Category Archives: Shunzei-kyō no musume-shū

Shunzei-kyō no musume-shū 17

思ひねの夢のうき橋とだえして覚むる枕にきゆるおもかげ

omoine no
yume no ukihashi
todaeshite
samuru makura ni
kiyuru omokage
Filled with love, I slept, but
My floating bridge of dreams
Is broken:
On waking, from my pillow
Your face fades away…[i]

17


[i] See: When he composed a fifty-poem sequence for Cloistered Prince Shukaku. 春のよの夢のうきはしとだえしてみねにわかるゝよこ雲のそら haru no yo no / yume no ukihashi / todaeshite / mine ni wakaruru / yokogumo no sora ‘A Spring night’s / Floating bridge of dreams / Is broken – / Split by the peaks, / The long clouds trail across the sky.’ Fujiwara no Sada’ie (Shinkokinshū I: 38)

Shunzei-kyō no musume-shū 15

みる程ぞしばしなぐさむ歎きつつねぬ夜の空の有明の月

miru hodo zo
shibashi nagusamu
nagekitsutsu
nenu yo no sora no
ariake no tsuki
While gazing on it
Briefly am I consoled:
Ever grieving
After a sleepless night in the sky
Hangs the dawntime moon.[i]

15


[i] An allusive variation on: 見るほどぞしばしなぐさむめぐりあはん月の都は遥かなれども miru hodo zo / shibashi nagusamu / meguri awan / tsuki no miyako wa / harukanaredomo ‘While gazing on it / Briefly am I consoled: / A meeting will come around once more, / Though the capital as the moon / Is distant…’ Hikaru Genji (Genji monogatari 204)

Shunzei-kyō no musume-shū 14

なつ衣うすくや人の成りぬらんうつ蝉の音にぬるる袖かな

natsugoromo
usuku ya hito no
narinuran
utsusemi no oto ni
nururu sode kana
Summer garb
Scanty has he
Become, perhaps?
An abandoned cicada shell’s sound is
Drenched sleeves![i]

14


[i] See: 空蝉の羽におく露の木がくれてしのびしのびにぬるる袖かな utsusemi no / ha ni oku tsuyu no / kogakurete / shinobishinobi ni / nururu sode kana ‘Upon an abandoned cicada shell’s / Wings fall dewdrops / Hidden ‘mongst the trees / Secretly, so secretly, / Drenched are my sleeves!’ Utsusemi (Genji monogatari 25)

Shunzei-kyō no musume-shū 13

Love

しらざりき結ばぬ水に影みても袖に雫のかかる物とは

shirazariki
musubanu mizu ni
kage mitemo
sode ni shizuku no
kakaru mono to wa
I did not know:
Even though in intangible waters
I glimpsed your face,
Upon my sleeves, droplets
Still would cling…[i]

13


[i] An allusive variation on: Composed on the conception of love, when hundred poem sequences were presented during the reign of former Emperor Horikawa. おもひあまり人にとはばやみなせ川むすばぬ水に袖はぬるやと omoi’amari / hito ni towaba ya / minasegawa / musubanu mizu ni / sode wa nuru ya to ‘Love consumes me and so / I would ask her: / Do the ever dry Minase River’s / Intangible waters / Yet soak your sleeves?’ Major Counsellor Kinzane (Senzaishū XII: 704)

Shunzei-kyō no musume-shū 12

Winter

松しまやをじまが磯による浪の月の氷にちどり鳴くなり

matsushima ya
ojima ga iso ni
yoru nami no
tsuki no kōri ni
chidori nakunari
In Matsushima
Upon Ojima’s rocky shore
Break waves, while from
The moon’s ice
The plovers are a’calling.[i]

12


[i] See: I went to the province of Sanuki and arrived at harbour called Minotsu. The moon was bright and bamboo racks for growing seaweed filled the bay. Gazing across, into the distance, I saw seabirds arriving and soaring above them. しきわたす月のこほりをうたがひてひびのてまはるあぢのむらとり shikiwatasu / tsuki no kōri o / utagaite / hibi no te mawaru / aji no muradori ‘Spread out all o’er, / The moon for ice / Mistaking / Above the bamboo racks a’circling / Is a flock of teal…’ Saigyō (Sankashū 1404); and: Waterbirds beneath the moon (poetry match) すはのうみの月のこほりにゐるかもはさえぬをりにやおもひとくらん suwa no umi no / tsuki no kōri ni / iru kamo wa / saenu ori ni ya / omoitokuran ‘At the Suwa Sea / Upon the moon’s ice / Rest ducks: / That ’tis not chill at all / I wonder, will they work it out?’ (Hirokoto-shū 66)

Shunzei-kyō no musume-shū 11

月みばとたのめし秋のよもすがらまた恨めしく打つ衣かな

tsuki miba to
tanomeshi aki no
yomosugara
mata urameshiku
utsu koromo kana
‘When we see the moon…’
We promised, but in autumn,
All night long,
Still, despairingly
Am I fulling clothes![i]

11


[i] See: Topic unknown. 月見ばと契をきてしふるさとの人もやこよひ袖ぬらすらん tsuki miba to / chigiri okiteshi / furusato no / hito mo ya koyoi / sode nurasuran ‘“When we see the moon…” / We made our vow; / Left at home / Does she, too, on this night / Have soaking sleeves, I wonder?’ Dharma Master Saigyō (Shinkokinshū X: 938); and: 月見ばとたのめかおきし人はこであさぢが露にまつむしぞなく tsuki miba to / tanome’okishi / hito wa kode / asaji ga tsuyu ni / matsumushi zo naku ‘“When we see the moon…” / Did he promise, before, but / That man has failed to come, and / From the dewy cogon grass / The pine crickets cry!’ Lord Ietaka (Sengohyakuban uta’awase 1428)

Shunzei-kyō no musume-shū 10

かぜふけばしのにみだるる刈萱も夕はわきて露こぼれけり

kaze fukeba
shino ni midaruru
karukaya mo
yū wa wakite
tsuyu koborekeri
When the wind does blow
Most tangled are
The scrubby grasses,
At eventide, particularly,
Do they drip with dew.[i]

10


[i] See: 荻の葉に露ふきむすぶ秋風もゆふべぞわきて身にはしみける ogi no ha ni / tsuyu fukimusubu / akikaze mo / yūbe zo wakitem / mi ni wa shimikeru ‘To the blades of cogon grass / Carrying drenching dewdrops  / The autumn breeze / At eventide, particularly, / Pierces my heart.’ Kaoru (Genji monogatari 761); and: Composed as a poem on stags. さをしかのつまよぶこゑもいかなれや夕はわきてかなしかるらん saoshika no / tsuma yobu koe mo / ika nare ya / yū wa wakite / kanashikaruran ‘The stag, / A’crying for his mate: his bell / Why is it that / Particularly at eventide / It should be so sad?’ Master of the Right Capital Office Naganori (Senzaishū V: 317)

Shunzei-kyō no musume-shū 8

Autumn

むぐらはふやどとはわかず秋は来て心づくしの月ぞもりくる

mugura hau
yado to wa wakazu
aki wa kite
kokorozukushi no
tsuki zo morikuru
From a mugwort tangled
House I am no different:
Autumn has come and,
Heart draining,
The moon comes dripping through.[i]

8


[i] An allusive variation on: Topic unknown. このまよりもりくる月の影見れば心づくしの秋はきにけり ko no ma yori / morikuru tsuki no / kage mireba / kokorozukushi no / aki wa kinikeri ‘Between the trees / Drips moon / Light, seeing it I know / Heart draining / Autumn, has come at last.’ Anonymous (Kokinshū IV: 184)