sa mo koso wa yorube no mizu ni mizukusa ime kyō no kazashi yo na sae wasururu
That may be, but In the jars of proffered water Waterweed grows old, perhaps, yet To say that the blossom in your hair today Has had its name forgotten? Really…
wakana tsumu toshi wa henuredo kasugano no nomori wa kyō ya haru o shiruramu
Plucking fresh herbs do The years pass by, yet On Kasuga Plain, The wardens today Must truly know ‘tis spring. [1]
Mitsune 19
Left (Tie)
けふ見てぞわれはしりぬるはなはなほかすがののべのものにぞありける
kyō mite zo ware wa shirinuru hana wa nao kasuga no nobe no mono ni zo arikeru
Today did I see, and Understood it well, that Blossom, truly, Upon the meadows of Kasuga Is best of all.
20
Right
ありへてもかすがののもりはるにあふはとしもわかなもつめるしるしか
arihete mo kasuga no nomori haru ni au wa toshi mo wakana mo tsumeru shirushi ka
Over passing ages, For the wardens of Kasuga, Encountering the springtime, The years and the fresh herbs, both, Have garnered as a sign, perhaps.
21
[1] A variant of this poem occurs in Shokugosenshū: In the twenty-first year of the same era, on a day when the Kyōgoku Lady of the Bedchamber visited the shrine at Kasuga, he composed this in place of the official from the province of Yamato. としごとにわかなつみつつかすが野ののもりもけふやはるをしるらん toshi goto ni / wakana tsumitsutsu / kasugano no / nomori mo kyō ya / haru o shiruran ‘Every single year / Ever plucking fresh herbs / On Kasuga Plain / The wardens, too, today / Must truly know ‘tis spring.’Mitsune (XVI: 1032/1029)
uguisu no nakitsuru nae ni kasugano no kyō no miyuki o hana to koso mire
While the warbler Sings on Kasuga Plain Today, accompanying the progress, snow As blossom does appear.[1]
16
Left (Win)
いまはしもはなとぞいはむかすがののはるのみゆきをなにとかは見む
ima wa shimo hana to zo iwamu kasugano no haru no miyuki o nani to ka wa mimu
Now, of all, The blossom, I would describe, On Kasuga Plain, as Springtime progress snow— What else can I say?
17
Right
ふるさとにゆきまじりたるはなと見ばわれにおくるなのべのうぐひす
furusato ni yukimajiritaru hana to miba ware ni okuru na nobe no uguisu
Around the ancient capital Have I gone amidst the snow— If as blossom I did see it, then, O, don’t send me off, Warbler upon the plain!
18
[1] SIS 1044 attributed to Fujiwara no Tadafusa ‘Headnote ‘Among the many poems presented by provincial officials, when the Kyōgoku Lady of the Bedchamber visited Kasuga.’
mezurashiki kyō no kasuga no yaotome o kami mo koishi to shinobazarame ya
Charming, Today at Kasuga Were maidens eight— Would the deity, too, such yearning Be unable to recall?[1]
1
In reply:
Left (Tie)
やをとめをかみししのばばゆふだすきかけてぞこひむけふのくれなば
yaotome o kami shi shinobaba yūdasuki kakete zo koimu kyō no kurenaba
If maidens eight The deity does recall, then Cords of mulberry cloth Would he hang that on this beloved Day evening should not fall…
2
Right
ちはやぶるかみしゆるさばかすがのにたつやをとめのいつかたゆべき
chihayaburu kami shi yurusaba kasuga no ni tatsu yaotome no itsuka tayubeki
Should the mighty Deity permit, Upon Kasuga plain Stand maidens eight— How long would they endure?
3
[1] A variant of this poem occurs in Shūishū: Composed when officials from the provinces presented twenty-one poems on the occasion of an imperial progress to Kasuga by the former Teiji Emperor in Engi 20: めづらしきけふのかすがのやをとめを神もうれしとしのばざらめや mezurashiki / kyō no kasuga no / yaotome o / kami mo ureshi to / shinobazareme ya ‘Charming, / Today at Kasuga / Were maidens eight— / Would the deity, too, such joy / Be unable to recall?’ Fujiwara no Tadafusa (SIS X: 620)
Composed during the reign of former Emperor Ichijō, when His Majesty was presented with a gift of some eightfold cherry blossom from Nara and, being in attendance, he ordered her to composed a poem on this gift of blossom.
いにしへのならの宮このやへざくらけふここのへににほひぬるかな
inishie no nara no miyako no yaezakura kyō kokonoe ni nioinuru kana
The ancient Capital of Nara had Eightfold cherry blossom, that Today within the ninefold palace Does shine!