Left
あき山に恋する鹿の声たてて鳴きぞしぬべき君がこぬよは
akiyama ni koisuru shika no koe tatete naki zo shinubeki kimi ga konu yo wa In the autumn mountains
116[1]
Right
契りけむ心ぞつらき七夕の年にひとたびあふは逢ふかは
chigiriken The vow
Fujiwara no Okikaze
117[2]
[1] Shokukokinshū XII: 1194/Shinsen man’yōshū 119
[2] Kokinshū IV: 178/Shinsen man’yōshū 460/Kokin rokujō I: 143
Left
おく山に紅葉ふみわけ鳴く鹿の声きく時ぞ秋はかなしき
okuyama ni momiji fumiwake naku shika no koe kiku toki zo aki wa kanashiki Deep within the mountains
82
Right
わがために来る秋にしもあらなくに虫の音聞けば先ぞかなしき
wa ga tame ni kuru aki ni shimo aranaku ni mushi no ne kikeba saki zo kanashiki Not for my sake
83
A poem from the Poetry Contest held by the Dowager Empress during the Reign of the Kanpyō Emperor.
あき山に恋する鹿の声たてて鳴きぞしぬべき君がこぬよは
akiyama ni koisuru shika no koe tatete naki zo shinubeki kimi ga konu yo wa In the autumn mountains
Anonymous
ひとしれぬなみだやそらにくもりつつあきのしぐれとふりまさるらむ[1]
hito shirenu namida ya sora ni kumoritsutsu aki no shigure to furimasaruramu Unknown to all
47
あきくれば山とよむまでなくしかに我おとらめやひとりぬるよは
aki kureba yama toyomu made naku shika ni ware otorame ya hitori nuru yo wa When the autumn comes
48
[1] This poem appears in Fubokushō (5546), where it is attributed to [Ariwara no] Motokata.
山ざとは秋こそものはかなしけれねざめねざめにしかはなきつつ
yamazato wa aki koso mono wa kanashikere nezame nezame ni shika wa nakitsutsu A mountain retreat in
29
ことのねをかぜのしらべにまかせてはたつたひめこそあきはひくらし
koto no ne o kaze no shirabe ni makasete wa tatsustahime koso aki wa hikurashi A zither’s strains
30
あさぎりにかたまどはしてなくかりのこゑぞたえせぬ秋の山べは
asagiri ni kata madowashite naku kari no koe zo taesenu aki no yamabe wa In the morning mists
27
山ざとはあきこそことにかなしけれしかのなくねにめをさましつつ[1]
yamazato wa aki koso koto ni kanashikere shika no naku ne ni me o samashitsutsu In a mountain retreat
28
[1] This poem also occurs in Kokinshū (IV: 214 ), where it is attributed to [Mibu no] Tadamine.
A poem from the Poetry Contest at Prince Koresada’s house.
秋なれば山とよむまでなく鹿に我おとらめやひとり寝る夜は
aki nareba When the autumn comes
Anonymous
Temples 寺
木の葉ちり鹿なく秋の山寺はいりあひのかねの音ぞさびしき
ko no ha chiri Leaves scattering from the trees, and
Higo
Composed as a poem on deer.
山ざとのあか月がたの鹿のねは夜半のあはれのかぎりなりけり
yamazato no In a mountain hut
Jien
Left (Tie)
kono koro no
Of late
A Servant Girl
Right
kurekakaru
Twilight
Nobusada
Left and Right together: we find no faults to mention.
In judgement: it would be impossible to ever exhaust the overtones of feeling in ‘a stag belling in the meadow on an autumn evening’ (shika naku nobe no aki no yūgure ) in the Left’s poem; in the Right’s poem the configuration and conception of ‘awaiting him, my sleeves, too, are wet with tears’ (hito matsu sode mo namida sou nari ) is richly evocative. I find it extremely hard to put both poems down, so this round, again, is a tie of quality.
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