Category Archives: Sumiyoshi-sha uta’awase kaō ni-nen

Sumiyoshi-sha uta’awase kaō ni-nen 47

Round Twenty-Two

Left

いなむしろしきつのうらのまつかぜはもりくるをりぞしぐれともしる

inamushiro
shikitsu no ura no
matsukaze wa
morikuru ori zo
shigure to mo shiru
A straw mat spread
At Shikitsu Bay, where when
On the wind through the pines
Come dripping droplets
I know a shower is falling!

Lord Kiyosuke
93

Right (Win)

おほぞらもみやこのかたをしのぶらしこよひはことにうちしぐれつつ

ōzora mo
miyako no kata o
shinoburashi
koyoi wa koto ni
uchishiguretsutsu
The heavens, too,
Of the capital
Think fondly, it seems,
For tonight is especially
Filled with constant showers…

Lord Sanetsuna
94

The poem of the Left appears to have a pleasant conception, blending showers with the wind through the pines and saying, ‘Come dripping droplets / I know a shower is falling!’, but it appears that the straw mat has only been spread because of the reference to Shikitsu [spreading] Bay. Considering the actual nature of a straw mat, however, I do not feel that the sense links with Shikitsu Bay, although it would be charming if sleeping on a journey in the shade of the willows beside a river, or even in a hut among the rice-fields. I do not feel it is appropriate to spread a straw mat beneath the pines at Sumiyoshi. In addition, it is only the straw mat here which has the conception of a journey—how should one feel about that? The configuration of the Right’s poem, beginning with ‘The heavens, too’ and following with ‘Of the capital / Think fondly, it seems’, I would say is a poem for a poetry match. While a counter-argument has been made about the Left’s poem, it’s really asking for the impossible, isn’t it. So, I impose victory for the Right.

Sumiyoshi-sha uta’awase kaō ni-nen 46

Round Twenty-One

Left (Tie)

かきくもりたびねのいほにしぐれしてつゆけさまさるくさまくらかな

kakikumori
tabine no io ni
shigureshite
tsuyukesa masaru
kusamakura kana
Clouds claw in above
The hut where I doze upon my travels, and
Showers fall—
Dew-drenched, above all, is
My grassy pillow!

Lord Shigenori
91

Right

まばらなるいほよりもりてむらしぐれをりしくならのはにぞおとする

mabara naru
io yori morite
murashigure
orishiku nara no
ha ni zo otosuru
Leaky is
My hut, so dripping through come
The cloudbursts;
Plucked and spread the oak
Leaves make such a sound!

Lord Morikata
92

The Left sounds very straightforward. The Right appears heart-rendingly desolate, but I wonder if it isn’t a bit excessive to go so far as the poet reclining on spread oak leaves which are making a sound due to the shower dripping through the hut’s roof? Then again, the Left’s latter section appears to contain little feeling, so comparing the two poems’ together, they should tie, I feel.

Sumiyoshi-sha uta’awase kaō ni-nen 45

Round Twenty

Left

たびねするいそのとまやのむらしぐれあはれをなみのうちそへてける

tabinesuru
iso no tomaya no
murashigure
aware o nami no
utchisoetekeru
Dozing on my travels
In a sedge-thatched hut upon the rocky shore,
The cloudbursts’
Sadness with that of the waves
Is laced.

Lord Sane’ie
89

Right (Win)

もりもあへずまだきにぬるるたもとかなこずゑしぐるるまつのしたぶし

mori mo aezu
mada ki ni nururu
tamoto kana
kozue shigururu
matsu no shitabushi
No drips
Yet have come to my soaking
Sleeves—
The treetops showered, as
Beneath the pines I lay me down.

Atsuyori
90

The Left’s sound of the waves ‘In a sedge-thatched hut upon the rocky shore… Sadness with that of the waves / Is laced’ does, indeed, convey an inference of sadness, but the concluding ‘is laced’ sounds a bit inappropriate. The Right’s conception and configuration, too, are extremely charming. ‘Beneath the pines I lay me down’ is, I think, a novel construction—although I do get the impression that that it sounds like something which has prior precedent. Still, saying ‘No drips / Have yet come to my soaking’ and then ‘The treetops showered, as / Beneath the pines’ means that the sound conveys the loneliness as it truly is. Thus, again, the Right wins.

