Wisteria Blossom
Left (Win)
おそくさくふぢのはなゆゑいつしかとわれさへまつにかかりぬるかな
osoku saku fuji no hana yue itsushika to ware sae matsu ni kakarinuru kana Late to bloom are The wisteria flowers, so Eagerly Have I awaited for them to Have dangled down!
19[i]
Right
ちることもうつるもしらじのどかなるまつにかかれるむらさきのふぢ
chiru koto mo utsuru mo shiraji nodoka naru matsu ni kakareru murasaki no fuji That t’will scatter and Fade, both, unknowing, Gently From the pines hanging is The violet wisteria…
20
[i] Also included in Saigū nyōgo kishi joō uta’awase (19).
Topic unknown.
手もふれでをしむかひなく藤の花そこにうつれば浪ぞをりける
te mo Furede wosimu kaFinaku Fudi no Fana soko ni utureba nami zo worikeru Intangible, they are, but Regretting it is pointless: Wisteria blooms Reflected on the riverbed, Picked only by waves.
Mitsune
When a wisteria blossom banquet was held at the Hall of Flying Fragrances during the reign of the Engi Emperor.
うすくこくみだれてさける藤の花ひとしき色はあらじとぞ思ふ
usuku koku midarete sakeru Fudi no Fana Fitosiki iro Fa arazi to zo omoFu Both deep and pale Blended blooming These wisteria blossoms Have equals in hue Nowhere at all, I feel.
The Ononomiya Grand Minister 小野宮太政大臣 [Fujiwara no Saneyori 藤原実頼 (900-970)]
In a hundred poem sequence.
夏にこそさきかかりけれふぢの花松にとのみも思ひけるかな
natu ni koso sakikakarikere Fudi no Fana matu ni to nomi mo omoFikeru kana In summer, above all, Do bloom Wisteria flowers Upon the pine is all I can do Or so I thought!
Shigeyuki
伊佐左可尓 念而来之乎 多祜乃浦尓 開流藤見而 一夜可経
いささかに おもひてこしを たこのうらに さけるふぢみて ひとよへぬべし
isasaka ni omopitekosi wo tako no ura ni sakeru pudi mite pitoyo penubesi Just for a moment Did I think to come, but At the Bay of Tako I see blooming wisteria, and Must pass a night here.
Secretary Kume no asomi Hironawa
判官久米朝臣広縄
Round Eleven
Left (T – Win; M – Tie)
逢ふことをその年月と契らねば命や恋の限なるらむ
au koto o sono toshitsuki to chigiraneba inochi ya koi no kagiri naruramu That we might meet For months and years She has not promised, so My life will my love’s Limit be, no doubt!
Lord Shigemoto 69
Right
よとともにもえこそわたれ我が恋は不二の高根のけぶりならねど
yo to tomo ni moe koso watare wa ga koi wa fuji no takane no keburi naranedo With the coming of the night Ever burning is My love, though From Fuji’s peak Smoke it is not…
Lord Toshitaka 70
Toshiyori states: the first poem doesn’t seem bad. The second poem nothing but cliched. Thus, the first poem should win.
Mototoshi states: while love lasting lifelong without even a promise to meet over years and months is a painfully moving conception, someone burning every night is dear, too. Thus, it’s not inferior and these are of the same quality.
Wisteria Blooms
むらさきに色あかりゆくふぢのはなこずゑたかくもなりにけるかな
murasaki ni iro akariyuku fuji no hana kozue takaku mo narinikeru kana In violet’s Brightening hues The wisteria blooms High upon the treetops, Indeed!
20
ふじのねのけぶりも空にたつものをなどかおもひの下にもゆらん
fuji no ne no keburi mo sora ni tatsu mono o nado ka omoi no shita ni moyuran Above the peak of Fuji Smoke into the sky Does rise, so Why does my passion’s fire Simply smoulder beneath?
468
みわたせば雲ゐはるかに雪しろしふじの高ねの明ぼのの空
miwataseba kumoi haruka ni yuki shiroshi fuji no takane no akebono no sora When I gaze across, Through the distant clouds How white is the snow On the high peak of Fuji In the dawning sky.
366
春すぎていくかもあらねどわがやどの池の藤浪うつろひにけり
haru sugite ikuka mo aranedo wa ga yado no ike no fujinami utsuroinikeri Spring has passed For but a space of days, yet At my house The wisteria waves upon the pond Have faded quite away.
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'Simply moving and elegant'