Tag Archives: iori

Sumiyoshi-sha uta’awase kaō ni-nen 44

Round Nineteen

Left (Win)

くさまくらおなじたびねのそでにまたよはのしぐれもやどはかりけり

kusamakura
onaji tabine no
sode ni mata
yowa no shigure mo
yado wa karikeri
Needing a grassy pillow
When travelling just the same as I, dozing
I find my sleeves drenched even more,
For the midnight shower, too,
Has found lodging.

Kojijū
87

Right

いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ

iori sasu
yamaji wa suginu
hatsushigure
furusato made ya
meguriyukuramu
I put up my hut
Upon the mountain path that you passed by,
O, first shower!
As far as my ancient home
I wonder, will you make your way?

Lord Sanemori
88

The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 37

Round Twelve

Left

しぐれにはいほりもささじくさまくらおときくとてもぬれぬそでかは

shigure ni wa
iori mo sasaji
kusamakura
oto kiku tote mo
nurenu sode ka wa
Caught in a shower,
I’d not erect my hut, for
Upon a grassy pillow
Listening to the sound, still
Would my sleeves be soaked!

Tsunemasa
73

Right (Win)

たまもふくいそやがしたにもるしぐれたびねのそでもしほたれよとや

tamamo fuku
isoya ga shita ni
moru shigure
tabine no sode mo
shiotareyo to ya
Thatched with gemweed is
My roof upon the rocky shore, beneath it
Drips a shower, so
My sleeves, as I doze upon my travels,
Wet with the salty tides – should I say that?

Nakatsuna
74

The Left wonders whether his sleeves would be soaked, listening to the sound of a shower after abandoning all thought of a hut and grassy pillow—this seems extremely charming, but the configuration and sequencing of the Right, beginning with ‘thatched with gemweed’ and continuing with ‘my sleeves, as I doze upon my travels, / Wet with salty tides’, is extremely moving, isn’t it! Thus I have to award a win, once more, to the poem of the Right.

Sumiyoshi-sha uta’awase kaō ni-nen 27

Round Two

Left (Win)

ならしばのたびのいほりにおとづれてしぐれもいまぞやまめぐりする

narashiba no
tabi no iori ni
otozurete
shigure mo ima zo
yama megurisuru
Oak boughs make
My traveller’s hut, where
I am visited by the sound of
Showers—they, too, now
Are on pilgrimage through the mountains.[1]

Shōkaku
53

Right

たびごろもうらがなしかるあさぢふによはのしぐれよいかにせよとぞ

tabigoromo
uraganashikaru
asajū ni
yowa no shigure yo
ika ni seyo to zo
In my traveller’s garb and
Sad at heart among
The clumps of cogon grass,
O, midnight shower,
Tell me, what I am I to do?[2]

Jakuchō
54

While both Left and Right sound pleasant, I make the Left the winner, because it sounds slightly more moving at present, with a traveller’s hut being visited by showers.


[1]Alluding to: Composed when caught in a shower, while making a pilgrimage to one hundred temples in Higashiyama.  もろともに山めぐりするしぐれかなふるにかひなき身とはしらずや morotomo ni / yamamegurisuru / shigure kana / furu ni kainaki / mi to wa shirazu ya  ‘Together with me / On my mountain pilgrimage are / The showers! / ‘Tis pointless to fall / On my sorry self, don’t you know!’ Master of the Left Capital Office Michimasa (SKS IV: 149)

[2] Alluding to: 旅ごろもうらがなしさにあかしかね草の枕は夢もむすばず tabigoromo / uraganashisa ni / akashikane / kusa no makura wa / yume mo musubazu  ‘In my traveller’s garb / My heart-sickness / I cannot lift, for / My grassy pillow / Brings no dreams, at all…’ Hikaru Genji (Genji monogatari 223)

SZS VIII: 531

Composed as a travel poem, when the Regent and Former Minister of the Right had a hundred poem sequence composed at his residence.

