Tag Archives: miyoshino

Dairi uta’awase – Tentoku yo nen 01

Round One

Haze[i]

Left

くらはしのやまのかひより春がすみとしをつみてやたちわたるらん

kurahashi no
yama no kai yori
harugasumi
toshi o tsumite ya
tachiwataruran
From Kurahashi
Mountain’s passes
Does the haze of spring
Store up the new year as
It rises all around, I wonder?

Asatada
1[ii]

Right

ふるさとは春めきにけりみよし野のみかきのはらをかすみこめたり

furusato wa
harumekinikeri
miyoshino no
mikaki no hara o
kasumi kometari
Around the capital of old
Spring is all about.
In fair Yoshino
Mikaki plain is
All covered o’er with haze.

Kanemori
2[iii]

When both Left and Right had recited their poems, His Majesty spoke to this minor official, saying, ‘You should determine their merits and failings.’ I demurred, saying, ‘My understanding of the thirty-one syllables of waka is not such as to enable me to do this. I humbly request that Your Majesty decides.’ His Majesty, responded, ‘Should you not do this, it will spoil today’s events, and store up resentment. Make your determinations swiftly.’ In the face of His Majesty’s displeasure, I presented my own clumsy opinions.

In the Left’s poem, it is pleasant to describe Mount Kurahashi [Storehouse-bridge] as storing up the new year. In addition, it is certainly the case that crossing a bridge is what one does. The poem’s overall manner is also appropriate. As for the Right’s poem, the reference to being covered with haze seems a bit late, leaving one to wonder why the capital is springlike.

This round, my decision reflected His Majesty’s views. Observing the expressions of the imperial mien, I swiftly declared the Left the winner.


[i] Kasumi

[ii] This poem was included in the third edition of Kin’yōshū (I: 3), although not in either of the earlier two versions. It is also in Shinsen rōeishū (I: 69).

[iii] This poem is included in Shikashū (I: 3)

Reikeiden no nyōgo uta’awase 01

Poetry Match held by the Reikeiden Junior Consort

Poems matched by the retainers of the Reikeiden Junior Consort, around the Third Month, Tenryaku 10.

Haze

Left (Tie)

あさひさすみねのしらゆきむらぎえてはるのかすみはたなびきにけり

asahi sasu
mine no shirayuki
muragiete
haru no kasumi wa
tanabikinikeri
Morning sun shines upon
The snow upon the peak, so white,
All vanishing with
The haze of spring
A’trailing.

Kanemori
1

Right

みよしのはゆきふりやまずさむけれどかすみぞはるのしるべなりける

miyoshino wa
yuki furiyamazu
samukeredo
kasumi zo haru no
shirube narikeru
In fair Yoshino, where
Never does the snow stop falling,
‘Tis cold, yet
Haze of spring
Is a sign.

2

Eien narabō uta’awase 35

Round Seven

Left

かすがやまちえにさかゆるさかきばはよろづよまでのきみがためか

kasugayama
chie ni sakayuru
sakakiba wa
yorozuyo made no
kimi ga tame ka
Upon Kasuga Mountain
A thousand branches grow,
Leafy, on the sacred tree—
Until ten thousand ages pass
Will they ward my Lord!

Lady Kazusa
69

Right

君がよはいふかぎりなしみよしののこがねがみねにみよをまつまで

kimi ga yo wa
iu kagiri nashi
miyoshino no
kogane ga mine ni
miyo o matsu made
My Lord’s reign—
Words cannot describe:
‘til fair Yoshino’s
Golden peak’s
Age one must await!

Lady Shikibu
70

The poem of the Left seems poetic to an extraordinarily outlandish degree! The poem of the Right’s ‘‘til fair Yoshino’s / Golden peak’s / Age one must await!’ has a sufficient conception of felicitation. Thus, these tie.

That the Left is addressed to Mount Kasuga is highly admirable. Is the Right’s ‘golden peak’ a reference to Mount Mitake? It’s very difficult to say anything profound here. Arbitrarily, I would make this a tie—the quality of the poems makes that seem right.

SKKS V: 483

On the conception of fulling clothes.

みよしのの山のあきかぜさ夜ふけて故郷さむくころもうつなり

miyoshino no
yama no akikaze
sayo fukete
furusato samuku
koromo utsunari
On fair Yoshino
Mountain the autumn wind
Marks a brief night’s end,
For in this ancient place the chill
Carries the sound of fulling cloth.

Consultant Masatsune

A kuzushiji version of the poem's text.
Created with Soan.