Category Archives: Daikōtaigōgū daijin kiyosuke-ason ke uta’awase

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 13

Round Thirteen

Left (Tie)

ひこぼしのくれをまつまはあぢきなく雲のよそなる心ちこそせね

hikoboshi no
kure o matsu ma wa
ajikinaku
kumo no yoso naru
kokochi koso sene
While the Herd Boy
The evening awaits,
He suffers—
Beyond the distant clouds
Is where his feelings lie!

Taifu
25

Right

さもこそは身はならはしといひながら七夕いかでたへてすぐらん

sa mo koso wa
mi wa narawashi to
iinagara
tanabata ikade
taete suguran
That is how it is—
Her flesh knows how it is,
They say, but
How is it that the Weaver Maid
Endures the passing days?

Kenshō

26

In terms of overall quality, the Left is superior, but I am unable to understand it. The conclusion of the Right is non-standard.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 12

Round Twelve

Left (Tie)

秋風の吹くときくより七夕はこころのうちやすずしかるらん

akikaze no
fuku to kiku yori
tanabata wa
kokoro no uchi ya
suzushikaruran
Since the autumn breeze’s
Blowing she has heard,
The Weaver Maid
Surely within her heart
Feels a pleasant cool!

Suketaka
23

Right

七夕のまちつる程の久しさにはかなくあくる空をかへばや

tanabata no
machitsuru hodo no
hisashisa ni
hakanaku akuru
sora o kaeba ya
The Weaver Maid
Her waiting time’s
Eternity for
The briefly brightening
Sky would wish to change…

Moromitsu
24

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 11

Round Eleven

Tanabata

Left (Win)

七夕はたえぬ契りをうれしともこよひばかりやおもひしるらん

tanabata wa
taenu chigiri o
ureshi tomo
koyoi bakari ya
omoishiruran
The Weaver Maid’s
Unending vow is
A source of joy, yet
Is it only on this night
That she truly feels it?

Shun’e
21

Right

天の河わたるこよひや七夕は中中袖をぬらさざるらん

ama no kawa
wataru koyoi ya
tanabata wa
nakanaka sode o
nurasazaruran
The River of Heaven
Does she cross tonight, so
The Weaver Maid
Truly, her sleeves
Dampens not, I think!

Yorisuke
22

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 10

Round Ten

Left (Win)

よひのまぞ人をばまちしほととぎすあくるまでこそねられざりけれ

yoi no ma zo
hito oba machishi
hototogisu
akuru made koso
nerarezarikere
All night long
Did I await him once, but
T’is the cuckoo:
Even more until the dawn, that
Keeps me from my sleep!

Shun’e
19

Right

花はすぎ紅葉はまだき夏山にをりえてもなく時鳥かな

hana wa sugi
momiji wa madaki
natsuyama ni
oriete mo naku
hototogisu kana
The blossoms are past, and
Scarlet leaves have yet to come;
In the summer mountains
How lively sings
The cuckoo!

Kenshō
20

The Left’s poem certainly commands one’s interest.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 09

Round Nine

Cuckoos

Left (Tie)

時鳥心のままにたづぬとて鳥のねもせぬ山に来にけり

hototogisu
kokoro no mama ni
tazunu tote
tori no ne mo senu
yama ni kinikeri
A cuckoo
Was my heart’s desire, and so
Did I come a’visiting, but
Not a single bird call sounds
In the mountains now I’ve arrived!

Lord Kiyosuke
17

Right

しをりして又たづねこん時鳥この山にてぞ一こゑもきく

shiorishite
mata tazunekon
hototogisu
kono yama nite zo
hitogoe mo kiku
Breaking branches,
Let us go visit there once more!
As for the cuckoo,
Upon this mountain,
I hear his single call!

Atsuyori
18

The Left has a strong conception of visiting but has ‘cuckoo’ initially and then follows this with ‘bird’, which is a fault, isn’t it? However, it appears there are some earlier instances of this, and thus I would not wish to say that this is not good expression. The Right’s poem has nothing to indicate, but as an earlier example, in the ‘Poetry Match held at the Kaya Palace’, Lord Michitoshi recited

おしなべて山のしら雪つもれどもしるきはこしのたかねなりけり

oshinabete
yama no shirayuki
tsumoredomo
shiruki wa koshi no
takane narikeri
Each and every
Mountain has snow, so white,
Piled upon it, yet
Most remarkable is
Koshi’s High peak.

