Tag Archives: kataoka

Mimosugawa uta’awase 13

Round Thirteen

Left

山がつのかた岡かけてしむるののさかひにたてる玉のを柳

yamagatsu no
kataoka kakete
shimuru no no
sakai ni tateru
tama no oyanagi
A mountain man
Clinging to the slopes
Marking out his meadows,
Standing on the border,
Jewelled tiny willow threads.[i]

25

Right (Win)

ふりつみしたかねのみ雪とけにけり清滝河の水のしらなみ

furutsumishi
takane no miyuki
tokenikeri
kiyotakigawa no
mizu no shiranami
Fallen and drifted,
The fair snows on the high peaks
Have melted;
The Kiyotaki River’s cataracts bring
White caps to the waters…

26

The Left poem has a rare style and give me the impression that it is a realistic depiction, but I do wonder about the use of ‘tiny’ in the final line—does one really compose this way? The configuration of the Right poem is extremely charming, and so I say it wins.


[i] See:

Composed on ‘willows by a fence’ for the Poetry Match held at the residence of His Excellency, Supernumerary Middle Counsellor Toshitada.

あたらしやしづの柴垣かきつくるたよりにたてる玉のをやなぎ

atarashi ya
shizu no shibagaki
kakitsukuru
tayori ni tateru
tama no oyanagi
How regrettable!
A peasant’s brushwood fence
Fenced in
With the support of
Jewelled tiny willow threads…

Minamoto no Nakamasa
Tsukimōdeshū 83

Sankashū I: 52

A willow by a mountain hut.

山がつのかたをかかけてしむるいほのさかひにみゆるたまのをやなぎ

yamagatsu no
kataoka kakete
shimuru io no
sakai ni miyuru
tama no oyanagi
A mountain man
Clinging to the slopes
Marking out his hut’s
Border, it appears, with
Jewelled tiny willow threads.

52[i]


[i] Saigyō included a variant of this poem in Mimosugawa uta’awase (25)—this version was also later included in Shinkokinshū (XVII: 1677):

山がつのかた岡かけてしむるののさかひにたてる玉のを柳

yamagatsu no
kataoka kakete
shimuru no no
sakai ni tateru
tama no oyanagi
A mountain man
Clinging to the slopes
Marking out his meadows,
Standing on the border,
Jewelled tiny willow threads.

This poem lost the round in which it was included, with Shunzei, although praising the its style and ‘realistic depiction’ , being dissatisfied with the final line and querying whether it was appropriate to use ‘tiny’ (o を) as a modifier for ‘willow’ (yanagi 柳).

Teiji-in uta’awase 24

Left (Win)

われききてひとにはつげむほととぎすおもふもしるくまづここになけ

ware kikite
hito ni wa tsugeku
hototogisu
omou shiruku
mazu koko ni nake
I listen, and
To folk will tell,
O, cuckoo, so
Where I am lost in thoughts of you,
Sing here first!

Mitsune
47

Right

かたをかのあしたのはらをとよむまでやまほととぎすいまぞなくなる

kataoka no
ashita no hara o
toyomu made
yamahototogisu
ima zo nakunaru
Until in Kataoka
The plain of Ashita
Does resound
The mountain cuckoos
Are singing now!

48

When ‘Until in Kataoka / The plain of Ashita / Does resound’ had been recited, His Majesty laughed, saying, ‘It would be impossible for it to resound,’ so the final part of the poem was not recited and it lost.

Uda-in uta’awase 9

Lilac Daphne

Left (Tie)

かたをかにひのはなばなにみえつるはこのもかのもにたれかつけつる

kataoka ni
hi no hanabana ni
mietsuru wa
konomo kanomo ni
tare katsuketsuru
Upon the hillside
The fires as flowers
Do appear—
Here and there,
Who has kindled them?

Tsurayuki
17

Right

わたつみのおきなかにひのはなれいでてもゆとみゆるはあまつほしかも

watatsumi no
oki naka ni hi no
hanare’idete
moyu to miyuru wa
ama tsu hoshi kamo
Across the broad sea sweep
Upon the offing, fires
In the distance
Burn it seems—
Stars within the heavens, perhaps…

Tomonori
18

Minbukyō yukihira uta’awase 10

Left
時鳥今宵はとまれ片岡の朝の原に帰りやせぬ

Fototogisu
koyoFi Fa tomare
katawoka no
asita no Fara ni
kaFeri ya senu
O, cuckoo
Stay here this night, and
Down the hillside
With the morning to the plain
Will you not return?

19

Right
我が宿に声な惜しみそ時鳥通ふ千里のゆきはてぞ此は

wa ga yado ni
kowe na osimi so
Fototogisu
kayoFu tisato no
yukiFate zo ko Fa
At my home
I regret not your song,
O, cuckoo,
For your thousand league
Journey’s end lies here.

20