Tag Archives: lady

Sahyōe no suke sadafumi uta’awase 13

Left (Tie)

おとぎきにあやなく人をこひそめてそれとだにみぬことのわびしさ

otogiki ni
ayanaku hito o
koisomete
sore to dani minu
koto no wabishisa
By repute
Pointlessly, a lady
Have I begun to love,
Without even seeing her,
That is truly pitiable!

25

Right

やまびこのおとにのみきくきみなればわれよりさきにとふ人もなし

yamabiko no
oto ni nomi kiku
kimi nareba
ware yori saki ni
tou hito mo nashi
As a mountain spirit
Word is all I hear
Of you, so
Before me
Not a man will visit you!

26

Uda-in uta’awase 4

Scarlet Plum Blossom

Left

あひがたき人をばさらにみしころはいのはなれてはねられざりけり

aigataki
hito oba sara ni
mishi koro wa
i no hanarete wa
nerarezarikeri
Hard to meet
Her it was, but finally,
I saw her once more, then
Being parted
Robbed me of my sleep.

Tsurayuki
7

Right (Win)

わすれにし人をぞゆめになほこむはいのはなやかにねられてぞみる

wasurenishi
hito o zo yume ni
nao komu wa
i no hanayaka ni
nerarete zo miru
Forgotten by
A lady who to my dreams
Does yet come, so
In sleep, clearly,
When sleeping only do I see her!

8

Kanpyō no ōntoki kisai no miya uta’awase 96

Left

住吉のきしによる波夜さへや夢のかよひ路人めよくらむ

sumiyoshi no
kishi ni yoru nami
yoru sae ya
yume no kayoiji
hitome yokuramu
On Sumiyoshi’s
Shore break waves;
Even at night
Upon the path of dreams
Can we avoid others’ prying eyes?

186

Right

夕附夜おぼろに人を見てしより天雲はれぬ心地こそすれ

yūzukuyo
oboro ni hito o
miteshi yori
amagumo harenu
kokochi koso sure
On a moonlit evening
Faintly, a lady
Did I see, and ever since
Heaven’s clouds, unclearing,
Weigh on my feelings…

187

Horikawa-in enjo awase 16

うらみかねさ夜の衣を人しれず思ひかへせどなぐさまぬかな

uramikane
sayo no koromo o
hito shirezu
omoikaesedo
nagusamanu kana
Unable to despise you,
On this brief night, my robe,
Unknown to all,
I did reverse in constant thought of you, but
It brought me no comfort, at all!

Kii, from the Ichijō Palace
31

In reply.

ひたすらにさよの衣にことよせてうらなき人を恨みざらなん

hitasura ni
sayo no koromo ni
kotoyosete
uranaki hito o
uramizaranan
Truly,
On this brief night, your robe
Is but a pretext—
An unfeeling lady
I would not despise!

The Governor of Mimasaka
32

Fubokushō II: 380

君にとし思ひかくれば鶯のはなのくしげもをしまざりけり

kimi ni to si
omoFikakureba
uguFisu no
hana no kusige mo
wosimazarikeri
For my Lady did
I fondly think, so
The warbler’s
Comb box of blossom
I do not regret at all…

Ise

It is said that she composed this poem and sent it, together with some budding scarlet plum blossom to the residence of the Kujō Lady of the Bedchamber when Her Highness held a little box match.

Love X: 7

Left
頼むなるあさけ神しも幣はせん君が心やわれになびくと

tanomu naru
asake kami shimo
nusa wa sen
kimi ga kokoro ya
ware ni nabiku to
Worship she does
The goddess Asake, so should even
I make her an offering?
Then might my lady’s heart
Trail in my direction…

Kenshō
1153

Right (Win)
鏡山君に心やうつるらむいそぎ立たれぬ旅衣かな

kagamiyama
kimi ni kokoro ya
utsururamu
isogi tatarenu
tabigoromo kana
Upon Mirror Mount
Has my heart
Found lodging? For
In haste to rise and don
My travelling garb, I am not!

Lord Tsune’ie
1154

Left and Right state: there are no faults to mention in either poem.

In judgement: both Left and Right here refer to a ‘person’ (kimi), with the Left’s ‘making her an offering’ (nusa wa sen) that she might ‘trail in my direction’ (ware ni nabiku ya), while the Right’s has left his heart on Mirror Mount and ‘is not in haste to rise and don his travelling garb’ (isogi tatarenu tabigoromo): each of these poems is evocative, and makes effective use of wordplay, with the Left’s ‘make her an offering’ certainly resembling something I have come across previously, but the initial ‘goddess Asake’ is poor. The Right’s ‘Mirror Mount’ (kagami yama) is something I am familiar with, and this has a gentle tone. Thus, the Right wins.

Love IX: 18

Left
いとはれて胸やすからぬ思をば人の上にぞ書きうつしつる

itowarete
mune yasukaranu
omoi o ba
hito no ue ni zo
kakiutsushitsuru
Being despised
And my unquiet heart
Filled with feelings
Upon her
I paint them out!

Kenshō
1115

Right (Win)
いかにせん絵にかく妹にあらねどもまこと少き人心かな

ika ni sen
e ni kaku imo ni
aranedomo
makoto sukunaki
hitogokoro kana
What am I to do?
A lady painted in a picture
She is not, yet
How lacking are
Her feelings!

Nobusada
1116

The Right state: what is the Left’s poem about? In appeal: it reflects Changkang, who, feeling a woman living next door was beautiful, painted her and was then able to meet her. The Left state: the Right’s poem has no faults to mention.

In judgement: I, too, was unsure of the meaning of ‘my unquiet heart filled with feelings upon her’ (mune yasukaranu omoi woba hito no ue ni zo), and after reading the Left’s response, I am still unclear. In general, in these cases it is customary to cite the source of such things, and to hear of such wide reading is interesting indeed, but this is simply, ‘it reflects Changkang, who, feeling a woman living next door was beautiful, painted her and was then able to meet her’, so it would be difficult to locate within the usual Three Histories; furthermore, I have no recollection of a person named in this Chinese manner, and so an ignorant old man like myself can only ask, who is this Nagayasu? More importantly, though, I do not feel the conception of this poem is particularly well-matched to the topic. The Right’s ‘a lady painted in a picture’ (e ni kaku imo) is a little over-explicit, but ‘how lacking are’ (makoto sukunaki) would seem to be in the style of the Kazan Archbishop, and as I feel this is easier to understand than Nagayasu, I make the Right the winner.