鳴るかみの夕立にこそ雨は降れ御手あら新井洗川の水まさるらし
narukami no
The thunder
Nōin
稲筵川沿柳水行けばおきふしすれどそのねたえせず
inamushiro
On a rice-straw mat
At the waterfall at Ryūmon.
くる人もなき奥山の滝の糸は水のわくにぞまかせたりける
kuru Fito mo
No one is there
Middle Councillor Sadayori
行く水のうへにいはへる河社河浪高くあそぶなるかな
yuku midu no
The waters run, and
Ki no Tsurayuki
Left (Win).
yukusue no
In the future,
A Servant Girl .
Right.
musuban to
That we would be joined
Ietaka .
Both Left and Right state: there is no separation between man and woman.
In judgement: ‘Young shoot of wild rice at Yodo’ (yodo no wakagomo ) and ‘Ide’s jewelled waters’ (ide no tamamizu ) are both elegant in style, but the Left has pledged a more profound bond. The Right has ‘the slight reflection left’ (mada kage asaki ) and the Left is a poem about a vow which has been made. The Right is just referring to events of the past. Thus, ‘depth’ should win.
On frogs.
神なびの山下響み行く水にかはづ鳴くなり秋と言はむとや
kamunabi no
The sacred
Anonymous
Topic uknown.
水鳥の下安からぬ思ひにはあたりの水もこほらさりけり
mizutori no
A dabchick:
Anonymous
夏草の上にしげれる沼水の行く方もなき我が心かな
natu kusa no
Summer grasses:
Frogs (蛙)
たかせ舟のぼるほり江の水を浅み草がくれにてかはづなくなり
takasebune noboru horie no mizu o asami kusagakure nite kawazu nakunari Skips
Minamoto no Akinaka (1058-1138)
水の上の浜名の橋も焼けにけりうち消つ波やより来ざりけむ
midu no uFe no
Upon the waters
Minamoto no Shigeyuki
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'Simply moving and elegant'