Tag Archives: sky

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 34

Round Ten

Left

をぐらやま下ゆく水のさざれ石も数かくれなくてらす月かげ

ogurayama
shita yuku mizu no
sazare’ishi mo
kazu kakurenaku
terasu tsukikage
Beneath gloomy Mount Ogura
Flow waters full
Of pebbles,
Unable to conceal their numbers
In the shining moonlight.

Lord Kiyosuke
67

Right (Win)

あまの川とわたる月の影すみてにごれるよともみえぬ空かな

ama no kawa
towataru tsuki no
kage sumite
nigoreru yo tomo
mienu sora kana
Across the River of Heaven’s
Mouth passes the moon’s
Clear light—
Even this cloudy world
Does not appear so beneath this sky!

Shinkaku
68

There’s nothing to mention about the Left, and the same is the case for the Right, but for some reason should it win?

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 29

Round Five

Left

さやけさに又ことごともわすられてふた心なく月をこそみれ

sayakesa ni
mata kotogoto mo
wasurarete
futagokoro naku
tsuki o koso mire
In its pure clarity
Still, all other things
Are forgotten,
With no divisions in my heart
Do I view the moon!

Lord Suetsune
57

Right (Win)

いかで猶秋しも月のかかりけむみるほどあらじ夏のよならば

ikade nao
aki shimo tsuki no
kakarikemu
miru hodo araji
natsu no yo naraba
Why is it that always
In autumn, above all, the moon
Does seem to hang within the sky?
There’s no time to see it, perhaps,
On a summer night…

Lay Priest Sanekiyo
58

The Left’s configuration is entirely lacking in consistency and, in addition, fails to indicate a clear conception, so the Right must be declared the winner.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 12

Round Twelve

Left (Tie)

秋風の吹くときくより七夕はこころのうちやすずしかるらん

akikaze no
fuku to kiku yori
tanabata wa
kokoro no uchi ya
suzushikaruran
Since the autumn breeze’s
Blowing she has heard,
The Weaver Maid
Surely within her heart
Feels a pleasant cool!

Suketaka
23

Right

七夕のまちつる程の久しさにはかなくあくる空をかへばや

tanabata no
machitsuru hodo no
hisashisa ni
hakanaku akuru
sora o kaeba ya
The Weaver Maid
Her waiting time’s
Eternity for
The briefly brightening
Sky would wish to change…

Moromitsu
24

Entō ōn’uta’awase 17

Round Seventeen

Cuckoos

Left (Tie)

さのみやは心あるべき時鳥ね覚の空に一声もがな

sanomi ya wa
kokoro arubeki
hototogisu
nezame no sora ni
hitogoe mogana
Not much of
The heart can you know,
O, cuckoo, but
On waking from the sky
I would hear a single call.

A Court Lady
33

Right

やはた山むかひの里の郭公しのびしかたの声もかはらず

yawatayama
mukai no sato no
hototogisu
shinobishi kata no
koe mo kawarazu
By Yawata Mountain,
At the estate of Mukai,
A cuckoo,
Fondly remembers someone
With a changeless song!

Lord Ietaka
34

The Left’s poem would seem to fail to reflect the essential meaning of the topic of cuckoos by having it not yet being heard, and thus its overall technique seems dreadful. The Right’s poem also lacks any superlative elements, they must tie.

Entō ōn’uta’awase 13

Round Thirteen

Left (Win)

桜花空にあまぎる白雲の棚引きわたるかづらきの山

sakurabana
sora ni amagiru
shirakumo no
tanabikiwataru
kazuragi no yama
The cherry blossoms,
As sky-sweeping
Clouds of white
Drape all across
Kazuragi Mountain.

Takasuke
25

Right

さくらさくながらの山のながき日も昔をこひぬ時のまぞなき

sakura saku
nagara no yama no
nagaki hi mo
mukashi o koinu
toki no ma zo naki
The cherries bloom
Changeless on Nagara Mountain;
The lengthy days to
Those beloved bygone
Moments do not compare.

Shimotsuke
26

Neither Left nor Right has any faults worth mentioning. The Right’s poem appears tranquil, with an artless quality. It has a moving sensibility of longing for the past, but the Left’s poem should just about win, I think.