Distant colours of blossom in full bloom
Left
なつかしきかこそ袖までにほふなれ花の木ずゑは遥かなれども
| natsukashiki ka koso sode made niou nare hana no kozue wa harukanaredomo | That comforting, familiar Fragrance has reached my very sleeves And scented them; Though the blossom-laden treetops Lie far away… |
Minamoto no Masamitsu, Assistant Director of the Bureau of Medicine
7
Right
花ざかりさきそめしよりあかなくによその梢を折りつつぞみる
| hanazakari sakisomeshi yori akanaku ni yoso no kozue o oritsutsu zo miru | Since a profusion of blossom Began to bloom, Unable to sate myself, Distant treetops Will I ever break off and gaze upon. |
Minamoto no Masamitsu, Assistant Director of the Bureau of Medicine
8
Left (Win)
住みなれし人はこずゑに絶えはてて琴の音にのみ通ふ松風
| suminareshi hito wa kozue ni taehatete koto no ne ni nomi kayou matsukaze |
Accustomed to his being here, Now, he comes not and from the treetops All that endures Are my zither’s strains, Blending with the pines. |
Lord Ari’ie
1103
Right
聞かじただつれなき人の琴の音にいとはず通ふ松の風をば
| kikaji tada tsurenaki hito no koto no ne ni itowazu kayou matsu no kaze o ba |
I will listen no more! To that cruel man’s Zither strains Heedlessly blending With the wind from off the pines… |
Nobusada
1104
The Right state: it sounds as if the man is enduring on the treetops. The Left state: ‘I will listen no more!’ (kikaji tada) is extremely coarse.
In judgement: while it may sound as if the man is enduring on the treetops in the Left’s poem, this is no more than a standard use of metaphorical expression, and the configuration of ‘accustomed to his being here, now, he comes not and from the treetops’ (suminareshi hito wa kozue ni) sounds fine, with the latter part of the poem also being elegant. The initial line of the Right’s poem has a conception of closing up the ears to block one’s auditory sense, which seems excessive. Clearly, the Left’s ‘my zither’s strains’ (koto no ne ni nomi) must win.
Left
相思ふ中には枝も交しけり君が梢はいやおちにして
| ai’omou naka ni wa eda mo kawashikeri kimi ga kozue wa iya’ochi ni shite |
Joined in love Branches meet and Twine together, they say, yet As the treetops, you fail to come Again, and yet again. |
Kenshō
1033
Right (Win)
人しれぬ心に君を楢柴のしばしもよそに思はずもがな
| hito shirenu kokoro ni kimi o narashiba no shibashi mo yoso ni omowasu mogana |
Unknown to all My heart to you Inclines among the oaks; For just a while, as a stranger I would you not think of me… |
Lord Takanobu
1034
The Gentlemen of the Right state: ‘again, and yet again’ (iya’ochi) does not sound pleasant. The Gentlemen of the Left state: the Right’s poem has no faults to mention.
In judgement: the Left’s poem, having the conception of intertwined branches is pleasant, but ‘treetops at my house’ (yado no kozue) would be normal, so I wonder about ‘as the treetops, you fail to come’ (kimi ga kozue)? In the Right’s poem, although ‘among the oaks; for just a while’ (narashiba no shibashi) is commonplace, it is still more elegant than ‘again and yet again’.
Composed when a man who had said she could definitely rely on him to come with the evening, said she would not see him until the 20th of the month.
契りおきし人も梢の木間よりたのめぬ月の影ぞもりくる
| tigiri okisi Fito mo kozuwe no ko no ma yori tanomenu tuki no kage zo morikuru |
He promised, but He does not come, and from the treetops Through the trees The fickle moon’s Light comes dripping. |
Horikawa, from the Regent’s Household
摂政家堀川
The poetry competition held at the residence of Yukihira, the Minister of Popular Affairs: Left and Right prepared tableau, among other things. The tableau were in the form of rustic dwellings. Poems were composed on these in relation to cuckoo calls.
Left (Tie) – on the form of a mountain dwelling
夏深き山里なれど時鳥声はしげくも聞えざりけり
| natu Fukaki yamazato naredo Fototogisu kowe Fa sigekumo kikoezarikeri |
Deep in summer Lies this mountain hut, yet The cuckoo Calls lush and thick, but I cannot hear them! |
1
Right – on the form of a country house
荒れにける宿の梢は高けれど山時鳥まれに鳴くかな
| arenikeru yado no kozue wa takakeredo yamahototogisu mare ni naku kana |
Gone to ruin is This house where treetops Are tall, yet The mountain cuckoo Calls there but rarely! |
2