あはれなる野しまかさきのいほりかな露おく袖に浪もかけけり

awarenaru
nojima ga saki no
iori kana
tsuyu oku sode ni
nami mo kakekeri
Mournful
Nojima Point is where
My hut lies;
Upon my dew-dropped sleeves
Have rushed the waves…

Master of the Dowager Empress Household Office, Toshinari
皇太后宮大夫俊成

Autumn I: 29

Left.

昨日まで蓬に閉ぢし柴の戸も野分に晴るゝ岡の邊の里

kinō made
yomogi ni tojishi
shiba no to mo
nowaki ni haruru
oka no be no sato
Until yesterday
Sealed by mugwort was
This brushwood door;
Swept clear by the gale
The hills around my dwelling.

A Servant Girl.

357

Right.

假にさす庵までこそ靡きけれ野分に堪へぬ小野の篠原

kari ni sasu
iori made koso
nabikikere
nowaki ni taenu
ono no shinohara
Roughly thatched,
Even my hut
Has blown away:
Unable to endure the gales
Amongst the arrow bamboo groves…

Ietaka.

358

Both teams say they can appreciate the sentiment of the opposing team’s poem.

Shunzei agrees: ‘Both the Left’s “hills around my dwelling” (oka no be no sato) and the Right’s “arrow bamboo groves” (ono no shinohara) are charming. “Sealed by mugwort was this brushwood door; swept clear by the gale” (yomogi ni tojishi shiba no to mo nowaki ni haruru) and “Even my hut has blown away: unable to endure the gales” (iori made koso nabikikere nowaki ni taenu) have no failings in form between them. Thus, the round ties.’

Summer II: 15

Left (Tie).

蚊遣火の煙いぶせき賤の庵にすゝけぬ物は夕顔の花

kayaribi no
kemuri ibuseki
shizu no io ni
susukenu mono wa
yūgao no hana
Mosquito smudge fires’
Fumes fill the dreary
Peasant’s hut; but
Untouched by soot are
The moonflower blooms.

Lord Suetsune.

269

Right (Tie).

煙立つ賤が庵か薄霧のまがきに咲ける夕顔の花

kemuri tatsu
shizu no iori ka
usugiri no
magaki ni sakeru
yūgao no hana
Is this smoke rising from
The peasants’ huts?
Faintly misted
Blooming on the rough-hewn fence
Are moonflowers…

Ietaka.

270

The Right have no criticisms to make this round. The Left simply say the phrase ‘huts? Faintly misted’ (iori ka usugiri) ‘stands out’.

Again, Shunzei is blunt: ‘The Left’s “untouched by soot” (susukenu) and the Right’s “faintly misted” (usugiri) are both equally poor. The round should tie.’

Summer I: 11

Left (Tie).

夏山の草葉のたけぞ知られぬる春見し小松人し引かずは

natsuyama no
kusaba no take zo
shirarenuru
haru mishi komatsu
hito hikazu wa
Summer in the mountains, and
The grasses reach so high, that
Had they but known
In springtime, on the glimpsed pine-seedlings
Folk would have laid no hand…

Lord Sada’ie.

201

Right (Tie).

道もなき夏野の草の庵かな花にけがるゝ庭と見しまに

michi mo naki
natsuno no kusa no
iori kana
hana ni kegaruru
niwa to mishi ma ni
Within a trackless
Summer field does my grass
Hut stand now;
While on fallen blossom staining
My garden did I rest my gaze…

Jakuren.

202

The Right wonder, ‘Whether summer greenery recalls the mountains as much as it does the plains? The overall point of the poem seems difficult to grasp.’ The Left have no particular comments to make.

Shunzei states, ‘The gentlemen of the Right have already questioned the suitability of greenery in relation to mountains rather than the plains. In addition, what is one to make of blossom falling round a hut, as opposed to a mountain lodge. If the topic was “Field Lodges”, then there are some autumn blooms, but cherry and plum blossom, and the like, fail to fall that much on the plains. Thus, I would agree with the Right’s comments on the Left’s poem. The Right’s poem, though, lacks logic. The round must be a tie.’