Kaya-no-in shichiban uta’awase 44

Koshi Peak is a mountain, making this a precedent, and moreover this was not felt to be a fault at the time.[1] In addition, there are also many examples of poems referring to both warblers and cuckoos, are there not?


[1] The judge in the contest says Michitoshi’s poem is ‘straightforwardly beautiful’.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 08

Round Eight

Left (Tie)

うき世をば又なににかはなぐさめん花にさきだついのちともがな

ukiyo oba
mata nani ni ka wa
nagusamen
hana ni sakidatsu
inochi to mogana
In this cruel world
Is there yet anything else
To console me?
Before the blossoms’ departure
I would my life do the same…

Court Lady Taifu
15

Right

桜さく春の山風みねこせば雪ふりつもる谷のほそみち

sakura saku
haru no yamakaze
mine koseba
yuki furitsumoru
tani no hosomichi
When in cherry-blooming
Spring, the mountain breezes
Cross the peaks
Snow falls and piles high
Upon the narrow valley paths.

Moromitsu
16

Both poems are smooth, and on that basis, I would say that the Right is superior, but it has an archaic element, while the Left lacks anything unusual about it, so this is a tie of quality.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 07

Round Seven

Cherry

Left (Win)

からくにの虎伏すのべににほふとも花の下にはねてぞ帰らん

karakuni no
tora fusu nobe ni
niou tomo
hana no shita ni wa
nete zo kaeran
Even in the land of Cathay, where
Tigers lie among the meadows—
Should they shine there, then
Beneath the blossoms
Would I sleep and then head home.

Lord Kiyosuke
13

Right

わぎもこがはこねの山のいと桜むすびおきたる花かとぞみる

wagimoko ga
hakone no yama no
itozakura
musubiokitaru
hana ka to zo miru
As my darling’s treasured
Box is Hakone Mountain, with
Weeping cherries
Bound, or
So the blossoms do appear to me.

Kenshō

14

Neither of these are bad, but because for the moment it has a stronger conception of affection for the blossom, the Left is superior.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 06

Round Six

Left (Win)

梅の花をりてかざせば二月の雪は衣におつるなりけり

ume no hana
orite kazaseba
kisaragi  no
yuki wa koromo ni
otsuru narikeri
When plum blossom
I pluck and wear within my hair,
Second Month
Snows upon my robe
Do fall!

Masashige
11

Right

時ならぬ卯花ともやおもはましかきねの梅のかをらざりせば

toki naranu
u no hana tomo ya
omowamashi
kakine no ume no
ka orazariseba
Unseasonal
Deutzia blooms might
I think them?
Did the plum by my lattice fence
Fail to scent the air…

Atsuyori
12

The Left is not lacking in conception.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 05

Round Five

Left (Tie)

にほふ香はいづれの梅もかはらねど色なる花ぞわきて身にしむ

niou ka wa
izure no ume mo
kawaranedo \
iro naru hana zo
wakite mi ni shimu
The fragrant scent of
Any plum
Varies not, yet
Those with scarlet hues
Especially pierce my breast!

Iemoto
9

Right

梅の花かをばたもとにしむれども色をばえこそうつさざりけれ

ume no hana
ka oba tamoto ni
shimuredomo
iro oba e koso
utsusazarikeri
The plum blossoms’
Scent into my sleeves
Has sunk, yet
Their hues, of all things,
Have shifted not!

Kūnin
10

I wish I could say that the Left is superior, but that is not the case, so a tie.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 04

Round Four

Left (Win)

春の夜はいこそねられねねやちかき梅のにほひにおどろかれつつ

haru no yo wa
i koso nerarene
neya chikaki
ume no nioi ni
odorokaretsutsu
On a night in springtime
I cannot sleep at all, for
Close by my bedchamber
The scent of plum
Ever wakes me from my slumber…

Norimori
7

Right

さ夜ふかみ旅ねの床にかをらずは梅さく宿といかでしらまし

sayo fukami
tabine no toko ni
ka orazu wa
ume saku yado to
ikade shiramashi
Deep within brief night
In a traveller’s bed
No scent reaches me, yet
That plum blooms at this dwelling—
How is it I might know?

Kenshō
8

The Left is particularly evocative. The Right is from an old poetry match.