Category Archives: Dairi uta’awase tentoku yo-nen

Dairi uta’awase – Tentoku yo-nen 14

Round Fourteen

Left (Tie)

さよふけてねざめざりせばほととぎす人づてにこそきくべかりけれ

sayo fukete
nezamezariseba
hototogisu
hitozute ni koso
kikubekarikere
When brief night broke, and
I failed to awaken to
The cuckoo,
Via a message, indeed,
Was I able to hear it!

Tadami
27

Right

人ならばまててふべきをほととぎすふたこゑとだにきかですぎぬる

hito naraba
mate chōbeki o
hototogisu
futa koe to dani
kikade suginuru
Were you a man,
‘Wait!’ is what I’d tell you,
O, cuckoo!
For without even a second call
For me to hear have you passed by.

Motozane
28

The Left’s poem, where the poet seems to awaken without a thought of hearing the cuckoo, is certainly somewhat odd. Nevertheless, the poem overall is charming. As for the Right’s poem, well, what is the poet trying to say by asking the cuckoo to wait when he will hear its first call, if it were a man? Is the conception, perhaps, for the cuckoo to wait a while? There’s not enough diction for the conception here, I feel. Both of these are about the same standard, so I make this a tie.

Dairi uta’awase – Tentoku yo-nen 11

Round Eleven

The Beginning of Summer[1]

Left (Tie)

なくこゑはまだきかねどもせみのはのうすきころもをたちぞきてける

naku koe wa
mada kikanedomo
semi no ha no
usuki koromo wa
tachi zo kitekeru
Their buzzing song
Is not yet to be heard, yet
Cicada wing
Light clothing
Has been cut to wear today.

Yoshinobu

22[2]

Right

夏ごろもたちいづるけふは花ざくらかたみのいろもぬぎやかふらん

natsugoromo
tachi’izuru kyō wa
hanazakura
katami no iro mo
nugi ya kauran
Summer garb:
Cut out from today, departing
The blossom of the cherries’
Hues—a keepsake—, too,
Will I put off and change?

Nakatsukasa

23

The Left’s poem gives the impression of the beginning of summer, but the Right’s ‘Sewn from today, departing’ suggests that it is the year that is doing so. In addition, it seems to use ‘put off and change’, and so sounds as if time has passed more swiftly than in the Left’s poem. Thus, because the poems’ quality is about the same, I make this a tie.


[1] Shuka 首夏. This Sinitic expression was also used to refer to the the Fourth Month.

[2] This poem was included in Shūishū (II: 79).

Dairi uta’awase – Tentoku yo-nen 18

Round Eighteen

Left (Tie)

人しれずあふをまつまにこひしなばなににかへたるいのちとかいはん

hito shirezu
au o matsu ma ni
koishinaba
nani ni kaetaru
inochi to ka iwan
Unknown to all,
While pining to meet with you
Should I die of love,
Then what compensation
For my life might I request?

Hon’in Jijū
35

Right

ことならばくもゐの月となりななむこひしきかげやそらにみゆると

koto naraba
kumoi no tsuki to
nari na namu
koishiki kage ya
sora ni miyuru to
Should that be the case, then
Above the clouds, the moon
I would you become, that
Your beloved light
I would behold within the skies…

Nakatsukasa
36

The Left’s poem really tells it like it is! The Right’s poem seems to have identical characters beginning its first and fourth lines, and this is a bit distasteful. When I asked how this should be measured, neither Left nor Right said anything. Then the Left seemed to mutter, ‘My poem doesn’t use these characters,’ but I don’t see this as a fault worth mentioning, so thus I make this tie.

Dairi uta’awase – Tentoku yo-nen 15

Round Fifteen

Left (Win)

夏草のなかを露けみかき分けて刈る人なしにしげる野辺かな

natsu kusa no
naka o tsuyukemi
kakiwakete
karu hito nashi ni
shigeru nobe kana
The summer grasses
Midst is dew-drenched;
Forging through,
With no one to reap them
This meadow is lush, indeed!

Tadami
29

Right.

夏ふかくなりぞしにけるおほあらきの杜の下草なべて人かる

natsu fukaku
nari zo shinikeru
ōaraki no
mori no shitagusa
nabete hito karu
Deep within the summer
It is now:
At Ōaraki
In the sacred groves, the undergrowth
Is arrayed for men to reap it!

Kanemori
30

The Right poem’s ‘Is arrayed for men to reap it’ is poor. It is inferior to the poem of the Left. Thus, I make the Left the winner.