Tag Archives: night

Autumn I: 10

Left (Win).

秋ごとに絶えぬ星合のさ夜更て光傡ぶる庭の灯し火

akigoto ni
taenu hoshiai no
sayo fukete
hikari naraburu
niwa no tomoshibi
Each and every autumn,
For the eternal meeting of the stars
Night falls, and
Lights align with
The palace garden lanterns.

Lord Sada’ie.

319

Right.

露深き庭の灯し火數消ぬ夜や更ぬらん星合の空

tsuyu fukai
niwa no tomoshibi
kazu kienu
yo ya fukenuran
hoshiai no sora
Deep dewfall
Upon the garden lanterns
Extinguished a number;
Has night fallen, I wonder,
Upon the sky wherein stars meet?

Ietaka.

320

The Right have no comments to make about the Left’s poem this round, while the Left simply say the Right’s poem has ‘major faults’. (Criticising the use of the completive marker nu twice in quick succession: kienu, fukenuran.)

Shunzei ignores this point, simply saying, ‘The expression “Has night fallen, I wonder, upon the sky wherein stars meet?” (yo ya fukenuran hoshiai no sora) is splendid, but there is no reason for beginning the poem with “deep dewfall” (tsuyu fukaki). The Lefts’ poem has no faults – thus, it must win.’

Autumn I: 8

Left (Win).

呉竹に過ぐる秋風さ夜更けて奠るほどにや星合の空

kuretake ni
suguru akikaze
sayo fukete
matsuru hodo ni ya
hoshiai no sora
When the black bamboo
Is brushed by autumn breeze, and
Night falls,
Is it time to celebrate?
Stars meeting in the heavens…

Lord Kanemune.

315

Right.

九重に今日奠るをば七夕のたゞ一夜にも嬉しとや見る

kokonoe ni
kyō matsuru oba
tanabata no
tada hito yo ni mo
ureshi to ya miru
Within the Ninefold Palace walls
This day we celebrate,
The lovers on
Just a single night:
Are they pleased, I wonder?

The Provisional Master of the Empress’ Household Office.

316

The Right state, ‘“Is it time to celebrate? Stars meeting in the heavens” (matsuru hodo ni ya hoshiai no sora) – the one does not seem to follow from the other. The Left wonder, ‘why we have an annual rite describe as “a single night” (tada hito yo), and not “but one night a year” (toshi ni hito yo)?’

Shunzei merely remarks, ‘“Is it time to celebrate? Stars meeting in the heavens” – this certainly does follow on, and there is nothing wrong with it. The point about “a single night” is well made. The Left wins.’

Summer II: 17

Left (Tie).

をのづからなさけぞみゆる荒手組む賤がそともの夕顔の花

onozukara
nasake zo miyuru
arate kumu
shizu ga soto mo no
yūgao no hana
How natural
To be moved:
Twined roughly round the fence
Outside a peasant’s hut,
Moonflower blooms…

Kenshō.

273

Right (Tie).

山賤の契のほどや忍ぶらん夜をのみ待つ夕顔の花

yamagatsu no
chigiri no hodo ya
shinoburan
yoru o nomi matsu
yūgao no hana
Is it with the mountain man
Her time is pledged
So secretly?
For the night alone, awaiting,
The moonflower bloom.

Jakuren.

274

The Right state, ‘it is normal diction to say ‘roughly’ (arate) ‘hang’ (kaku). Is it possible to also use ‘twine’ (kumu)?’ In response from the Left, ‘Yes, one can.’ The Left have no criticisms to make of the Right’s poem.

Shunzei states, ‘Both poems are equally lacking in faults or merits. Whether one uses “roughly” twining or hanging, neither is particularly superlative, I think. “Her time is pledged” (chigiri no hodo ya) seems somehow lacking , too. This round must tie.’

Spring III: 3

Left.

夕暮に思へばけさの朝霞夜をへだてたる心地こそすれ

yūgure ni
omoeba kesa no
asa kasumi
yo o hedatetaru
kokochi koso sure
In the evening
Pondering on the morn’s
Morning mist:
That a night does stand between,
The feeling strikes me strongly.

Lord Ari’ie.

125

Right (Win).

かくしつゝつもればおしき春の日をのどけき物と何思らむ

kakushitsutsu
tsumoreba oshiki
haru no hi o
nodokeki mono to
nani omouramu
Doing this and that
Time passes, so I should regret
These days of spring,
Spent in peaceful
Thought – and for what!

Lord Takanobu.

126

Neither team has any comments to make about the other’s poem this round.

Shunzei states, ‘The Left seem to touch on the topic of the round only distantly, while the Right’s ‘Time passes, so I should regret’ (tsumoreba oshiki) appears particularly splendid. It must be the winner.

KKS XIII: 616

Composed during a gentle rain and sent to a woman he had been secretly seeing since the first day of the Third Month.

おきもせずねもせで夜をあかしては春の物とてながめくらしつ

oki mo sezu
ne mo sede yoru wo
akasite Fa
Faru no mono tote
nagame kurasitu
Not awake and yet
Not sleepless through the night, and
With the dawn
Comes a scene from Spring:
Ever-falling rain to gaze upon all day.

Ariwara no Narihira (825-880)
有原業平

MYS X: 2350

On night.

あしひきの山のあらしは吹かねども君なき宵はかねて寒しも

asipiki nö
yama nö arasi pa
fukanedömo
kimi naki yöpi pa
kanete samusi mo
Foot wearying,
The mountain breeze
Blows not, yet
On nights when you’re not here
I already feel the cold.

MYS X: 2301

On night.

よしゑやし戀ひじとすれど秋風の寒く吹く夜は君をしぞ思ふ

yosiweyasi
kopizi tö suredö
aki kaze nö
samuku puku yo pa
kimi wo si zö omopu
“Right, then!
I’ll long for you no more!” I said, yet
The autumn wind
Blows cold tonight
And my thought are all of you.