Composed as a poem on blossom.
桜咲く比良の山風吹くままに花になりゆく志賀の浦浪
sakura saku
Fira no yamakaze
Fuku mama ni
Fana ni nariyuku
siga no uranami |
Cherries flower on
Hira Mountain while
Breezes blow
All turned to blossom are
The waves on Shiga’s shore. |
Middle Captain of the Inner Palace Guards, Left Division, [Fujiwara no] Yoshitsune
左近中将良経
Composed on the conception of blossom at a former estate.
ささ浪や志賀の都は荒れにしを昔ながらの山桜かな
sasanami ya
siga no miyako Fa
arenisi wo
mukasi nagara no
yamazakura kana |
Wavelets wash
The capital at Shiga –
All ruined now, but
Just as long ago are
The mountain cherry blooms. |
Anonymous
Topic unknown.
包めども泪に袖のあらはれて恋すと人に知られぬる哉
tutumedomo
namida ni sode no
araFarete
koFisu to Fito ni
sirarenuru kana |
Wrapped in them I may be, yet
Upon my sleeves tears
Have appeared, and
That I am in love have to her
Revealed! |
The Nakanoin Minister of the Right 中院右大臣
[Minamoto no Masasada 源雅定]
Composed on the conception of love promised in a dream.
姿こそ寝覚の床に見えずとも契りしことの現なりせば
sugata koso
nezame no toko ni
miezu tomo
tigirisi koto no
ututu nariseba |
Your form
On awaking in my bed
I cannot see, yet
What we did vow –
O, to make it reality! |
Consultant [Fujiwara no] Toshinori
参議俊憲
慕ひくる恋の奴の旅にても身のくせなれや夕とどろき
sitaFikuru
koFi no yatuko no
tabi nite mo
mi no kuse nare ya
yuFu todoroki Fa |
Fondly longing
A slave of love
I travel, but
Is is always to be that I
Shall cry out with the evening? |
Minamoto no Toshiyori
源俊頼
This poem is also: Horikawa hyakushu 1224 and Sanboku kikashū VII: 997.
Composed as a poem on haze.
見渡せばそこと印の杉もなし霞のうちや三輪の山本
miwataseba
soko to sirusi no
sugi mo nasi
kasumi no uti ya
miwa no yamamoto |
When I gaze across
As sentinels there
No cedars stand;
Are you within the haze,
O, Miwa Mountain’s foot? |
Captain of the Middle Palace Guards, Left Division, [Fujiwara no] Takafusa
左兵衛督隆房
Composed as a love poem when a hundred poem sequence was presented to former Emperor Sutoku.
恋をのみ菅田の池に水草ゐてすまでやみなむ名こそ惜しけれ
koFi wo nomi
sugata no ike ni
mikusa wite
sumade yaminamu
na koso woshikere |
Our love is simply
Form – Sugata Pond
Fills with waterweed, and
Grows stagnant – such an ending
Leaves only regret… |
Ikuhōmon’in no Aki
郁芳門院安芸
This poem is also Kyūan hyakushu 1266.
Composed when a hundred poem sequence was presented to His Majesty, during the reign of Former Emperor Horikawa.
さまざまに心ぞとまる宮城野の花のいろいろ虫の声ごゑ
samazama ni
kokoro zo tomaru
miyagino no
Fana no iroiro
musi no kowegowe |
So many things
Do rest within my heart:
On Miyagi plain
The multicoloured blossom and
The insects’ songs. |
Minamoto no Toshiyori
源俊頼
This poem is also Horikawa hyakushu 1400.
Topic unknown.
宮城野の萩や雄鹿の妻ならん花咲きしより声の色なる
miyagino no
Fagi ya wosika no
tuma naran
Fana sakisi yori
kowe no iro naru |
On Miyagi plain
Has the bush clover the stag’s
Bride become?
For since the blossom bloomed
His cry takes on its passionate hue. |
Fujiwara no Mototoshi
藤原基俊
Composed at the residence of the Ōmiya Former Chancellor, on the conception of when the moon in autumn seems like summer.
小萩原また花咲かぬ宮城野の鹿や今宵の月に鳴くらん
koFagiFara
mata Fana sakanu
miyagino no
sika ya koyoFi no
tuki ni nakuran |
The young bush clover meadows
Are not yet in bloom;
On Miyagi plain
Do the stags tonight
Cry to the moon, I wonder? |
Fujiwara no Atsunaka
藤原敦仲
'Simply moving and elegant'