Fans (扇)
とにかくにたもとすずしくなりゆくはあふぎの風に秋やたつらん
tonikaku ni tamoto suzushiku nariyuku wa ōgi no kaze ni aki ya tatsuran Somehow
Higo
An allusive variation on: Horikawa hyakushu 540 .
Fans (扇)
てなるれどあふぎぞつらき我がせこがますみの色をかくすと思へば
tenaruredo ōgi zo tsuraki wa ga seko ga masumi no iro o kakusu to omoeba ‘Tis skillfully wielded, yet
Kanemasa
Fans (扇)
すゑひろく七ほねにてはるあふぎやつれにけりなもとのすがたに
sue hiroku nanatsu hone nite haru ōgi yatsurenikeri na moto no sugata ni Broad the end, with
Tadafusa
結ぶ手の袂涼しくなりゆくは泉に秋のすむにやあるらむ
musubu te no tamoto suzushiku nariyuku wa izumi ni aki no sumu ni ya aruramu Cupped, my hands;
Yōen/Eien (1048-1125)
夕ざれば風の気色にかるかやも心ぼそくな思ひみだれそ
yūsareba kaze no keshiki ni karu kaya mo kokorobosoku na omoimidare so At early evening
Minamoto no Akinaka
うち払ふ袖も露けき常夏にあらし吹きそふ秋も来にけり
uchiharau sode mo tsuyukeki tokonatsu ni arashi fukisou aki mo kinikeri Swept clean
An allusive variation on KKS III: 167 .
咲きまじる色はいづれと分かねどもなほ常夏にしくものぞなき
sakimajiru iro wa izure to wakanedomo nao tokonatsu ni shiku mono zo naki Between the blend of blossoming
山がつの垣ほ荒るとも折々にあはれはかけよ撫子の露
yamagatsu no kakiho arutomo oriori ni aware wa kakeyo nadeshiko no tsuyu A mountain peasant’s
Yūgao
An allusive variation on: KKS XIV: 695 .
Here’s a short video discussing the poems in Eikyū hyakushu on the topic of ‘Pinks’, with a focus on the poets’ use of intertextuality to add additional meanings to their poems on this topic.
Pinks (瞿麦)
よそふるも猶なつかしみみるごとにあはれつきせぬなでしこのはな
yosōru mo Their array is
Daishin
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'Simply moving and elegant'