Sumiyoshi-sha uta’awase kaō ni-nen 44

Round Nineteen

Left (Win)

くさまくらおなじたびねのそでにまたよはのしぐれもやどはかりけり

kusamakura
onaji tabine no
sode ni mata
yowa no shigure mo
yado wa karikeri
Needing a grassy pillow
When travelling just the same as I, dozing
I find my sleeves drenched even more,
For the midnight shower, too,
Has found lodging.

Kojijū
87

Right

いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ

iori sasu
yamaji wa suginu
hatsushigure
furusato made ya
meguriyukuramu
I put up my hut
Upon the mountain path that you passed by,
O, first shower!
As far as my ancient home
I wonder, will you make your way?

Lord Sanemori
88

The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 43

Round Eighteen

Left (Tie)

なにはがたあしのまろやのたびねにはしぐれはのきのしづくにぞしる

naniwagata
ashi no maroya no
tabine ni wa
shigure wa noki no
shizuku ni zo shiru
In Naniwa’s tidelands,
In a reed-roofed hut,
Dozing on my travels—
A shower by the eaves
Dripping droplets is revealed!

Lord Tsunemori
85

Right

つのくにのこやのたびねにしぐれしてなにかはもらむあしのやへぶき

tsu no kuni no
koya no tabine ni
shigureshite
nani ka wa moramu
ashi no yaebuki
In the land of Tsu
In Koya, in a hut dozing on my travels
During a shower—
Will anything drip through
My roof’s eightfold thatch?

Lord Yorisuke
86

Both Left and Right are set in a traveller’s lodge in Sesshū province, but the Left appears to lack configuration and conception, it has long been said that using four of the character in a poem in a poetry match is a fault, but it does not sound to me as if the four uses of no here are a particular problem. With that being said, starting with ‘dozing on my travels’ [tabine ni wa]and then having ‘a shower by the eaves’ [shigure ni wa] uses wa twice and this seems to sound a bit discordant. The Right, while it refers to the same sort of shower from a cloudless sky, starts with ‘during a shower’ and follows this with ‘will anything drip through?’, which seems to sound a bit contradictory. I can’t help but feel it would have been better had it been ‘even though it showers’ and then had ‘will anything’. However, both poems are about reed roofed huts during a shower and it really is difficult to distinguish between them. Thus, I make this a tie.

Sumiyoshi-sha uta’awase kaō ni-nen 42

Round Seventeen

Left (Win)

こよひしもあやにくにふるしぐれかなまばらにさせるしばのいほりに

koyoi shimo
ayaniku ni furu
shigure kana
mabara ni saseru
shiba no iori ni
Of all nights
How unfortunate it is that falls
A shower!
Upon my crudely erected
Brushwood hut!

Lord Kinshige
83

Right

くさまくらつゆけきたびのくれはとりあやにくにまたしぐれふるなり

kusamakura
tsuyukeki tabi no
kurehatori
akaniku ni mata
shigure furu nari
My grassy pillow is
Dew-drenched on my travels
At Kurehatori—the weaver’s town!
How warped that still
A shower falls here!

Enjitsu
84

Both Left and Right have their showers falling unfortunately, and the poem of the Right starts with ‘Kurehatori’ and continues with ‘warped’ which sounds charming, but to mention ‘dew-drenched travels’ and follow this with Kurehatori give a somewhat unexpected impression. The Left lacks anything as individual as Kurehatori’s warp, but ‘crudely erected’ is a direct description and, thus I could make the Left the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 41

Round Sixteen

Left

くさまくらたびねさびしきやまかげにこのはさそひてしぐれふるなり

kusamakura
tabine sabishiki
yamakage ni
ko no ha sasoite
shigure furunari
On a grassy pillow,
Dozing on my travels, lonely
In a mountain’s shade,
The rustling of the leaves invites
A shower to fall.

Hyōenosuke
81

Right (Win)

すみのえのまつがはひねをまくらにてなみうちそふるしぐれをぞきく

suminoe no
matsu ga haine o
makura nite
nami uchisouru
shigure o zo kiku
At Suminoe
Upon the crawling pine roots
Have I made my pillow, while
Laced with the breaking waves
I listen to the showers.

