When he held a poetry match at his house.
雲ゐより照りやまさると水清み浦にてもみん秋のよの月
kumoi yori teri ya masaru to mizu kiyomi ura nite mo min aki no yo no tsuki From the clouds Does it shine most bright? In the clear waters By the shore I see The moon this autumn night.
Taira no Sadafun
From among his spring poems
河ぎしのかげ行く水にうちなびき波の玉ぬく青柳の糸
kawagishi no kage yuku mizu ni uchinabiki kawa no tama nuku aoyagi no ito By the bank’s Shade flow waters where Trailing Threaded with the river’s jewels Are the willow fronds.
Ki no Yukinaga 紀行長
Waterweed.
水のうへによるべさだめぬうきくさもこの花かれて思ふべらなり
mizu no ue ni yorube sadamenu ukikusa mo kono hana karete omouberanari Atop the water With no place to rest Drifts the waterweed, too— That this bloom will wither: I can think no other…
The first time he spoke with Kamo no Narisuke, he took a shallow wine-cup and composed:
ききわたるみたらしがはの水きよみそこのこころをけふぞみるべき
kikiwataru mitarashigawa no mizu kiyomi soko no kokoro o kyō zo mirubeki Listening, The River Mitarashi’s Waters are so pure That to the bottom of my heart I can see today.
Kunimoto, the Governor of Tsu
This poem is said by some to be by Kakinomoto no Hitomaro.
池にすむ名ををし鳥の水をあさみかくるとすれどあらはれにけり
ike ni sumu na wo wosidori no midu wo asami kakuru to suredo araFarerinikeri The pond is the home Of the mandarins, they say; regretfully In the shallow waters They dive, yet Still plainly do appear.
Composed on seeing scattered cherry blossoms floating on the stream at his house.
ここにこぬ人もみよとてさくらばな水の心にまかせてぞやる
koko ni konu Fito mo miyo tote sakurabana midu no kokoro ni makasete zo yaru To folk who fail to come Here, I’d say, ‘Behold!’ O, cherry blossoms, The water’s heart I’ll trust, to send you on your way.
Ōe no Yoshitoki
From the Later Hundred Poem Sequence from the Reign of Former Emperor Horikawa.
たかせぶねのぼるほりえのみづあさみみくさがくれにかはづなくなり
takasebune noboru horie no mizu asami mikusagakure ni kawazu nakunari Skips Ascend the canal’s Shallow waters; Hidden deep within the grasses, The frogs are singing.
Fujiwara no Akinaka
Blossom falls wordlessly from the trees, while the waters flow into the souless pond.
はなも水も心なぎさやいかならむ庭に浪たつはるの木のもと
hana mo mizu mo kokoro nagisa ya ikanaramu niwa ni nami tatsu haru no ko no moto Both the blossoms and the waters, too, Touch the shores of my heart— Why should that be? At my estate the breaking waves Of spring wash the bases of the trees.
Jien
Left
白露ぞ霜となりける冬のよはあまの河さへ水こほりけり
shiratsuyu zo shimo to narikeru fuyu no yo wa ama no kawa sae mizu kōrikeri Silver dewdrops Have turned to frost On this winter’s nightEven the River of Heaven’sWaters have frozen.
153
Right
冬の海に降りいる雪やそこにゐて春たつ浪の花とさくらん
fuyu no umi ni furi’iru yuki ya soko ni ite haru tatsu nami no hana to sakuran Upon the sea in winter, Falling down, is the snow: Does it rest upon the bed and With the waves breaking in springtime Bloom into blossom?
154
Left
夏の月ひかりをしまず照る時はながるる水にかげろふぞたつ
natsu no tsuki hikari o shimazu teru toki wa nagaruru mizu ni kagerō zo tatsu When summer moon’s Light lightly Shines From the running waters Haze arises!
74
Right
琴の音にひびきかよへる松風はしらべても鳴く蝉の声かな
koto no ne ni hibikikayoeru matsukaze wa shirabetemo naku semi no koe kana A zither’s strains Echoing back and forth: The wind through the pines, In tune with the cries In the cicadas’ song!
75[1]
[1] Shinshūishū III: 303/Shinsen man’yōshū 73/Kokin rokujō I: 398/Fubokushō IX: 3584
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'Simply moving and elegant'