Tag Archives: Shigaraki

Entō ōn’uta’awase 21

Round Twenty-One

Left (Win)

しがらきの外山の末の郭公たが里ちかき初音なるらん

shigaraki no
toyama no sue no
hototogisu
ta ga sato chikaki
hatsune naruran
In Shigaraki
At the foothills’ end
A cuckoo
By whose estate
Might let out his first cry?

Takasuke
41

Right

橘のにほひを空に尋ねきて山時鳥なかぬ日ぞなき

tachibana no
nioi o sora ni
tazunekite
yamahototogisu
nakanu hi zo naki
Orange blossom’s familiar
Scent within the skies
I seek out, while
The mountain cuckoo
Fails to sing on not a single day…

Shimotsuke
42

The Left poem’s ‘near whose estate does it first call’ does not sound bad. The Right’s poem, too, seems to have no faults to mention, yet the Left still wins by a hair.

Spring I: 9

Left (Win).

信樂の外山は雪も消えにしを冬を殘すや谷の夕風

shigaraki no
toyama wa yuki mo
kienishi o
fuyu o nokosu ya
tani no yūkaze
From Shigaraki’s
Mountains, the snow
Has gone, yet
Does winter remain in
The valleys’ evening breeze?

Kenshō

17

Right.

春風は吹くと聞けども柴の屋はなをさむしろにいこそ寢られね

haru kaze wa
fuku to kikedomo
shiba no ya wa
nao samushiro ni
i koso nerarene
The spring breeze
Blows, I hear, yet
My twig-roofed hut is
Yet chill: beneath a threadbare blanket
I cannot fall asleep.

Lord Tsune’ie

18

Shunzei states the first part of the Left’s poem is ‘elevated in tone’, but that the final line is problematic: a reference to ‘morning’ might have been better, or just to the ‘valleys’ breeze’, but this would not have fitted the syllable count. If the intention had been to add a sense of ‘darkness’ to the poem, an expression such as ‘the valleys, shadowed by the crags’ would have been better. As for the Right’s poem, the image of the ‘twig-roofed hut’ is lonely, but the overlaying of the ‘cold’ with ‘blanket’ (in the original poem ‘samushiro’ is a play-on-words with both senses) is pedestrian, and so the Left’s poem, despite its faults, is adjudged the winner.