Composed on hawking in the snow.
ぬれぬれもなほかりゆかむはしたかのうはげの雪をうちはらひつつ
| nurenure mo naFo kariyukamu Fasitaka no uFage no yuki wo utiFaraFitutu | Drenched, but even so Let us still hunt on! From my sparrowhawk’s Plumage the snow I’ll ever brush! |
Minamoto no Michinari
Composed on waiting for the moon by the water at Lord Kinzane’s residence.
夏の夜の月待つ程の手ずさみに岩もる清水いく結びしつ
| natsu no yo no tuki matu Fodo no tezusami ni iFa moru simidu iku musubisitu | On a summer night, Waiting for the moon, My hands keep busy by Through the pure water dripping from the rocks Running time and time again. |
Fujiwara no Mototoshi
Composed on the conception of love at the end of the Third Month.
春はをし人はこよひとたのむればおもひわづらふ今日のくれかな
| Faru Fa wosi Fito Fa koyoi to tanomureba omoFiwazuraFu keFu no kure kana | Regretting the departure of spring, and Tonight, my man Expecting, Wracked with painful thoughts Does today reach its dusk! |
The Minister of the Centre
Composed on the conception of love at the end of the Third Month.
春はをし人はこよひとたのむればおもひわづらふ今日のくれかな
| Faru Fa wosi Fito Fa koyoi to tanomureba omoFiwazuraFu keFu no kure kana | Regretting the departure of spring, and Tonight, my man Expecting, Wracked with painful thoughts Does today reach its dusk! |
The Minister of the Centre
Composed on the conception of love at the end of the Third Month.
春はをし人はこよひとたのむればおもひわづらふ今日のくれかな
| Faru Fa wosi Fito Fa koyoi to tanomureba omoFiwazuraFu keFu no kure kana | Regretting the departure of spring, and Tonight, my man Expecting, Wracked with painful thoughts Does today reach its dusk! |
The Minister of the Centre
Composed on spending spring accompanied by nothing but blossom.
ちらぬ間は花をともにて過ぎぬべし春よりのちのしる人もがな
| tiranu ma Fa Fana wo tomo nite suginubesi Faru yori noti no siru Fito mogana | While still unscattered The blossom is my only friend, and When ‘tis past And spring is gone, then Would I have folk to know! |
The Hanazono Minister of the Left
During the period when Izumi Shiku had accompanied Yasumasa to Tango, when there was a poetry match in the capital and Handmaid Koshikibu was selected as one of the poets, Lord Sadayori came to her chamber at the palace and went on at her, asking, ‘How are your poems coming along? Will you be sending them to your mother in Tango? Has your messenger not returned yet?’ and really seemed very unsettled about everything, so she composed this as a playful way of preventing him from going himself.
おほえ山いくのの道のとほければまだふみもみずあまのはしだて
| oFoeyama ikuno no michi no toFokereba mada Fumi mo miezu ama no Fasidate | In Ōeyama The path to Ikuno Lies far away, so I’ve not set foot upon it, or had a letter from Ama-no-Hashidate! |
Handmaid Koshikibu
During the period when Izumi Shiku had accompanied Yasumasa to Tango, when there was a poetry match in the capital and Handmaid Koshikibu was selected as one of the poets, Lord Sadayori came to her chamber at the palace and went on at her, asking, ‘How are your poems coming along? Will you be sending them to your mother in Tango? Has your messenger not returned yet?’ and really seemed very unsettled about everything, so she composed this as a playful way of preventing him from going himself.
おほえ山いくのの道のとほければまだふみもみずあまのはしだて
| oFoeyama ikuno no miti no toFokereba mada Fumi mo miezu ama no Fasidate | In Ōeyama The path to Ikuno Lies far away, so I’ve not set foot upon it, or had a letter from Ama-no-Hashidate! |
Handmaid Koshikibu
Composed on the moon at dawn on the road to a barrier, while at the Shirakawa residence of the former Uji Grand Minister.
あり明の月もし水にやどりけりこよひはこえじあふさかの関
| ariake no tuki mo simizu ni yadorikeri koyoFi Fa koezi aFusaka no seki | The dawntime Moon within pure water Has lodged; Tonight I’ll not pass The barrier at Meeting Hill. |
Lord Fujiwara no Norinaga
