Among poems composed with a character from the Tang poem ‘Looking at my life, ‘tis but a rootless grass upon the shore’ as its initial sound.[1]
つゆをのみくさばのうへとおもひしはときまつほどのいのちなりけり
| tsuyu o nomi kusaba no ue to omoishi wa toki matsu hodo no inochi narikeri | Simply as a dewdrop, Resting atop a blade of grass— So I did think; Such a short thing Is life. |
Izumi Shikibu
[1] The kanshi in question appears in Wakan rōeishū (II: 789): 観身岸額離根草 論命江頭不繋舟 ‘Thinking on my life, ‘tis but a rootless grass upon the shore; / Thinking on my fate, ‘tis as uncertain as an unmoored boat upon the bank.’ If read as Japanese, this poem would be: mi o kanzureba kishi no hitai ni ne o hanaretaru kusa / mei o ronzureba e no hotori ni tsunagazaru fune. Izumi Shikibu’s poem links with the initial tsu of tsunagazaru, beginning as it does with tsuyu ‘dew’.
Among poems composed with a character from the Tang poem ‘Looking at my life, ‘tis but a rootless grass upon the shore’ as its initial sound.[1]
つゆを見てくさばのうへとおもひしはときまつほどのいのちなりけり
| tsuyu o mite kusaba no ue to omoishi wa toki matsu hodo no inochi narikeri | As a dewdrop it appears Resting atop a blade of grass— So I did think; Such a short thing Is life. |
Izumi Shikibu
[1] The kanshi in question appears in Wakan rōeishū (II: 789): 観身岸額離根草 論命江頭不繋舟 ‘Thinking on my life, ‘tis but a rootless grass upon the shore; / Thinking on my fate, ‘tis as uncertain as an unmoored boat upon the bank.’ If read as Japanese, this poem would be: mi o kanzureba kishi no hitai ni ne o hanaretaru kusa / mei o ronzureba e no hotori ni tsunagazaru fune. Izumi Shikibu’s poem links with the initial tsu of tsunagazaru, beginning as it does with tsuyu ‘dew’.
つゆをみて草葉のうへとおもひしは時まつ程の命なりけり
| tsuyu o mite kusaba no ue to omoishi wa toki matsu hodo no inochi narikeri | As a dewdrop it appears Resting atop a blade of grass— So I did think; Such a short thing Is life. |
Left
つゆばかりたのみおかなんことのはにしばしもとまるいのちありやと
| tsuyu bakari tanomi okanan koto no ha ni shibashi mo tomaru inochi ari ya to | Dewdrop fragile Is my trust that dripping On the leaves, your words A little longer might hold My life here, perhaps… |
66
Right
はるさめのよにふるそらもおもほえずくもゐながらにひとこふるみは
| harusame no yo ni furu sora mo omohoezu kumoi nagara ni hito kouru mi wa | Spring showers Fall from night time skies—living on Is not for me, I think, for Beyond the clouds lies The one I love… |
67
Kerria
Left
はなをらでわれぞややまふきのはなるつゆをたまにてけたじとおもへば
| hana orade ware zo ya yamau ki no ha naru tsuyu o tama nite ketaji to omoeba | Leave the blossom unplucked, and As it is, I will, that From the tree’s leaves The dewdrop gems Will not disappear, or so I wish… |
Sadafun
13
Right (Win)
いづこともわかずはるさめふりやまふきのはなべてももえにけるかな
| izuko to mo wakazu harusame furiyamau ki no ha nabete mo moenikeru kana | Everywhere Without exception, springtime showers Have ceased to fall, so All the leaves upon the trees Have budded! |
14
Left
ひとのみることやくるしきをみなへしあきぎりにのみたちかくるらむ
| hito no miru koto ya kurushiki ominaeshi akigiri ni nomi tachikakururamu | For man to gaze on you, Is it so painful, O, Maidenflower, That simply in the autumn mists You must hide yourself away? |
Tadamine
13[1]
Right
とりてみばはかなからんやをみなへしそでにつつめるしらつゆのたま
| torite miba hakanakaran ya ominaeshi sode ni tsutsumeru shiratsuyu no tama | If I pick and look How fleeting are Upon a maidenflower, Enveloped in my sleeves Silver dewdrop pearls. |
14
[1] KKS IV: 235
Left (Tie).
生けらばと誓ふその日も猶來ずはあたりの雲を我と眺めよ
| ikeraba to chikau sono hi mo nao kozu wa atari no kumo o ware to nagameyo |
Had I lived…think on That day you vowed, and Yet came not; On the clouds close by Gaze and think of me… |
679
Right.
言の葉にしばしもとまる露の命かけんかけじは君にまかせつ
| koto no ha ni shibashi mo tomaru tsuyu no inochi kaken kakeji wa kimi ni makasetsu |
Words that Remain so briefly – A dewdrop life – To give them, or give them not, That I leave to you! |
680
The Gentlemen of the Right state: there is nothing particularly at fault with the Left’s poem. The Gentlemen of the Left state: the Right’s poem is not that good.
Shunzei’s judgement: mentioning ‘the clouds close by’ (atari no kumo) and ‘remain so briefly –as does life’ (shibashi mo tomaru inochi) gives both poems a sense of pathos. I would say they are of the same quality.
