Love
Left
恋といへばまづいでたちて春も皆ゆくらむ方も知らずもあるかな
| koi to ieba mazu idetachite haru mo mina yukuramu kata mo shirazu mo aru kana | This thing called love Has gone before, and The spring, too, no one It’s destination Knows at all! |
11
Right
年毎に花におくるるみにしあれば恋ひせぬ春のなきぞわびしき
| toshi goto ni hana ni okururu mi ni shi areba koisenu haru no naki zo wabishiki | Every single year Missing the blossom Is my sorry self, A springtime with no one to love Is there not, but still sad and lonely am I! |
12
Round Twenty
Left (Tie)
みのうさをわすれぐさこそきしにおふれむべすみよしとあまもいひけれ
| mi no usa o wasuregusa koso kishi ni oure mube sumiyoshi to ama mo iikere | The misery of my life I forget among the day lilies Growing on the shore— No wonder, Sumiyoshi is a pleasant place Say the fisherfolk, too! |
Kunisuke
139
Right
よをわたるみちをたがへてまどふかないづれのかたにゆきかくれまし
| yo o wataru michi o tagaete madou kana izure no kata ni yukikakuremashi | Passing through this world My path I have mistaken and Lost become! Which way should I go to hide myself away? |
Horikawa
140
The Left has the poem ‘For folk forget among the day lilies / Growing there, or so they say.’[1] in mind and its conception, drawing upon ‘The misery of my life’ is pleasant, I have to say. The Right has a charming configuration for such a poem, but its similarity to the poem by Lord Toshiyori, ‘Deep in depression on Mount Wabuka / On my path through the world / Have I mis-stepped’[2] means that I feel it sounds hackneyed, yet the final section ‘Which way should I’ and what follows, does sound moving. I should say that these tie.
[1] Composed and sent to someone he knew who had gone to Sumiyoshi. 住吉とあまはつぐともながゐすな人忘草おふといふなり sumiyoshi to / ama wa tsugu tomo / nagai su na / hito wasuregusa / ou to iu nari ‘Sumiyoshi is a pleasant place to stay, / So say the fisher-folk, yet / Do not stay there long, in Nagai; / For folk forget among the day lilies / Growing there, or so they say.’ Mibu no Tadamine (KKS XVII: 917)
[2] [One of] a hundred poem sequence on feeling regret and shame over one’s fate. わぶか山よにふるみちをふみたがへまどひつたよふ身をいかにせん wabukayama / yo ni furu michi o / fumitagae / madoitsu tayou / mi o ika ni sen ‘Deep in depression on Mount Wabuka / On my path through the world / Have I mis-stepped, and / Wandering lost, / O, what am I to do?’Minamoto no Toshiyori (Sanboku kikashū 1427)
In the same reign, when His Majesty’s Gentlemen were drawing topic by lot and presenting poems, he drew ‘fishing boats’ and composed this.
いはおろすかたこそなけれいせの海のしほせにかかるあまのつり舟
| iFa orosu kata koso nakere ise no umi no siFose ni kakaru ama no turibune | To drop their stones Is there no place at all, At the sea off Ise Caught by the rushing tides are The seafolk’s fishing boats… |
Supernumerary Middle Counsellor Toshitada
Left
さよふけてなどかなくらむほととぎすたびねのやどをかすひとやなき
| sayo fukete nado ka nakuramu hototogisu tabine no yado o kasu hito ya naki | Brief night breaks, so Why does he cry so? The cuckoo A lodging on his journey Has no one to lend him! |
49
Right (Win)
なつのいけによるべさだめぬうきくさのみづよりほかにゆくかたもなし
| natsu no ike ni yorube sadamenu ukikusa no mizu yori hoka ni yuku kata mo nashi | Upon the pond in summer No destination has The waterweed, so Other than the water It has no place to go… |
Okikaze
50
Left (Tie)
あふことのいまはかたほになるふねのかざままつ身はよるかたもなし
| au koto no ima wa katao ni naru fune no kazama matsu mi wa yoru kata mo nashi | Meeting you has made me Now a reef-sailed Boat Awaiting the wind, with No course to set. |
33
Right
ねでまちしはつかのつきのはつかにもあひみしことをいつかわすれむ
| nede machishi hatsuka no tsuki no hatsuka ni mo aimishi koto o itsuka wasuremu | Sleepless I awaited The twentieth night’s moon, when In the dimness We did meet— When might I forget it? |
34
Left
常盤なる松のみどりも春くれば今一しほの色まさりけり
| tokiwa naru matsu no midori mo haru kureba ima hitoshio no iro masarikeri | When to the eternal Pine’s green Spring does come, Now all the more vibrant Is its hue! |
39[1]
Right
くる春にあはむことこそかたからめ過行く方におくれずもがな
| kuru haru ni awamu koto koso katakarame sugiyuku kata ni okurezu mogana | With arriving spring To meet is truly Hard, indeed, but On the path it take passing by I would not have it linger! |
40
[1] Kokinshū I: 24, attributed to Minamoto no Muneyuki.
