Kyōgoku no miyasudokoro uta’awase 12

Original

ふるさとのかすがののべのくさもきもはるにふたたびあふことしかな

furusato no
kasuga no nobe no
kusa mo ki mo
haru ni futatabi
au kotoshi kana
At the ancient capital
Upon Kasuga’s plain,
Grasses and trees, both,
Springtime have twice
Met this year! [1]

Mitsune
34

Left (Win)

はるながらまたはるにあふかすがのにおひぬくさきはねたくやあるらん

haru nagara
mata haru ni au
kasugano ni
oinu kusaki wa
netaku ya aruran
‘Tis spring, but
That springtime once more has come
To Kasuga Plain,
Won’t the grasses and trees growing there
Be envied, indeed?

35

Right

ゆきかへるみちのやどりかかすがののくさきにはなのたびかさぬらむ

yukikaeru
michi no yadori ka
kasugano no
kusaki ni hana no
tabikasanuramu
Is it that arriving and departing,
The lodging on spring’s path lies
On Kasuga Plain, so
On the grasses and trees, blossom
Appears time and time again?

36


[1] This poem occurs in Mitsune-shū (322) with the same headnote as for poem (22), above. It was also included in Shinsenzaishū (X: 980), with the headnote, ‘Composed in place of the Governor of Yamato in Engi 21, on the day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga.’

Kyōgoku no miyasudokoro uta’awase 11

Original

かすがののけふのみゆきをまつばらのちとせのはるはきみがまにまに

kasugano no
kyō no miyuki o
matsubara no
chitose no haru wa
kimi ga manimani
On Kasuga Plain
Today’s progress
Awaited have the pine groves,
A thousand years of springtimes,
Just as my Lady’s thoughts. [1]

Mitsune
31

Left

ゆくさきのはるをとほくしまかすればいまはちとせのうたがひもなし

yukusaki no
haru o tōkushi
makasureba
ima wa chitose no
utagai mo nashi
Future
Springtimes to distant times
May we entrust, for
Now that she will live a thousand years more
There is no doubt, at all.

32

Right (Win)

むれたちてわれをまつてふかすがののみどりふかくやおもひそめけむ

muretachite
ware o matsu chō
kasugano no
midori fukaku ya
omoisomekemu
Growing crowded together, and
Awaiting me are the pines
On Kasuga Plain—
Why should their green so deeply
Seem to think of me?

33


[1] A minor variant of this poem occurs in Mitsune-shū (325) with the same headnote as for poem (22), above.

Kyōgoku no miyasudokoro uta’awase 10

Original

さくらばなゆきとふるめりみかさやまいざたちよらむなにかくるやと

sakurabana
yukitourumeri
mikasayama
iza tachiyoramu
nani kakuru ya to
The cherry blossom
Seems to pass as falling snow
On Mikasa Mountain—
Say, let’s shelter ‘neath umbrellas there,
Whether they’ll conceal us or not…[1]

Mitsune
28

Left (Tie)

やまのなにたちしもよらじさくらばなゆきとふるともいろにぬれめや

yama no na ni
tachishi mo yoraji
sakurabana
yukitouru to mo
iro ni nureme ya
Based on the mountain’s name,
I would take no shelter from
The cherry blossoms, for
Even should they pass as falling snow
Would their hues wet my sleeves?

29

Right

かくるれどやまずゆきこそふりかかれみかさのやまははなやもるらん

kakururedo
yamazu yuki koso
furikakare
mikasa no yama wa
hana ya moruran
I have concealed myself, yet
Incessantly those snows
Do fall;
From Mikasa Mountain, will
The blossom drip, I wonder?

30


[1] This poem occurs in Mitsune-shū (328) with the same headnote as that for poem 22 (above). This is a somewhat facetious poem in that Mitsune is punning on the name of the mountain, Mikasa, which could be read to mean ‘honoured umbrella’. Both of the ladies composing this round pick up on his wordplay, with the author of (29) saying that there’s no need to take shelter as blossom will not leave a stain, as snow would, and the author of (30) wondering rhetorically if the blossom would drip from an umbrella as melting snow would.

Kyōgoku no miyasudokoro uta’awase 09

Original

はるごとにきみしかよはばかすがののやちよのまつもかれじとぞおもふ

haru goto ni
kimi shi kayowaba
kasugano no
yachiyo no matsu mo
kareji to zo omou
Should every single spring
My Lady visit here,
On Kasuga Plain
The pines, eight thousand ages old
Would never wither, I feel!

25

Left (Win)

かすがのにはるはかよはむわがためにまつこころありてよはひますなり

kasugano ni
haru wa kayowamu
wa ga tame ni
matsu kokoro arite
yowai masu nari
To Kasuga Plain
Where spring is wont to come
For my sake, then
Should the pines be a mind to tarry with me
How exceeding old would I become.

26

Right

かすがののまつしかれずはみたらしのみづもながれてたえじとぞおもふ

kasugano no
matsu shi karezu wa
mitarashi no
mizu mo nagarete
taeji to zo omou
On Kasuga Plain
The pines will wither never, for
The Mitarashi’s
Water’s flow, too,
Will never cease, I feel.

27