenmon’in horikawa
待賢門院堀河
いかにして真菰を刈らむ五月雨に高瀬の淀も水まさりけり
ika ni shite
makomo o karamu
samidare ni
takase no yodo mo
mizu masarikeri
What am I to do?
I would reap rushes
In the rain
Where the Yodo meets Takase,
But the waters have risen high…
Minamoto no Morotoki
源師時
Left (Win).
行く末の深き縁とぞ契つるまだ結ばれぬ淀の若菰
yukusue no
fukaki eni to zo
chigiritsuru
mada musubarenu
yodo no wakagomo
In the future,
A deep connection will we have,
You vowed,
Yet still no one has cupped
This young shoot of wild rice at Yodo.
A Servant Girl .
863
Right.
結ばんと契し人を忘れずやまだ影淺き井手の玉水
musuban to
chigirishi hito o
wasurezu ya
mada kage asaki
ide no tamamizu
That we would be joined
We swore, so
Will you not forget me?
The slight reflection left
In Ide’s jewelled waters…
Ietaka .
864
Both Left and Right state: there is no separation between man and woman.
In judgement: ‘Young shoot of wild rice at Yodo’ (yodo no wakagomo ) and ‘Ide’s jewelled waters’ (ide no tamamizu ) are both elegant in style, but the Left has pledged a more profound bond. The Right has ‘the slight reflection left’ (mada kage asaki ) and the Left is a poem about a vow which has been made. The Right is just referring to events of the past. Thus, ‘depth’ should win.
Envoy.
明日香河川淀さらず立つ霧の思ひ過ぐべき恋にあらなくに
asukagapa
kapa yodo sarazu
tatu kiri no
omopisukubeki
kopi ni aranakuni
O, Asuka River,
Ever from your pools
Mist arises;
To simply put from my mind
This love – I cannot!
Yamabe no Akahito
山部赤人
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'Simply moving and elegant'