Tag Archives: branches

Love VIII: 10

Left (Win)
うかりける我み山木の契かな連なる枝もありとこそ聞け

ukarikeru
wa ga mi yamagi no
chigiri kana
tsuranaru eda mo
ari to koso kike
In despair
Am I: hidden among the mountain trees
Is my love;
Though once branches lay atop each other
I did hear…

Lord Suetsune
1039

Right
涙には憂き深山木も朽ちぬべし沖つ小嶋のひさきならねど

namida ni wa
uki fukayamagi mo
kuchinubeshi
oki tsu kojima no
hisaki naranedo
Among my tears,
Drift, despairing, trees from the mountain deeps,
Rotting all away, though
On islets in the offing
On bush-covered beaches, they are not…

Lord Tsune’ie
1040

Both Left and Right state: we find no faults.

In judgement: both Left and Right use the image of ‘trees from the mountain deeps’ (fukayamagi), and neither is superior, or inferior, to the other in this, but I would have to say that the Left’s ‘though once branches lay atop each other I did hear…’ (tsuranaru eda mo ari to koso kike) is somewhat better than the Right’s ‘on bush-covered beaches, they are not…’ (hisaki naranedo).

Love VIII: 7

Left
相思ふ中には枝も交しけり君が梢はいやおちにして

ai’omou
naka ni wa eda mo
kawashikeri
kimi ga kozue wa
iya’ochi ni shite
Joined in love
Branches meet and
Twine together, they say, yet
As the treetops, you fail to come
Again, and yet again.

Kenshō
1033

Right (Win)
人しれぬ心に君を楢柴のしばしもよそに思はずもがな

hito shirenu
kokoro ni kimi o
narashiba no
shibashi mo yoso ni
omowasu mogana
Unknown to all
My heart to you
Inclines among the oaks;
For just a while, as a stranger
I would you not think of me…

Lord Takanobu
1034

The Gentlemen of the Right state: ‘again, and yet again’ (iya’ochi) does not sound pleasant. The Gentlemen of the Left state: the Right’s poem has no faults to mention.

In judgement: the Left’s poem, having the conception of intertwined branches is pleasant, but ‘treetops at my house’ (yado no kozue) would be normal, so I wonder about ‘as the treetops, you fail to come’ (kimi ga kozue)? In the Right’s poem, although ‘among the oaks; for just a while’ (narashiba no shibashi) is commonplace, it is still more elegant than ‘again and yet again’.

Love V: 22

Left (Tie).
涙せく袖のよそめは竝べどもわすれずやともいふひまぞなき

namida seku
sode no yosome wa
narabedomo
wasurezu ya to mo
iu hima zo naki
Tears are dammed upon
My sleeves, and within eyesight
Does she sit arrayed, but
‘Have you not forgotten me?’ –
To ask that, I have no chance!

Lord Sada’ie
883

Right.
梅が枝の末越す中の垣根より思ふ心や色に見えまし

ume ga e no
sue kosu naka no
kakine yori
omou kokoro ya
iro ni miemashi
The plum branches’
Tips cross beyond
Her fence, so
Will the love within my heart
Appear plain before her?

Jakuren
884

Both teams state there are no faults with their opponent’s poem.

In judgement: the Gentlemen of both Left and Right have stated that there are no faults with the style of either poem. I accept that and will make this round a tie.

MYS II: 143

Two poems composed by Naga no imiki Okimaro, grieving at the sight of the bound pine.

磐代の岸の松が枝結びけむ人は帰りてまた見けむかも

ipasiro no
kisi no matu ga e
musubikemu
pito pa kaperite
mata mikemu kamo
On Iwashiro’s
Shore, a pine’s branches
It seems he tied –
I wonder, will he return
And see them once more…

Naga no Okimaro
長意吉麻呂

Love V: 21

Left (Win).
重ねずと思ふばかりぞ小夜衣匂ひは袖に移りぬるかな

kasanezu to
omou bakari zo
sayogoromo
nioi wa sode ni
utsurinuru kana
No piled robes, but
All I do is long for her:
Her night-robe’s
Scent upon my sleeves
Does dwell….

Lord Suetsune
881

Right.
匂ひ來る梢ばかりを情にて主は遠き宿の梅が枝

nioikuru
kozue bakari o
nasake nite
aruji wa tōki
yado no mume ga e
The scent drifting
From the treetops is my only
Consolation, for
Their master is as far away
As his dwelling’s plum blossom branches…

Nobusada
882

The Right state: the Left’s poem lacks any faults to indicate. The Left state: is the Right’s poem not composed upon the plum blossom of the house next door?

In judgement: for the topic of ‘Nearby Love’, poems composed where the lovers are in the same room are most likely winners. Even so, how close do their dwellings need to be? The Left’s latter section, ‘Her night-robe’s scent upon my sleeves’ (sayogoromo nioi wa sode ni) is certainly elegant. The Right’s poem has ‘Their master is as far away’ (aruji wa tōki). Simply because of this, it is certainly not composed on plum blossom. Still, the Left’s ‘night-robe’ (sayogoromo) seems a little superior to ‘The scent drifting from the treetops is my only consolation’ (nioikuru kozue bakari o nasake nite).

 

MYS VI: 1009

A poem composed in winter in the Eleventh Month, by His Majesty, when the Major Controller of the Left, Prince Kazuragi, and others, were granted the name Tachibana.

橘は実さへ花さへその葉さへ枝に霜降れどいや常葉の木

tatibana pa
mi sape pana sape
sono pa sape
e ni simo puredo
iya toko pa no ki
O, orange tree:
Fruit and flowers both,
And leaves, too,
Even should frost fall on your branches
Evegreen will you be!

The above poem was composed in winter, on the 9th day of the Eleventh Month, after Prince Kazuragi, Junior Third Rank, and Prince Sai, Junior Fourth Rank, Upper Grade, among others, surrendered their membership of the imperial family and were granted the name of Tachibana. At that time Former Emperor [Genshō], the Emperor [Shōmu], and Empress [Kōmyō], were present in the Empress’ quarters, and hosted a banquet at which poems celebrating the name of Tachibana were composed, and sake was presented to the new members of the family. It is alternatively said, ‘This poem was composed by the Former Emperor. In addition, the Emperor and the Empress each composed a single poem. Those poems were lost and cannot now be located.’ If one seeks copies of the documents now, they say that on the 9th day of the Eleventh Month [Tenpyō] 8 [736], Prince Kazuragi and other submitted a request to the throne to be granted the name of Tachibana. On the 17th day the request was granted.