Tag Archives: Miwa

Love I: 28

Left (Win).

偽のしるしと杉を三輪の山訪ひつゝ來たる甲斐しなければ

itsuwari no
shirushi to sugi o
miwa no yama
toitsutsu kitaru
kai shinakereba
How false!
For proof to the cedars
On Mount Miwa
Have I come visiting many times
To no purpose.

Lord Suetsune.

655

Right.

三輪の山杉立つ門を訪へとだに頼めぬ道に迷ころかな

miwa no yama
sugi tatsu kado o
toe to dani
tanomenu michi ni
mayoi koro kana
On Mount Miwa
My gate where cedars stand
Come visit – not even
That have you asked, so my way
Have I lost…

Jakuren.

656

Both Right and Left can find no fault with the other’s poem.

Shunzei’s judgement: Both poems refer to Mount Miwa, and it is, perhaps a bit regrettable [kuchioshiku] that the Left uses the phrase ‘How false! For proof’ (itsuwari no shirushi)in this context. In the Right’s ‘my gate where cedars stand’ (sugi tatsu kado) , tatsu sounds insufficient as diction [kotoba, koto tarazu kikoyu]. The Left’s poem, moreover, is tasteful in form [utazama yū naru].

Miscellaneous 82

Left (Tie).

いく世へぬかざし折けんいにしへに三輪の檜原の苔の通路

ikuyo henu
kazashi oriken
inishie ni
miwa no hihara no
koke no kayoiji
How many ages passed?
Twigs plucked and placed in hair,
Long ago
In Miwa’s cypress groves,
Along the moss-covered paths…

163

Right

見ずしらずうづもれぬ名の跡やこれたなびき渡る夕暮の雲

mizu shirazu
uzumorenu na no
ato ya kore
tanabiki wataru
yūgure no sora
Unseen, unknown,
Of an everlasting name
This the only trace,
Trailing across
The evening sky?

164

KKS XV: 780

When Lord [Fujiwara no] Nakahira, whom she had known and been meeting for some time, became more distant towards her, she decided to go to her father, the Governor of Yamato, and, composing this, sent it to Nakahira:

みわの山いかにまち見む年ふともたづぬる人もあらじと思へば

miwa no yama
ika ni matimimu
tosi Fu tomo
tadunuru Fito mo
arazi to omoFeba
On the mount of Miwa
Why should I wait?
Years may pass, yet
Would you come enquiring-
I think not!

Ise
伊勢