Tag Archives: brief night

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 31

Round Seven

Left (Tie)

あまつほしありともみえぬ秋のよの月はすずしき光なりけり

ama tsu hoshi
ari tomo mienu
aki no yo no
tsuki wa suzushiki
hikari narikeri
Stars in the heavens
Appear there to be none on
An autumn night when
The moon a cool
Light sheds.

Kojijū
61

Right

さ夜ふくる空にきえゆく浮雲の名残もみえぬ秋のよの月

sayo fukuru
sora ni kieyuku
ukigumo no
nagori mo mienu
aki no yo no tsuki
As brief night wears on
Vanishing from the skies are
The drifting clouds,
Leaving no keepsake for
The moon this autumn night.

Moromitsu
62

The Left, in addition to suffering from the Tree-Bank fault,[1] compounds this by adding a further line so all the first three lines begin with the same sound. This has been noted as a fault in earlier poetry matches. The Right, too, mentions ‘night’ twice and this is a significant fault, but I am unable to grasp the sense of the Left’s poem, so it’s difficult to make a judgement between them.


[1] Ganjubyō 岸樹病 (‘Tree-Bank fault’): this was one of the four poetic faults identified in the poetic treatise Waka sakushiki 倭歌作式 (‘Code of Creation of Japanese Poetry’), attributed to Kisen 喜撰 (fl. 810-824), hence the treatise’s alternative title of Kisenshiki 喜撰式 (‘Kisen’s Selected Codes’). This attribution is widely believed to be spurious, however, and that the work was probably written in the mid-Heian period. Ganjubyō refers to beginning the first and second ‘lines’ of a waka with the same syllable, in this case ‘a’.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 14

Round Two

Left (Win)

ふく風も身にしむ秋の夕ぐれに哀をそふる鹿のこゑかな

fuku kaze mo
mi ni shimu aki no
yūgure ni
aware o souru
shika no koe kana
The gusting wind
Pierces my flesh on an autumn
Evening, as
Sadness laces
The stag’s cry!

Lord Michyoshi
27

Right

妻こふるさ夜ふけがたの鹿のねに声うちそへて秋風ぞ吹く

tsuma kouru
sayo fukegata no
shika no ne ni
koe uchisoete
akikaze zo fuku
Yearning for his mate as
Brief night wears on,
A stag’s cry
Is voiced, lacing
The gusting autumn wind.

Tamechika
28

Both Left and Right have the same overall content, but the Left’s ‘yearning for his mate as / Brief night wears on’ reverses the appropriate order of the diction: it would be preferable to say ‘Brief night wears on as / Yearning for his mate’. The Left has no such issues and so it should win.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 04

Round Four

Left (Win)

春の夜はいこそねられねねやちかき梅のにほひにおどろかれつつ

haru no yo wa
i koso nerarene
neya chikaki
ume no nioi ni
odorokaretsutsu
On a night in springtime
I cannot sleep at all, for
Close by my bedchamber
The scent of plum
Ever wakes me from my slumber…

Norimori
7

Right

さ夜ふかみ旅ねの床にかをらずは梅さく宿といかでしらまし

sayo fukami
tabine no toko ni
ka orazu wa
ume saku yado to
ikade shiramashi
Deep within brief night
In a traveller’s bed
No scent reaches me, yet
That plum blooms at this dwelling—
How is it I might know?

Kenshō
8

The Left is particularly evocative. The Right is from an old poetry match.

SKKS V: 483

On the conception of fulling clothes.

みよしのの山のあきかぜさ夜ふけて故郷さむくころもうつなり

miyoshino no
yama no akikaze
sayo fukete
furusato samuku
koromo utsunari
On fair Yoshino
Mountain the autumn wind
Marks a brief night’s end,
For in this ancient place the chill
Carries the sound of fulling cloth.

Consultant Masatsune

A kuzushiji version of the poem's text.
Created with Soan.

GSIS XII: 680

Composed on behalf of the other lady the morning after the Naka Chancellor, when he was still a Minor Captain, had promised to call on her sister, but had failed to come.

やすらはでねなましものをさ夜ふけてかたぶくまでの月を見しかな

yasuraFade
nenamashi mono o
sayo fukete
katabuku made no
tsuki o mishi kana
Without hesitating
I wish I had to bed, but
Brief night has broken,
As setting,
The moon remained within my sight!

Akazome Emon

A kuzushiji version of the poem's text.
Created with Soan.

SKKS V: 486

Composed when he had been gazing at the unclouded moon until dawn, on the night of the 15th of the Ninth Month.

秋はつるさ夜ふけがたの月みれば袖ものこらず露ぞおきける

aki hatsuru
sayo fukegata no
tsuki mireba
sode mo nokorazu
tsuyu zo okikeru
At the start of autumn
As brief night begins to break
As I gaze upon the moon
Not a spot upon my sleeves I
Is left untouched by dewdrops.

Lord Michinobu

A kuzushiji version of the poem's text.
Created with Soan.

Teiji-in uta’awase 25

Left

さよふけてなどかなくらむほととぎすたびねのやどをかすひとやなき

sayo fukete
nado ka nakuramu
hototogisu
tabine no yado o
kasu hito ya naki
Brief night breaks, so
Why does he cry so?
The cuckoo
A lodging on his journey
Has no one to lend him!

49

Right (Win)

なつのいけによるべさだめぬうきくさのみづよりほかにゆくかたもなし

natsu no ike ni
yorube sadamenu
ukikusa no
mizu yori hoka ni
yuku kata mo nashi
Upon the pond in summer
No destination has
The waterweed, so
Other than the water
It has no place to go…

Okikaze
50

Horikawa-in enjo awase 16

うらみかねさ夜の衣を人しれず思ひかへせどなぐさまぬかな

uramikane
sayo no koromo o
hito shirezu
omoikaesedo
nagusamanu kana
Unable to despise you,
On this brief night, my robe,
Unknown to all,
I did reverse in constant thought of you, but
It brought me no comfort, at all!

Kii, from the Ichijō Palace
31

In reply.

ひたすらにさよの衣にことよせてうらなき人を恨みざらなん

hitasura ni
sayo no koromo ni
kotoyosete
uranaki hito o
uramizaranan
Truly,
On this brief night, your robe
Is but a pretext—
An unfeeling lady
I would not despise!

The Governor of Mimasaka
32