Tag Archives: brief night

Eien narabō uta’awase 12

Round Five

Left

ほととぎすはなたちばなにやどるともなのらざりせばいかでしらまし

hototogisu
hanatachibana ni
yadoru to mo
nanorazariseba
ikade shiramashi
The cuckoo
Among the orange blossom
May make his lodging, but
If he fails to announce himself
How would one ever know?

Controller’s Graduate
23

Right

さよなかにみふねの山のほととぎすほのかになきてすぎぬなるかな

sayo naka ni
mifune no yama no
hototogisu
honoka ni nakite
suginu naru kana
In the midst of a night so brief
Upon Mifune Mountain,
A cuckoo,
Faintly crying,
Has passed his time!

Kerin’in Graduate
24

It is entirely impossible to decide between these two poems.

Neither of these poems is particularly bad. The Left flows smoothly and is elegant; the Right starts with ‘Mifune Mountain’ and then continues with ‘faintly’, which certainly does not lack skill. Thus, I would say that these should tie, although this will doubtless be a source of some dissatisfaction to the writer of the Right.

Entō ōn’uta’awase 24

Round Twenty-Four

Left (Tie)

覚束なたれきけとてか時鳥さよふけ方の雲に鳴くらん

obotsukana
tare kike tote ka
hototogisu
sayo fukegata no
kumo ni nakuran
I do not understand—
Who is it that you demand hears you,
O, cuckoo?
Toward brief night’s dawn,
Calling from within the clouds…

Tomoshige
47

Right

待ちかねしよはも昔にかはらねばことしもつらし山時鳥

machikaneshi
yowa mo mukashi ni
kawaraneba
kotoshi mo tsurashi
yamahototogisu
Eagerly awaiting
Midnight, to find—as long before—
It all unchanged, so
This year, too, how cruel is
The mountain cuckoo!

Dharma Master Zenshin
48

Both Left and Right sound suitable. So, they should tie.

Sumiyoshi-sha uta’awase kaō ni-nen 29

Round Four

Left (Tie)

たびねするあれたるやどのしぐれにはなみだもともにもるにぞありける

tabinesuru
aretaru yado no
shigure ni wa
namida mo tomo ni
moru ni zo arikeru
Sleeping on my travels
In a ruined hut,
The showers
And my tears, both,
Do leave me drenched!

Minamoto no Munenaga
(formerly Michikiyo)
57

Right

ちぎらねどさよのねざめにおとづれてしぐれぞたびのともとなりける

chigiranedo
sayo no nezame ni
otozurete
shigure zo tabi no
tomo to narikeru
It made no vow, yet
On awaking from a brief night’s sleep,
I am visited by the sound
Of showers—my journey’s
Companion, have they become.

Fujiwara no Noritsune
58

The Left conception and configuration appear pleasant, but after saying that one is ‘sleeping on my travels’ to then have ‘a ruined hut’—this does not really sound like somewhere a person would take lodging on their journey. As for the Right, it seems like the only reason the poet has begun with ‘it made no vow, yet’ is because he wished to use ‘companion’, but these pieces of diction are too far apart. Still, it does seem to have some conception, so I make these a tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 31

Round Seven

Left (Tie)

あまつほしありともみえぬ秋のよの月はすずしき光なりけり

ama tsu hoshi
ari tomo mienu
aki no yo no
tsuki wa suzushiki
hikari narikeri
Stars in the heavens
Appear there to be none on
An autumn night when
The moon a cool
Light sheds.

Kojijū
61

Right

さ夜ふくる空にきえゆく浮雲の名残もみえぬ秋のよの月

sayo fukuru
sora ni kieyuku
ukigumo no
nagori mo mienu
aki no yo no tsuki
As brief night wears on
Vanishing from the skies are
The drifting clouds,
Leaving no keepsake for
The moon this autumn night.

Moromitsu
62

The Left, in addition to suffering from the Tree-Bank fault,[1] compounds this by adding a further line so all the first three lines begin with the same sound. This has been noted as a fault in earlier poetry matches. The Right, too, mentions ‘night’ twice and this is a significant fault, but I am unable to grasp the sense of the Left’s poem, so it’s difficult to make a judgement between them.


[1] Ganjubyō 岸樹病 (‘Tree-Bank fault’): this was one of the four poetic faults identified in the poetic treatise Waka sakushiki 倭歌作式 (‘Code of Creation of Japanese Poetry’), attributed to Kisen 喜撰 (fl. 810-824), hence the treatise’s alternative title of Kisenshiki 喜撰式 (‘Kisen’s Selected Codes’). This attribution is widely believed to be spurious, however, and that the work was probably written in the mid-Heian period. Ganjubyō refers to beginning the first and second ‘lines’ of a waka with the same syllable, in this case ‘a’.