uchiharau makura no chiri mo kakurenaku aretaru yado o terasu tsukikage
Needing to be swept away, The dust upon my pillow Cannot be concealed In my dilapidated dwelling, when The moonlight shines within…
Taifu 37
Right
秋の夜の月みる袖におく露やひるにかはれるしるしなるらん
aki no yo no tsuki miru sode ni oku tsuyu ya hiru ni kawareru shirushi naruran
On an autumn night Upon my sleeves, when gazing at the moon, Fall dewdrops— That all is changed from daytime Might they be a sign?
Yorisuke 38
In both the moon is bright, and I feel they reflect the essential meaning of the topic, but as its diction is currently slightly more familiar, I make the Left the winner. It would be possible to call this a tie, too, though.
In the spring of the year following that in which the Sanjō Minister of the Right had passed away, on hearing that the Minister had summoned her, she sent this to the Prince who was father to the Ise Virgin.
いかでかの年ぎりもせぬたねもがなあれたるやどにうゑて見るべく
ikade ka no tosigiri mo senu tane mogana aretaru yado ni uwete mirubeku
Why is it that Absent this year are not These seeds! At a ruined dwelling Planted, could they be seen…
[1] The concluding two lines of this poem are missing from the contest’s text, but have been supplied by later scholarship.
[2]Kokin rokujō I: 286/A minor variant of this poem is included in Mandaishū (III: 730), with the headnote ‘A poem from the Poetry Contest in One Hundred Rounds held by the Tōin Empress’ なつのよもしもやおけると見るまでにあれたるやどをてらすつきかな natsu no yo no / shimo ya okeru to / miru made ni / aretaru yado o / terasu tsuki kana ‘Upon a summer night / That frost has fallen / It does appear at / A ruined dwelling where / The moon does shine!’