Lord Naganori
82

The Left’s configuration of ‘the rustling of the leaves invites’, while dozing on one’s journey in the shadow of a mountain, sounds pleasant. While I do wonder about the Right’s diction—concluding with ‘listen to the showers’—in addition to ‘laced with the breaking waves’ sounding pleasant, it also adds the conception of waves beneath ‘the pines of Suminoe’, doesn’t it. I make the Right the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 40

Round Fifteen

Left

みちしばのつゆわけきつるたびごろもしぐるるよははほしぞわづらふ

michishiba no
tsuyu wakekitsuru
tabigoromo
shigururu yowa wa
hoshi zo wazurau
Through the roadside grasses
Dew have I come forging—
My traveller’s garb
In a midnight shower
I’d dry—what trouble ‘tis, indeed!

Hyōenokami
79

Right (Win)

しぐれするおとにいくたびねざめしてくさのまくらにあかしかぬらむ

shiguresuru
oto ni iku tabi
nezameshite
kusa no makura ni
akashikanuramu
The showers’
Sound, so many times
Has wakened me, so
On my grassy pillow
It seems the dawn can never come!

Michichika
80

The Left’s ‘roadside grasses’ have nothing remarkable about them and, what’s more, fail to link to anything. The Right has a charming conception of feeling the dawn will never come to a grassy pillow, but as in the poem ‘On a winter’s night / How many times / Have I awakened, / Deep in thought, my dwelling’s / Door-crack letting in the light?’, it is more charming to refer to the difficulty of greeting the dawn at the end of a winter’s night. This poem has the speaker being woken countless times by the sound of a shower and seems to convey the feeling of dozing on a dew-drenched pillow, doesn’t it. With that being said, the Right does appear to have some genuine emotion behind it. I would say it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 39

Round Fourteen

Left

こころあれやかきなくらしそはつしぐれまださしはてずしばのかりいほ

kokoro are ya
kaki na kurashi so
hatsushigure
mada sashihatezu
shiba no kari’io
Have some sympathy,
And bring no darkness,
O, first shower!
For I have yet to finish putting up
My crude brushwood hut…

Lord Suetsune
77

Right (Win)

すみよしのまつがしたねのたびまくらしぐれもかぜにききまがへつつ

sumiyoshi no
matsu ga shita ne no
tabimakura
shigure mo kaze ni
kikimagaetsutsu
At Sumiyoshi
Beneath the pines, their roots are
My journey-pillow, as
The shower, too, with the gusting wind
I hear blending together.

Takanobu
78

The Left’s latter section, which states that the poet has ‘yet to finish putting up’ his hut, has a truly charming configuration as a poem on the conception of travel, but the phrase ‘have some sympathy’ does not appear to be a conception which has prior precedent. It could be a way of expressing the emotion through the shower. As for the Right, while I do question the sound of ‘journey-pillow’, it is the case that in Cathay-style poems this appears, but what are we do to about the fact that this is not ‘pillow on my journey’, I wonder? The sequencing of ‘the shower, too, with the wind’ is pleasant, isn’t it. Thus, I make the Right the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 38

Round Thirteen

Left

しぐれもるたびねのとこははなぞめのたもとぞさきにまづかへりける

shigure moru
tabine no toko wa
hanazome no
tamoto zo saki ni
mazu kaerikeru
A shower drips upon me
As I doze upon my journey-bed;
Blossom-dyed,
My sleeves, before me,
Have first returned to what they were!

Masahira
75

Right (Win)

はなれゆくみやこをおもふひとりねのなみだをさそふはつしぐれかな

hanareyuku
miyako o omou
hitorine no
namida o sasou
hatsushigure kana
Distant has grown
The capital, but it fills my thoughts,
Sleeping solo,
My tears invited by
The first shower!

Chikashige
76

The configuration of the Left’s poem appears charming, but it would have sounded more so had there been a reason why ‘my sleeves, before’ had returned to the capital on the journey. The diction and conception of the Right’s poem, beginning with ‘distant has grown’ and leading to ‘tears invited’, is extremely pleasant. It seems the Right wins.